I don't know if it was my charm that worked, or if this passage was almost at the end. After walking forward for about a few dozen meters, there was a faint light coming from the front.
"I didn't expect that the charms on my two knives would really work at critical moments." Even I couldn't believe it myself.
"There seems to be a way out ahead." Ren Yonghai pointed to the front and shouted, with some expectation.
"Be careful, this passage has no upward slope, we should still be underground." Xu Yaxian was obviously not as optimistic as Ren Yonghai.
Having said that, after a night of tossing, this small glimmer of light still aroused some expectations. At least it was better than continuing to walk in the tomb passage, and the few of us couldn't help but speed up our pace.
The light blue light became more and more obvious, and after turning a corner, a huge grotto appeared in front of us.
After seeing the scene in the grotto clearly, several of us looked at each other and stopped in unison.
This is a naturally formed karst cave, about ten meters high. There are no traces of artificial excavation on the cave wall. It is as big as an indoor gymnasium.
The cyan light comes from a kind of crystalline rock inlaid on the cave wall. It's hard to tell what the material is. It looks like some unknown mica. It emits cyan fluorescence, which is very close to the luster of night-light pearls in movies and TV series.
.
"Lin Kun, what kind of light is this? It's so weird." Ren Yonghai asked warily.
"There's nothing unusual about these, they're just ordinary fluorite."
We didn't stop because of these fluorescent lights. What stopped us were some other things in the grotto.
Right in front of the exit, there are eight circular mica platforms. It can be seen at a glance that this is a Bagua array. There is a transparent crystal coffin placed on each platform. Through the coffin, you can clearly see
, in each crystal coffin, there was a naked female corpse lying.
In the center of this Bagua array, there is a Tai Chi figure. In the Tai Chi figure, the yin and yang are arranged in two huge mica stone bodies. In the middle of each stone body is an upright crystal coffin. Inside the coffin, there is also a
A female corpse.
The two female corpses were dressed in white cloth, with graceful faces and delicate skin. Their long hair was tied with a red rope, and their hands were folded in their bellies. They did not look like ancient corpses that had been dead for thousands of years, but just like a woman who had just fallen asleep.
classical beauty.
"Bagua Shuangyin Dragon Tower Palace!" This name suddenly appeared in my mind.
The dragons called dragons in ancient Feng Shui are actually mountains. The mountains move the air of the earth and evolve from the movement of the crustal tissue. The shape and air are interrelated and match the five elements of gold, wood, fire, water and earth. Earth is the master of the five elements.
The metaphor is "dragon's flesh", the mother of all things. The metaphor of water is "dragon's blood", like blood circulation, endless life, the source of creation of all things. The metaphor of fire is "dragon's air", which is the warm current in the mountains.
, dominates the change of terrain and breath. Grass and trees are likened to "dragon's hair", which are created by heaven and earth. Metal stones are likened to "dragon's bones", which are the foundation for breath movement. Mountains, situation, breath, and dynamic gasification belong to Yang, and Earth belongs to Yang.
Yin and earth nourish the breath, and the breath undergoes gasification and changes to form the shape. The internal and external structures are connected in one vein and take care of each other.
The dragon cave mentioned in ancient Feng Shui is a place where the breath of the mountain structure is stored. The function of finding dragon caves is to place the bones of ancestors in the place where the breath of the mountain structure is stored, and the yin and yang qi in the same place are synthesized.
Yiqi relies on the dynamic gasification changes of mountains to communicate with the gasification of nature's breath, causing the bones to produce changes in breath and feeling.
Because the gasification of the mountain structure can be directly related to the gasification in the human body, and the gasification of the ancestors' bones is related to the gasification of their descendants. Therefore, the famous tombs chosen by the predecessors are all built on the mountain structure.
The structure of the place where the breath is stored will produce changes in the sense of breath. This also proves that the changes in the Qi of Feng Shui Dragon Cave, combined with the bones of human ancestors, can have a good effect on the changes in the breath in the bodies of their descendants.
The method of finding the dragon's lair should be observed based on the changes in the situation of the mountain range. The place where the vitality of the mountain structure condenses is the location of the dragon's lair. The mountain situation is formed by the gasification of heaven and earth. Its situation is dominated by Qi, and Qi needs to be condensed.
Therefore, the famous tombs selected by the former teacher are all located in the places where the vitality of the mountain structure condenses, conforming to the yin and yang energy of the earth, and integrating the energy of the water source of the environment. The condensed energy of the hole must be pure, and obtain the yin and yang.
The breath vaporizes to form momentum, so that you can reap the fruits of heaven and earth's creation.
Mountains have origins, and water has sources. The change of earth's Qi is mainly due to the momentum formed by mountains, and the change of situation's Qi is mainly due to the gathering of water sources. The metaphor of water movement belongs to yang, and the metaphor of soil in mountains belongs to yin. When mountains and rivers intersect, it is yin and yang.
At the time of fusion, all things must be vaporized and nurtured by the yin and yang breath to be alive. Because the yin and yang breath in the earth vaporizes and condenses in the essence of the mountain structure. The water source breath vaporizes and gathers in the environmental situation formed by the mountain structure. Looking for
The purpose of burying the bones of ancestors in dragon caves is to harvest their Qi and make them more vigorous.
In fact, ordinary people have some familiarity with ordinary Feng Shui. Generally speaking, the pulse-finding and acupoint-finding methods in Feng Shui are based on looking from the outside to the inside, and judging the local conditions through the topography, mountains, and steep trends of strange rivers.
The Feng Shui pattern. The Dragon Tower Hall is the location of the tomb with excellent Feng Shui.
However, a rather evil Feng Shui technique goes astray. Although what it is looking for is also called the "Dragon Tower Palace", this Dragon Tower is not that Dragon Tower, but is in a place with extremely bad Feng Shui pattern.
The "Dragon Tower Palace" is forcibly constructed using the method of Yin Yang, Bagua and Five Elements, and the Yin method gathers the Yin Qi hidden underground to condense the essence of heaven and earth in mountains, rivers and swamps.
Although in terms of origin and purpose, the Bagua Shuangyin Dragon Tower Treasure Hall is not considered an evil magic. After all, there are only a few real Feng Shui treasures in Longzhen Cave, and most of them have defects.
Building tombs in extremely bad places is a last resort, and there is nothing inherently evil about it.
However, this Feng Shui technique, which has been lost for nearly a thousand years, has gradually gone astray due to the excessive abuse of rulers in successive dynasties.
Bagua Shuangyin Feng Shui emerged in the Spring and Autumn Period and reached its peak during the Warring States Period. The acupuncture points it found were originally intended to ensure the blessings of future generations, but in addition, it also has a special and irresistible effect.
, that is, it can gather underground Yin Qi, so that the body of the owner who protects the tomb will not rot or rot.
The rise of this Feng Shui technique is closely related to the Spring and Autumn Period and the Warring States Period, when princes and kings feared death and hoped for resurrection after death.
At that time, alchemists were popular, and everyone was refining the elixir of immortality. However, the elixir of immortality was difficult to find. From ancient times to the present, not only Qin Shihuang searched for the elixir of immortality, but Emperor Xuanzong of the Tang Dynasty also did it, and Emperor Jiajing was also obsessed with it.
Thousands of years are just a substitute for the First Emperor's position. However, before waiting for ten thousand years of blessings and longevity, they have already been exhausted, and they will eventually die.
The princes and kings before the First Emperor could not find the elixir of life, so they had to turn to other methods, so this Feng Shui technique became popular.
This situation is somewhat similar to the frozen corpses of modern science. After their death, many people spend huge sums of money to preserve their bodies in liquid nitrogen at dozens of degrees below zero, hoping that technological breakthroughs in the next few decades will allow them to resurrect themselves.
It's just that unlike modern freezing, those who freeze their bodies have paid medical research institutions to maintain them for a long time. However, those princes and kings thousands of years ago had no descendants to help them resurrect, and in the end they could only resurrect them.
Another way to "resurrection".
To build the Bagua Shuangyin Dragon Tower Palace, you need to find the land
In the extremely yin place below, Yin-gathering stones, which are mica that can emit cyan fluorescence all over the caves, are used as Yin-gathering objects. A crystal coffin is placed above it, and a woman born in the Yin year of the Yin month is placed in the coffin.
In the eyes of ordinary people, Yin Gathering Stone is just ordinary mica that can emit fluorescence, and its value is not as good as crystal. However, in this kind of Feng Shui, it is an excellent thing to absorb Yin Qi.
The female corpses in the coffin are all extremely yin bodies, and the yin energy is endless. All the yin energy is collected in the central female corpse, and then the yin energy is transmitted to the tomb owner buried in this cave through special magic.
It is precisely under the nourishment of such yin energy that these female corpses can still be lifelike after thousands of years.
Seeing this Bagua Shuangyin Feng Shui bureau, I finally knew where the thousand-year-old rice dumpling I met before came from. It was really "resurrected" now.
"Lin Kun, are these all...all zombies?" We walked to the crystal coffin. Xu Yaxian took a curious look at the female corpse in the coffin, and then quickly retracted her head.
"Not yet. These Yin women are just tools for the tomb owner to absorb Yin energy. As long as nothing unexpected happens, they are just corpses that are relatively fresh."
I replied casually and walked to the two vertical coffins in the middle.
Like the eight crystal coffins around it, the vertical coffin in the center of the formation was also engraved with complicated and confusing inscriptions. I observed it carefully for a while, trying to find some useful information.
It’s just that the characters of the various vassal states during the Spring and Autumn Period and the Warring States Period were too complex and diverse. Although I recognized the Qin seal characters, I couldn’t recognize the meaning of these inscriptions. Judging from the glyphs and the location of the tomb, I probably judged them to be from Chu during the Warring States Period.
Chinese characters.
After a lot of futility, I gave up on identifying the inscription and inadvertently raised my head and saw the face of the female corpse in the coffin. Her eyes were still closed, but the corners of her mouth seemed to be slightly raised than before, maintaining a half-smile but not a smile.
strange state.
"Is it my imagination?" I tried hard to recall the state when I saw the female corpse before, and felt that there seemed to be some different changes, but I was not sure, and it seemed that I had remembered it wrong.
At this time, Ren Yonghai walked up to me, patted my shoulder, and said with some uncertainty: "Lin Kun, did you notice anything wrong with this female corpse?"
"Something's wrong?" I hesitated a little and looked at the female body in the coffin again, and saw that she still maintained that half-smiling face.
"There seems to be some, but I'm not sure. Do you see anything wrong?" I turned to ask Ren Yonghai.
Ren Yonghai swallowed, pointed to the hands of the female corpse folded on the abdomen, and said with some difficulty: "I'm not sure, but I remember that her hands were put together before, but now...
.Why are the two hands hanging down?"
I looked in the direction of Ren Yonghai's fingers and saw that the white and slender hands of the female corpse were indeed hanging on both sides, which was different from what he remembered.
"Could you have remembered it wrong?" I felt a chill rising from the bottom of my heart.
Ren Yonghai shook his head, looked at the female corpse, and said: "I'm not sure, so I asked you..."
He suddenly stopped mid-sentence. The puzzled expression on Ren Yonghai's face suddenly disappeared. His eyes widened with a look of horror. "Lin Kun! Quick, look..."
I turned around and saw the female corpse in the vertical coffin. She slowly opened her closed eyes and stared at Ren Yonghai and me. A strange smile appeared on her pretty face.
.
Chapter completed!