"The first day subscription data of the book "The Promotion of the Ming Dynasty" has been released. Old Birds, tremble! According to the official announcement of the book "The Promotion of the Ming Dynasty" has exceeded the terrifying 15,000 yuan. This is the debut work of the newbie author. Old Birds, do you feel Alexander when you see this data? Perhaps many new authors and most readers don't know what this data represents. Then I will spread this knowledge to you a little bit and let you know how powerful this subscription data is!

Among the hundreds of thousands of authors in a certain point, they can be divided into two large camps. The first camp is the public author and the second camp is the contracted author. This is the most disparate dividing line among authors.

Let’s talk about the public authors in the first camp first. Anyone who knows some common sense understands that public authors are the lowest and most miserable existences among all authors. They joined the author’s army with enthusiasm and dreams, thinking that once the work is published, it will attract countless people to pursue it, and thus become famous in one fell swoop. But the reality is red. The roar tells them that this is just a dream. They have worked hard to write something in a few hours or even ten hours a day. There are few viewers and are so deserted that it makes people crazy that they should not be called "dirty every day". At this point, many authors wake up and then quit the eunuchs of the work with lingering fears. There are still some obsessiveness.

But I kept gritting my teeth and insisting on writing. If I don’t sign a contract with a hundred thousand words, I will be 200,000, I won’t sign a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a contract with a record of 200,000, I will be 300,000, and I will be over 1 million. I will persevere. I will be able to sign a contract with a contract with a good second or third book. If I don’t sign a contract with a slightly worse book, I should be able to sign a contract with a successful contract.

Of course, the above are just the situation of most new authors, and not all new authors have to get to this point. There are also some new authors with good strength and amazing talent who are attracted by the review editor after writing tens of thousands of words and successfully signed the contract. However, there may be only one lucky among the ten new authors, and too many successful authors are forced to come over.

Let’s talk about the second camp, the lucky ones in the first camp, the successful ones in the first camp, and the successful ones who have successfully signed the contract will squeeze into the second camp. Soon, those newcomers who thought they could end their hardships after breaking through the signing threshold of the first camp and squeeze into the signing author and ending their hardships. They found themselves wrong. After crossing the signing threshold, it was not the double gains of fame and fortune as they imagined, but just the beginning of hardship! The strict level of the signing authors in the camp made the rookies who had just successfully signed the contract, because successfully signing does not mean that they can be successfully listed. If the grades are too poor, they can’t even be listed, so what else can they talk about? Therefore, if the signing contract fails to meet the listing standards, the most miserable existence among the many signing authors.

Of course, this is just a case of a small number of new authors. Most of the works of new authors can be successfully put on the shelves, and the most important thing after they are put on the shelves is undoubtedly the subscription. Here, I divide the subscriptions at a certain point to help the novices understand how terrifying it is to subscribe to 15,000 yuan on the first day.

The work has 0-100 subscriptions on the first day of the release of the work. This is the lowest among all the authors on the shelves. If the daily update is 5,000 words, the monthly income is only 650 yuan, which means that if there is no such full attendance award, the subscription income alone will only be a pitiful 150 yuan. The author of this level is called the fighter in the frustration.

If the work is 100-300 subscription on the first day of the first day of the work, it will be calculated by 300 per day for 5,000 words. The monthly income plus 500 yuan is about 950. The author at this level is the author with the largest number of contracted authors. He worked hard for a month but received a much cheaper income than a wage earner. I call it a flop.

The first day of the work is released, the subscription is 300-500, and the subscription is 500 per day, and the monthly income plus 500 yuan is about 1,250 yuan. The author of this level is called the hard-working coder.

The work is 500-800 subscriptions on the first day of the release of the work, and is calculated as 800 subscriptions per day for 5,000 words. The monthly income plus 500 attendance is about 1,700. The author of this level is called an ordinary writer.

The first day of the work is on the shelves, and the subscription is 1,000 per day, and the monthly income plus 500 attendance is about 2,000. The author of this level is called a third-rate writer.

The first day of the work is on the shelves, and the subscription is 1,500 yuan. The monthly income plus 500 yuan is about 2,750 yuan. The author of this level is called a second-rate writer.

The work is 1,500-3,000 subscriptions on the first day of the release of the work, and is calculated as 3,000 subscriptions per day for 5,000 words. The monthly income plus 500 attendance is about 5,000. The author of this level is called a first-class writer.

The work is 3,000-5,000 subscriptions on the first day of the release of the work, and is calculated as 5,000 subscriptions per day for 5,000 words. The monthly income plus 500 attendance is about 8,000. The author of this level is called a demigod.

The work is 5,000-8,000 subscriptions on the first day of the work, and is calculated as 8,000 subscriptions per day for 5,000 words. The monthly income plus 500 attendance is about 12,500. The author of this level is called the Little God.

The work is 8,000-10,000 subscriptions on the first day of the release of the work, and the subscription is 10,000 per day for 5,000 words. The monthly income plus 500 attendance is about 15,500. The author of this level is called Zhongshen.

The work is 10,000-15,000 subscriptions on the first day of the release of the work, and the subscription is 15,000 per day, and the monthly income plus 500 attendance is about 23,000. The author of this level himself calls him a great god.

The above is not counted as rewards, monthly ticket awards, and income that may or may not be included, and the half-year awards are not counted.

After reading this subscription income, do the novices think that this income is too bad and the great god is too worthless? In fact, this is not the case, because my data only represents the subscription situation of some of them, and there is a lot of room for up and down. These old bird authors understand. However, considering that the novices don’t understand, I will guess the monthly income of "The Promotion of the Ming Dynasty" to let you see what the super god’s income is, so that you won’t understand that the great god has only this income.

According to the official data released by a certain point, "The Promotion of the Ming Dynasty" exceeded 15,000 subscriptions on the first day of its launch. If the author continues to make less and less and writes a plot that will cause readers to collapse. Then it is certain that by the end of the month, it should be conservatively estimated that its average subscription exceeds 23,000. With the author's current update speed, 15,000 words per day is not a problem at all. Let's calculate it based on the average subscription of 23,000 words per day, and its monthly subscription revenue is 1.

03,500 yuan. The first prize for the monthly ticket of the new book is 10,000 yuan, and the full attendance award updated for more than 10,000 words per day is 1,000 yuan. I just went to the fan list of "The Promotion of the Ming Dynasty" to make a brief count. The reward income is currently more than 30,000 yuan. This month has just begun, and no one can predict the final reward. I will calculate it at the lowest 100,000 yuan, and after half of it, there will be 50,000 yuan. The combined income is 164,500 yuan, which is the real income of the super god.

Seeing the above income speculation, are the novices also tempted to enter this industry? If so, I have to buy you some cold water. There are only a few dozen authors who can become gods with hundreds of thousands of authors. Just like what I wrote before, there are countless authors struggling in the public author class. Even if they can successfully enter the threshold of signing authors, such as "fighter jets in the street", "fighter guys", and "hard coders", etc., may be waiting for you to claim them! So, novices who plan to join in, please think twice!!!

Finally, I declare that the above data is just a matter of my experience based on the ten years of experience in Hunji.com’s literature circle. It is not official data. The final right to interpret is my own. Thank you for your cooperation!”

Song Ming read this popular post from beginning to end and further deepened his understanding of the website. It was not until this time that Song Ming realized that in addition to those great authors who call the wind and rain, there were so many miserable authors who were at the low level. What made Song Ming happy in the end was that the owner of the post’s guess about his monthly royalty income of "The Promotion of the Ming Dynasty" reached as much as 160,000, which Song Ming never expected before.

After reading this magical post, Song Ming closed the post with anticipation and excitement, then clicked on the page of "The Promotion of the Ming Dynasty" and browsed the extremely popular book review area.

"Top Ten Reasons for Becoming Famous in "The Promotion of the Ming Dynasty"!" - Read Loneliness through the book.

Looking at this post with high top and exquisiteness, Song Ming was surprised to find that the reply to this book review had already broken through the terrifying thousand marks, and he couldn't help but click in curiously...

ps1: Yaya, this chapter makes me dizzy. I introduced the basic situation of the author to let everyone know that it is not easy for the author. It is not that living in dire straits, but that has been thrust by the past. Only a very small number of authors will soar into the sky. Therefore, capable book friends hope that they can support their favorite authors. If you have the ability to read the genuine version, don’t watch the pirated version. Subscription is the lifeblood of each author, and it is crucial!

ps2: Thank you for living★, *just as *still*, classic 100, dream dragon immortal, no heaven, Kunlun beggar king, Xuanyuan x Yutian reward. Thank you point3251 for the five-star evaluation ticket.
Chapter completed!