But yin and yang complement each other, gains and losses complement each other, and new and old are related to each other.

Amidst all the changes, China is still China, especially in terms of literature and art, and in terms of the nation's deep spiritual and cultural characteristics, we still have our national self.

Perhaps our responsibility is to release the heat of modern concepts to recast and brighten this self.

…”

Lin Chaoyang's "The Roots of Literature" is full of thousands of words and can be called a majestic essay.

Li Tuo's voice was loud and high-pitched throughout the whole process. By the end, his voice was hoarse, but it always revealed a solid quality.

When he read to the end, his eyes were red, his face was full of solemnity, and his sonorous and powerful voice echoed throughout the banquet hall.

“A nation’s own past is easy to forget, but also not so easy to forget.

Our literature must have "roots", and the "roots" of literature should be deeply rooted in the soil of national cultural traditions. If the roots are not deep, the leaves will not flourish; if the roots are deep, the leaves will be full of vitality.

Literature has "roots", only our culture has "roots", and only our nation has "roots".

One day, the Chinese culture will be reborn and shine on the world!"

At the end of the article, Li Tuo suddenly stood up on the chair and waved the manuscript paper in his hand, making a hunting sound.

“This is the ‘Zhuoxian Declaration’ of Chinese literature!”

This sentence is the heroic spirit of swallowing up mountains and rivers!
Chapter completed!