CBS Sony, the agent who has been in charge of Nanshaori's work management after retirement contacted her and informed her about the cover.

Nansaori, who has been retired for many years and is already a mother of three children, did not forget about the idol era like Yamaguchi Momoe, but it was nothing to do with having a little idol sing her representative work. On the phone, she asked her agent to convey her encouragement, and the matter was over.

As for what I want to see what kind of little idol dares to cover her famous songs, and what kind of songs that my famous songs will be re-adapted into, these things do not exist.

For Nanshaori, or for most idols in this idol era, idols are jobs, no different from being a fan clan in the company.

Once she quit her job and got married, everything she had had nothing to do with her in the past.

Everything is easy to talk to on the idol side. The lyricist of this song, Ai Sanhuiko, was called by Warner Pioneer to communicate and won her consent.

Generally speaking, arrangements are bought out at one time, because arrangements are special and not independent works. However, if they are famous arrangers, it is a different matter and they will receive subsequent royalties.

The person who arranged the song "17 Years Old" was either someone else, or the composer of Tsuki Mikyohei.

Tsukimi Kyohei and Arima Mikeko are a regular team in Nanshaori's idol career, and her popular songs are provided by this pair.

Who is Tsumi Kyohei? It can be said that he is the best-selling composer in Japan. The sales volume of the songs he composed can be around the earth for countless rounds.

He debuted in the 1960s and became famous for his bands when groupsounds became popular. He wrote one famous song after another. Later, he produced many best-selling songs for his idols. He won the composition award at the Record Awards five times, which is the most times in the history of the Grand Awards.

No matter what type of song you listen to, you can see Tsuki Mi Kyohei's name in the composer column. The number of best-selling songs of this person makes people wonder, could he come here with a bookcase of records?

Shinichi Iwahashi, who came to this era more than 30 years later, speculated on him according to the routine of time travel, while people in this era were much simpler and more crude.

Because Tsukimi Kyohei doesn't like to appear in public, there are very few related news or photos, so the public speculated that "Tsukimi Kyohei" is a vest and there is no real person at all.

Of course, industry insiders know that this is impossible.

Because, after contacting Tsukimi Kyohei through Warner Pioneer, Iwahashi Shinichi personally visited Tsukimi Kyohei that afternoon.

This kind of approach to visit the door in person is out of respect for this master of composing. Of course, it is rare to see Tsukimi Kyohei by taking this opportunity.

This kind of composing music is something that people from small production companies can't see even if they want to.

...

In the Kazuhiro room at Tsukimi Kyohei's house, Shinichi Iwahashi met the true face of this master of composer.

The master of composing for more than 20 years old, at first glance, is an old man, but in fact, Tsumi Kyohei is less than fifty years old and doesn't look like an Atist, but rather like the minister of a big company.

He graduated from Qingshan College, where his academic style is open and his children are gathered in the country, once again personally proved the truth that "music is made by rich people."

Most of these great masters who have promoted the development of Japanese pop music have a good background.

Tsuki Mi Kyohei already knew his purpose on the phone. Even so, Shinichi Iwahashi said it in front of him again, because the arranger of "17-year-old" was also Tsuki Mi Kyohei, and it was even more necessary to explain to him that the arrangement of the song would be majorly modified.

To this day, Tsukimi Kyohei has written many songs, and he has scored all the best-selling songs. There are so many singer idols who have covered his songs over the years. He could only make a phone call, but the reason why he agreed to Shinichi Iwahashi to come to the door in person is that he has a little intention in his heart to see this young man who has been in the limelight recently.

"I heard that it was an idol produced by Iwahashi Sang, and I was a little surprised." Tsukimi Kyohei said after hearing his explanation.

Shinichi Iwahashi looked at him, but did not answer, waiting for Tsukimi Kyohei's following.

"Before this, I heard your name by chance, but the band-related programs were put together."

"Actually, before that, I also worked as an idol's agent."

Shinichi Iwahashi said this to show that he has not had contact with his idol. However, when he said this, he thought about what he had done to his idol, and he felt a little guilty.

A little idol Akiko Matsumoto who turned over with the transformational artist Salt Fish was obviously not heard in the ears of Tsuki Mi Kyohei, who has been in the music industry. Hearing him say this, Tsuki Mi Kyohei said "oh" but did not ask questions.

Obviously, if you have been an agent for a well-known idol, you will definitely bring your idol's name when you say it. Tsukimi Kyohei accidentally inquire about Shinichi Iwahashi's agent career.

Coming from the era of groupsounds, no matter what kind of music genre, Tsukimi Kyohei once provided music, genre prejudice can be seen in anyone, but it will never appear in him.

He is always paying attention to the popular trends in the music industry. As early as when Bowwy became popular, he felt the dawn of the band. Similarly, he has promoted the birth and rise of idols and also keenly realized that idols are going downhill.

The idol Kikuchi Taozi, who was once popular, stopped working with composer Lin Zhesi and transformed into a band this year and set off again.

As an idol, she has really become famous, although she has not become that kind of phenomenon. Now she is in a band, I don’t know what kind of performance she will perform.

However, compared to whether her band could become popular, popular idols would become bands, in a sense, Tsukimi Kyohei felt that this was a defeat in the idol era.

Although the Coke band is looking up, from the moment there is this sign to the ability to ignite the fire, something catalytic is needed.

Tsukimi Kyohei guessed who would ignite this fire, whether it was on TV, among the people, or in record companies? What role would this young producer who came to his home in order to make the female idol famous?

"If you want to talk about it, there are actually times when idols and bands are perfectly integrated." Tsukimi Kyohei seemed to say casually, "Thetige's Kenji Sawada is very beautiful, and it is not impossible to say that he is an idol in the band."

"It's true." Shinichi Iwahashi responded, "Even the Beatles had an era when they were regarded as idols."

"So," he said, "I think it's a very lucky thing to be able to make idols and bands at the same time."

Idols can form bands, and bands can also become idols.
Chapter completed!