Chapter 891 Iron Lock across the River

Author: Erzi Congzhou

Chapter 891 Iron Lock across the River

Everyone turned to look, but there was a poem in regular script: "Life is short in the past seventy years, except for childhood before and after the old age. In the middle, there is not much time, and there are frosts and worries. Singing in front of the flowers and under the moon, there is an urgent need to have a lot of gold.

The bottle falls. People in the world can’t make enough money.

, there are too many officials in the court who can't do anything. The officials are rich and have too much money to worry about, and their heads turn gray early. The spring, summer, autumn and winter are between your fingers, and the clock sends the chicken to announce the dawn at dusk. Please take a closer look at the person in front of you, and bury the grass once a year. How high or low is the grass?

The grave is left unswept for half the year."

The article reveals the flavor of the psychological superiority of "you are all drunk and I am sober", showing a mentality of seeing through the world, not wanting to make progress, and advising others to just muddle along.

"This poem doesn't seem to be many." Wei Fei said: "It talks about cherishing time to make yourself happy, and not to pursue vain meanings such as high-ranking officials and generous salaries, right?"

"Actually, there is a problem with the writing. There are actually many such ballads, such as the song "Everyone in the World Says Gods Are Good" in "A Dream of Red Mansions". The conception is too substandard."

"People in the world can't make enough money, and officials in the government can't do anything. Officials have too much money to worry about, and they end up losing their jobs. In the final analysis, you should always put yourself first, whether you choose to do something or not.

Regardless of whether you choose to ask for it or not, the purpose is 100% for yourself."

"So how can Huang Tingjian appreciate this kind of poetry? Will he listen to such persuasion?" Zhou Zhi laughed and said: "Huang Tingjian wrote a "Shepherd Boy Poetry" when he was a child: 'Riding an ox far past the front village, the piccolo is playing across the long distance. How many Chang'an

Fame and fortune are not as good as kings if all the institutions are used up.' It also advises people not to be enthusiastic about fame and fortune, but the quality of the poem makes a difference."

"Even though he was demoted, he still wrote "Ding Feng Bo·Ci Gao Zuo Zang Envoy Jun Yun": There is a leak in the sky in the middle of thousands of miles of Guizhou, and the house feels like riding a boat all day long. When the Double Ninth Festival comes, the sky will also fall, making people drunk, and the Shujiang River is outside the ghost gate.

forward.

Don't laugh. The old man is still calm. Look, how many people are on the top of the mountain with yellow chrysanthemums? Playing horses in Tainan chasing two thanks, galloping and shooting, and the romance is like patting the shoulders of the ancients."

"How free and comfortable is this?"

"Even if it is a work of nostalgia and depression, it is just like what is written in "Plum Poppy: Seeing Plum Blossoms in Yizhou": There are letters from the south of the Yangtze River even at the end of the world, and when the plum blossoms break, you know that spring is near. The wind blows softly at night and the fragrance is late, and the dawn does not bloom.

All over the south branch.

The pink flowers on the jade platform should be jealous, and they float to the center of the eyebrows. I hope that the cup will be deep in my life, and that after ten years in the country, my youthful heart will be exhausted."

"This is what it means to be sad but not sad, to remain peaceful." Zhou Zhi smiled and said: "Can the person who wrote the "Song of One Life" persuade me to such a state?"

""Seeing Plum Blossoms in Yizhou" is your favorite poem Zhou Zhi, right?" Zhang Xinyi asked: "I always listened to you reciting it for a while in junior high school."

"Yes, I also remembered that." He Shiqing said: "This is what you wrote for the school calligraphy competition in the second year of junior high school."

Jiuzi blushed deeply: "I didn't understand it at that time. I was just trying to compose new words to express my sorrow. In fact, it was because the rhythm of this poem matched the calligraphy very well. When I took off the post to write, I found that writing this poem was the easiest.

, I fell in love without realizing it.”

"There was a Jiangxi Poetry School in the Song Dynasty, of which Huang Tingjian was the founder. It advocated learning from Du Fu, especially taking Du Fu's poems after he went to Kuizhou and became a master of his style as the core."

"After Huang Tingjian, Chen Shidao and Chen Yuyi also took inspiration from him and embarked on a similar creative path. Their influence was far-reaching. Later generations called them 'One Ancestor and Three Sects'."

"Speaking of it, Du Fu was not highly respected at the time of Huang Tingjian in the Song Dynasty, and could not reach the level of a 'poetry' in later generations. Huang Tingjian, a student here, also played a big role."

Everyone enjoyed the shade beside Liubei Pond for a while, then walked upstream, from the bottom of the valley to the top of the cliff, along the winding steps. There were several platforms scattered among them, sometimes spacious and gentle, sometimes hanging high on the cliff.

This kind of beautiful scenery has both natural beauty and musical beauty. It must be said that Huang Tingjian really knows how to choose places to play.

There is also a small building at the mouth of the valley called Fu Weng Building, located next to Liubei Pond. It is said to have been built in the Song Dynasty. It is said that when Huang Tingjian, the great poet and great calligrapher of the Northern Song Dynasty, was exiled to Yibin, Huang Tingjian was the place where Huang Tingjian read and met friends, and wrote and wrote.

The small building has upturned eaves, painted beams and carved windows. The upper floor is a pavilion, and the downstairs is a profile. The appearance is elegant and beautiful, and the building railings are elegant in shape. The three-character "Fu Weng Tower" plaque on the front of the building is the famous "Three Brothers of Lu Xun".

, written by Lao Sanzhou Jianren.

But now this building has obviously been renovated, because it is a reinforced concrete building.

Fortunately, it is said that it was rebuilt on the original site of Fu Weng Tower according to the original building pattern. You can see the explanation from the monument "Feeds for Raising Donations for the Repair of Fu Weng Tower" on the side.

The natural scenery and gardens maintained here are the product of the ancient literati's advocating the concept of relying on natural landscapes when they built gardens. It can be imagined that after the completion of this building, Huang Tingjian loved this place very much and often invited Yibin literati to gather here. Here, it is based on the landscape

As friends and neighbors of Lin Quan, Huang Tingjian, who was frustrated in his career and life, was comforted by the bright moon and the clear breeze.

In this elegant scene, Huang Tingjian left behind such splendid chapters as "Ode to the Fountain of Peace", "Ode to the Bitter Bamboo Shoots", "Ode to the Green Lychee", etc. which were passed down to later generations.

Go up the stone steps and arrive in front of a building at the top of the mountain pass, where you can see the Minjiang River behind the mountain.

The scenery changes again here. There is the foundation of a small building on the platform. This is the ruins of the "Diaohuang Tower".

Legend has it that Huang Tingjian liked to enjoy the river view here. This legend is quite true, because Huang Tingjian's poems mentioned the view of the Minjiang River from this location.

Diaohuang Tower was first built in the Song Dynasty and rebuilt in the Qing Dynasty. Now only the platform foundation remains.

But the location is certain, that is the famous "Suojiang Stone".

"Did the Song Dynasty have such a level of craftsmanship?" Looking at the water surface of the Minjiang River below during the flood season from the ruins, "Isn't this too wide?"

"Tiesuo across the river is just a description." Zhou Zhi said: "The "History of Song Dynasty·Liu Tingrang's Biography" talks about the craftsmanship of facilities such as 'Suojiang': In the early days, Kuizhou had Suojiang as a floating beam, with three enemy sheds on it.

Jiang, array of artillery equipment. Tingrang

When they were about to arrive, Taizu showed it with a map, pointed to Suojiang and said: "When our army reaches this point, we will go upstream. Be careful not to compete for victory with the boat master. We must first ride on foot and land to catch them unawares. Once their momentum is over, they will be attacked."

If we attack from two sides with battle and barrages, we will definitely capture it.'"

"There is a similar record in "The Unification of the Ming Dynasty": "Suojiang is located in the north of Chengdu Fucheng, with large rocks standing on both sides of the river. In the past, a barbarian was installed to cross it and control the barbarians."

"So this kind of facility is actually used to protect the port. When the terrain permits, it can intercept the river bay with iron chains so that enemy ships cannot approach the port city in the bay too much. At the same time, it can also be used to build pontoons.

It forms a forward defense line, rather than actually crossing the entire river, because that would be too costly and has no military value or significance."

"Let's go, let's go look for it and see if there are any traces of the fixed iron lock."

So everyone went down the mountain laughing and walked towards the river.

There are quite a lot of "ox noses" punched out of the rocks on the riverside for fixing cables, but it's impossible to determine which ones were left over from that time.

However, it can still be seen that there are many "nose noses" on both sides of the bay. If you really connect them with iron locks, put up pontoons and enemy tents, you can really build a "water village".

Zhang Lu understood a little bit: "Before the Battle of Chibi, Cao Cao built the water stronghold at Ruxukou. It should be a similar terrain, right?"
Chapter completed!