Her smile alarmed Zhai Yan who had been standing beside her for a long time.

When he turned his head, he saw the woman in Taoist costume in front of the other book. Zhai Yan was shocked and was about to bow and salute, but was blocked by the woman's wave. His eyes did not leave the scroll. He heard a beautiful and majestic voice saying: "Zhai Gongnan, as Mr. Daozi's young disciple, you are so disobedient in front of this painting. Why is this?"

Seeing that the woman waved her hand just now, obviously she wanted to not be polite because of her eldest princess identity, Zhai Yan then moved forward and chuckled with a finger scroll: "Mr. Yuzhen is also a Chinese family, and she still needs to talk too much." After saying this compliment, she saw him continue: "Half a year ago, I have seen Ali's figure paintings in Jinzhou, Dongdae, Shandong. Compared with that time, although he still has flaws in his detailed techniques, what surprised me was the new meaning in this painting."

Hearing the word "Ali", Yu Zhen, wearing Taoist costume, turned her head and looked at Tang Li who was lazily leaning against him. After pursing a smile on his lips, he started to speak again: "New meaning?"

"Yes, new meaning!" When talking about these two words, Zhai Yan's excitement just now appeared uncontrollably: "According to the famous works of predecessors, all of them focus on the similarity of spirits. While drawing the composition in the mind with concise brush and ink, they strive to express the situation outside the painting. The same is true for the rough look of Ali's painting."

"kindness?"

"I'm just a rough look, but if you appreciate this painting carefully, you can see that its brushwork is very different from the techniques of today's masters." When I was excited, Zhai Yan took another step forward and pointed his hand at the details of the scroll: "Look at the eldest princess, if this painting looks from the big picture, the brushwork is not different, and it is also the simple brushwork that draws the bleakness of early autumn."

"What Gongnan said is good." Although he was just talking normally, Yu Zhen, who was wearing a Taoist robe, was still used to being condescending.

"But here, looking at it, it is completely different from the painting techniques of various schools that exist today." When Zhai Yan specified the woman in the painting, he said very quickly: "First from the surface, no matter who it is, when writing such a painting, these two women in Taoist costumes will not be so prominent, and have such a large size, because it is easy to hurt the whole, and it is likely to lose the outside world. Looking at this expression and clothes, they are not afraid of complexity, and they use so many brushes and outlines so meticulously, which is completely different from the techniques of the various schools. Even if the resurrection of the Yan brothers of Taizong in the rebirth of the Yan family in the year of Taizong, they will definitely not be like this in painting."

"Brothers of Yan?" Yu Zhen frowned.

"Oh! I forgot about Shaoxing. Ali was the direct inheritor of the painting style of Yuchi and the Yan brothers of the Zhenguan Dynasty. It was because he had been in remote prefectures and counties in Jinzhou before, so the eldest princess didn't know." Zhai Yan refused to let him go if he had the opportunity to recommend it to Tang Li.

"Big and Weichi, brothers of the Yan family!", muttering and chanting, Yu Zhen, who was surprised between her eyebrows, turned back and looked at Tang Li carefully.

"In this scroll, whether from the big picture to the detailed outline, there are inheritance of the predecessors, but each part is very different, especially the depiction of these two characters, and the techniques used are unprecedented. In short, this scroll should be full of contradictions, but at this time it seems to be a perfect match and one." After a long sigh, Zhai Yan slowed down and said: "It is not easy to inherit the old techniques, and it is even more difficult to create. But today, from Ali's painting, you can see a new style that is very different from the predecessors. Although it is only a little prototype, it is enough to shock me." At this point, he has answered Yu Zhen's question just now.

Yu Zhen looked at the scroll again, and Zhai Yan's voice came from his ears: "Besides, even if you don't talk about anything else, just about the scroll itself, this "Autumn Outing Picture" combines five techniques into one furnace, and it is also sent by Ali's heart. It is indeed called a great work." When he said this, a bitter smile rang out: "It's just that, I'm really nervous."

In fact, Tang Li could hear the chuckle just now clearly. However, he was lazy and didn't want to move. He still closed his eyes and took a nap. Then he heard the three words "The Princess". Thinking that if he stood up, he would have to bow and bow, and he couldn't help but lose the intention to get up.

When he heard the strings of praise from Zhai Yan's mouth, if it were not for the intention of drinking, Tang Li's face would have looked really nice and tight at this time.

Traditional Chinese painting methods, unlike the Western style, have always used scattered perspective. Although this avoids the limitation of fixing an observation point and is more conducive to the expression of the overall artistic conception, the white jade is slightly flawed, which also makes the parts not prominent enough. In fact, his depiction of these two Taoist nuns in "Autumn Outing Picture" is just a reference to the focus perspective method in later Western paintings. As for those fine brushstrokes, it is the most basic skill for beginners to learn sketches in later generations. Speaking of which, these two things are almost everyone knows in later generations, but now they have an unexpected effect in combination with ancient methods.

After listening to Zhai Yan's words, the lazy Tang Li opened his eyes and faced another pair of curious phoenix eyes.

The owner of these phoenix eyes had been looking at Tang Li for a long time, but he might as well open it suddenly, and his eyes were facing each other for a moment, and both of them were stunned.

After a while, Tang Li first reacted, nodded slightly, and smiled faintly before looking at the "Princess".

This is a woman of elusive age. She is clearly in her forties when she looks at her majesty between her eyebrows and her calmness in her life. However, if she looks at her face and skin color, she will be at most in her early thirties. When she sees her slender figure that is hard to conceal, she will be at most eighteen.

What is as strange as her age is that her dressing is her dressing. The high bun of Taoist robe makes her look quite elegant that monks should have. The cloth socks and sashes also show that she is obeying the rules of Taoism, but her face is covered with powder that Taoists should not have been used. While the faint incense comes, Tang Li, who is sitting on the hu felt, saw her light pink underwear with wide sleeves...

After watching for a moment, Tang Li felt that the Taoist Princess Yuzhen in front of him was as contradictory as described in his "Autumn Outing Picture".

Feeling this gaze, the eldest princess, who was standing behind her back, suddenly turned to look at Tang Li. After a moment, a light smile bloomed from her lips.

In Tang Li's eyes, this smile was like hers, contradictory and blurry, both like an affirmation and appreciation of his talents; but the fleeting light hook at the corner of his lips was like a warm teasing...

Brothers: It will be available next week. Be kind and leave me some monthly tickets!!! Thank you, thank you!!!
Chapter completed!