Huang Huilin's face was full of joy after taking the stage, and she gathered happily with the students, and kept bowing to the audience.

After she was happy, everyone in the audience only saw her pointing towards the audience, as if she said something.

On the stage, "Lu Mengshi" Li Luyang, who was wearing a mandarin jacket and robe, jumped down to the stage in two steps, came to Lin Chaoyang, who was sitting in the front row, knelt down on one knee and held his hands in greeting.

Li Luyang, who had just finished his performance, was covered in sweat and looked at Lin Chaoyang with burning eyes, full of the piety of a pilgrim.

He was using this kneeling gesture to express his deepest admiration for Lin Chaoyang.

Li Luyang's sudden move caused a commotion in the auditorium. The students did not understand why he made such a move, and they all got up to visit.

I saw a tall young man holding Li Luyang with both hands and trying to pull him up. However, the young man seemed not to have expected that Li Luyang was kneeling too sincerely. This pull did not pull him up. Instead, he was pulled up by Li Luyang.

He pulled it and left the seat.

Forced to stand up, Lin Chaoyang glanced at Tao Yushu, who was sitting next to him. At this time, Wu Yingfang, Li Zhenyu and others came down from the stage, almost carrying the couple onto the stage.

The two came to the stage and stood together with Huang Huilin.

Li Luyang ran back to the stage and shouted loudly.

"This is Comrade Lin Chaoyang, the screenwriter of "The First Floor in the World". He also has a name that you should know - Xu Lingjun!"

Li Luyang's voice echoed in the sky above the auditorium, like an order, and the applause came again like an overwhelming wave.

In the past hour and a half, the audience in the audience enjoyed a wonderful drama. The actors were not as good as actors in human art, but everyone gained a spiritual enjoyment comparable to watching a human art performance.

All credit must go to Lin Chaoyang's astonishingly talented script.

As early as half a month ago, rumors about "The First Floor" were circulating on the campus of Yan'an Normal University, saying that the Chinese Department had obtained a script comparable to "Teahouse".

Many people heard this statement and scoffed without even bothering to find out the inside story.

Comparable to "Teahouse"?

You have to be logical when bragging. For more than half a century after the birth of Chinese drama, there is only one "Teahouse".

Even if Mr. Lao She were alive, he would not dare to say that he could write another "Teahouse".

A group of students looked at a better script and couldn't make any more sense.

Except for those who knew the inside story, the vast majority of students on the YNU campus did not take this matter seriously.

Now, "The First Floor in the World" has successfully premiered, and those who initially scoffed at the rumors were completely confused after watching the play.

"The First Floor in the World" shows all the elements that an outstanding drama should have. The characters in the play are full-bodied, the conflicts are naturally strong, and the emotional entanglements are fascinating.

By narrating the rise and fall of "Fujude", it profoundly reveals the impact of social and historical changes on individual destiny, and also provides sharp criticism and profound insights into the feudal family system, business ethics, human weaknesses, etc.

It shows the ups and downs of individual destiny in the context of the times by seeing the big from the small. The in-depth thinking about history, society and human nature shown in the script is heart-warming and breathtaking.

Some people with keen minds looked at the enthusiastic group of young people on the stage, and a sense of enlightenment arose in their hearts.

Tonight, they seemed to have witnessed the birth of a classic.

How lucky you are in this life!
Chapter completed!