First of all, thank you editor Qilin for your recommendation, and didn't kill this book directly.

Then there is the official speech.

Ah, it's going to be on the shelves again.

The mood was unexpectedly calm.

The grades are relatively average.

But I've been mentally prepared for a long time.

So far, this book has basically not written any plots of pretending to be slapping in the face, nor does it have the usual villain that jumps out, and almost all characters can be called good people.

Overall, it's just a storytelling.

It can be said that it is as calm as water.

Actually, I can write how I can get better grades.

Especially for entertainment, it is not too difficult.

Write some new ideas and ideas, and then it’s the regular entertainment routine.

He set a target for villain and competed with the protagonist. He looked down on the protagonist at first, and then was slapped in the face.

Then the protagonist's movies, TV series, songs or some messy things went from success to success in the other.

Passers-by were amazed.

Let’s list the data again, what box office and ratings are, everyone is surprised, praised, and the villain is painful, uncomfortable, and resentful.

The protagonist's status has increased greatly, or he is still looked down upon by the new villain, or the old villain remains unchanged.

Then continue with the protagonist's next victory.

Until he became the world's most awesome artist.

Or it's just a counter-routine. The protagonist doesn't want to do this. He has other purposes, but unexpectedly, it's done.

As a result, the supporting characters praised them, but the protagonist was so uncomfortable.

Well...will be able to achieve results by writing like this.

Although everyone complains about pretending to slap Xiaobai’s face, the ones with the widest audience are actually the ones, but some of them are written with good rhythm or are covered with layers of skin, which makes people not that awkward.

Pretending to behave, slapping the face, and upgrading are demands since ancient times, both at home and abroad, both ancient and modern times.

Countless Chinese and foreign literary works, historical allusions, and the current real world, are all things that everyone likes to hear.

So it is not embarrassing to pretend to be slapped in the face.

Of course, my book also has these elements, but I deliberately downplayed it.

I'm really asking for trouble.

It can be considered as trying out new ways of writing entertainment.

If one type cannot write something new, I will definitely not write a second book of the same type.

This book is also an attempt, or it is to follow your inner thoughts.

So I didn't exaggerate the awesomeness of ratings, clicks, box offices, etc.

Of course, I did write similar plots, but I just used a few hundred words to describe them.

I want to express this more through supporting roles who are not just symbols.

For example, when two high school girls were in school, people around them were discussing the TV series to express the popularity of the TV series indirectly, rather than using a bunch of news titles and numbers to illustrate.

Promotions such as subsequent TV series are also explained by supporting characters' mouths or just mentioned in one stroke.

When writing about the protagonist's grades, the supporting actors were also feeling the feelings, and they basically would not write about Zhang Hong's reaction after seeing the data.

Moreover, Zhang Hong’s purpose is not here, he is even more out of these things.

The main thing is to tell stories.

For example, this is the case for the three generations of the Liang family.

By making TV series or movies, we can solve some problems and achieve some people's obsessions or thoughts.

Because of constantly writing movies, TV series, entertainment will eventually make people tired, and both readers and authors will be tired.

This is a bit fresh.

Of course there will be villains and other things, but I hope to write about everyone’s healthy competition, not brainless villains.

After all, I have been in society for many years, and I have seen too many brainless villains. I don’t want to write a book and have to disgust myself for my grades.

There is also the growth process of the protagonist Zhang Hong.

Actually, this is the wrong way to write it.

According to online novels, it is best to give the protagonist a clear goal from the beginning.

To be precise, it is a concrete and ambitious goal throughout the book, and it is also the skeleton and main line of the book.

Small goals for small stages and medium-term goals are interspersed in the middle.

Only by being straightforward enough to let the audience understand this must be able to continue chasing.

This is what the upgrade stream is to become stronger.

Although I don’t understand why some books say that the protagonist was an ordinary person in his previous life, after traveling through time, he set his goal to become stronger and become a strong man in his mentality.

If you travel through time, the best goal is of course to return to the world of your previous life.

To seek strength and transcendence, all are perfect motivations.

Whether it is to give the protagonist the motivation or the readers.

I clearly know everything, but I still didn't write it like that.

Zhang Hong had no goal at the beginning.

As soon as he traveled over, he was on the set. At first, he was not happy with the young and handsome guys and scripts, and was also on the shelves, so he stinged the bullet.

This is also the reason why many readers say that they are not clear about what they have read before.

Because there is no goal.

There are no long-term goals, no medium-term goals, and no short-term goals.

But I don't really want to write a tool protagonist who is just to promote the plot.

I want to write a protagonist who will grow more in line with my expectations.

Or, what I want to write is a protagonist similar to Gintoki Sakata.

Of course, it's just some similar ones.

So after the first filming, Zhang Hong earned 800,000 yuan.

At this time, he had the first reason to stay in the entertainment industry - to make money.

Yes, he thinks he can make money with such a fuck, which means he is indeed talented.

Then make money by engaging in the entertainment industry.

So there is the copy chapter of Huaxia Heavy Industry.

Zhang Hong just wanted to make money and had no other ideas.

But as I said in the first few chapters about Zhang Hong's character, he is an ordinary person. Although it doesn't matter to you, don't let him see it.

If he sees it, he will be soft-hearted.

That's why he would come up with bad ideas for Mr. Liang, and he would instruct the little kid Liang Ya, and finally refuse the ten million (although he regretted it as soon as he left the hospital).

At this time, he belonged to and grew up again.

It is to make money, can I do something I can do?

So the next chapter is ushered in, "The Unsung Hero of the March War".

He will continue to grow.

But that's all after it was put on the shelves.

There is also the line between high school girl Su Xiaoyue.

Of course she won’t have any entanglements with Zhang Hong (I won’t write about many heroines in the extraordinary urban books).

It is a simple story of star chasers and celebrities.

It’s just that this star Zhang Hong happens to be a close-knit brother.

The world is not black and white, and it is not that the star-chasing people are all brainless. I wrote about her because of this reason.

It is just a moderate star chasing, or an idol, that can motivate yourself to make progress and become a better person.

For example, I am a brainless fan of Cuttlefish. If he didn't reply to me on his official account at the end of 2017, I wouldn't have the courage to start writing a book.

Although he no longer remembers it (laugh).
To be continued...