The words Tao Yushu added did not disappoint Cai Lan, but made him feel somewhat reassured.

Now that Tao Yushu really wants to ask him to switch jobs to Lin's and give up his position as general manager, he will not believe that such a good thing is possible.

Seeing that Cai Lan was silent and silent, Tao Yushu said again:

"Lin's development in Xiangjiang has entered a bottleneck period, and the next step is to develop and intensively cultivate foreign markets.

You ran the Japanese business when you were at Shaw Brothers, and you were exposed to the Wandao business when you were at Golden Harvest. I want to hand over part of the overseas business to you.

In terms of treatment——"

When it came to the highlight, Cai Lan couldn't help but look solemn.

"I will set up a subsidiary Dalu to specialize in Japanese and Korean business. In addition to distribution,

I will inject 30 million Hong Kong dollars into Dalu for co-productions with film producers from both countries.

Investments below 3 million can be decided by you, as long as you report it to the company.

In addition to your annual salary of 300,000 yuan per year, you will receive up to 15% of the subsidiary's dividends based on performance."

Hearing this condition, Cai Lan's heart skipped a beat.

According to Tao Yushu, this subsidiary called Dalu is mainly engaged in overseas business and has considerable autonomy. He is almost equivalent to half the boss.

He didn't expect Tao Yushu to be so courageous, but when he thought about it carefully, it seemed normal. Tao Yushu's reputation as a "girl who scattered wealth" was already well known in the Hong Kong film industry.

"I have to think about it." After a long silence, Cai Lan said.

"No problem, give me a call when you think about it."

Tao Yushu sent Cai Lan away and asked Lin Chaoyang: "Do you think he can come?"

"It will definitely come."

"Why?"

"We give you more money."

Lin Chaoyang's words made Tao Yushu roll his eyes, "I don't know how much money we gave him? But Cai Lan is still well regarded in Jiahe, and he and Zou Wenhuai have known each other for many years."

"Then Boss Zou didn't share his shares!" Lin Chaoyang's smile was a little joking, "Don't worry, Cai Lan sees things very clearly."

Listening to what he said, Tao Yushu also felt that it made sense and didn't dwell on it anymore.

In the next few days, Tao Yushu went to work every day, while Lin Chaoyang stayed at home and wrote a new book.

Because he has to play with his two children at night, Lin Chaoyang’s writing speed for the new book is not very fast, with two to three thousand words a day.

Take a break occasionally.

It has been three months since I started writing, and most of the chapter has been completed. It looks like I won’t be able to finish it even before the end of the year.

Just after the New Year, Lin Chaoyang received the new journal of the Literary Research Society from Kitamura Mihiro, and also received a large royalty settlement.

In the blink of an eye, Lin Chaoyang (Japan) Literature Research Association has been established for two years.

In the past two years, Lin Chaoyang's works have been continuously introduced to Japan, and the membership of Lin Chaoyang (Japan) Literary Research Association has expanded from the original 24 to the current 46.

As the team grows, the influence of the research association is also becoming greater and greater.

In the new issue of the journal sent by Kitamura Mihiro to Lin Chaoyang, there is an article co-authored by Kondo Naoko and Waseda University Faculty of Letters Ikeda Kohei.

The title is "The Evolution of Xu Lingjun's Creative Style in the Mid-to-late 1980s".

The opinion in the article is that living in Hong Kong was an important turning point in Lin Chaoyang's creative career.

Prior to this, Lin Chaoyang's creative style was varied and innovative. He had a broad vision of the world and an ambition to explore national history and culture.

After living in Hong Kong, his creative style gradually eliminated the pursuit of technique.

Instead, he turned his attention to social development, and with microscope-like focus and scalpel-like precision, he completed an in-depth observation and criticism of Hong Kong society.

Xiangjiang is a small and rapidly developing economy. Although it is small, it has all five internal organs. It gathers all kinds of problems in the development of modern society and provides a natural soil for Lin Chaoyang's creation.

"The Truman Show" is Lin Chaoyang's stress response to all kinds of bizarre things in this society when he first arrived in Hong Kong;

"Parasite" is Lin Chaoyang's compassion for this society and people after in-depth observation;

"The Great Era" is about a helpless feeling after fully understanding the operating laws of this society and getting used to its joys and sorrows.
Chapter completed!