What Rong Guang said actually goes back to the industrial system issues of the film and television industry.

Film and television creation really relies on genius. Some geniuses are just awesome and can create miracles at will, even if you don't accept it.

However, the emergence of genius is random. It may be family inheritance, or it may be grassroots; it may be overseas, or it may be domestic; it may be cultivated in academies, or it may be wild growth among the people...

Anyway, everything is possible, genius is completely unpredictable.

By the way, never confront a genius, or even rely on your old skills to suppress them, otherwise you will easily be slapped in the face.

The more obvious example is Guo Degang. No matter how you evaluate him, in the field of cross talk, this person is a genius. Do you think Jiang Kun took the wrong medicine? He just wants to fight Guo Degang to the end?

You know, at the turn of the century, Jiang Kun was much more famous than Guo Degang. It could be said that he was at the height of his popularity. He also had a golden body blessed by the government and had many well-known cross talk masterpieces.

But what happened in the end? He ended up being a clown who was narrow-minded and suppressed the younger generation? Why bother?

If they were smarter, who would take the initiative to join in and become a stepping stone for genius?

However, genius is unpredictable, but the film and television industry can cultivate it systematically.

Just like the "Dae Jang Geum" introduced before, this Korean drama became very popular. At least thousands of experts, teachers and students in the country have studied it repeatedly, and dozens or hundreds of papers have appeared.

Although most of them are used by art schools to cheat for credits, there are always some that are very valuable, right? They can also be used as a reference for the entertainment industry.

If there is no such social environment and industrial system, no matter how hard you work and love to learn, if you pull the tab until you die by yourself, can you compare with the collective wisdom of thousands of people across the country?

You know, in the entertainment industry, mountain monsters are almost rare, and most of them still follow the trend and imitate.

Don't make a fuss about imitating others. This is the normal practice in the entertainment industry. Even Hollywood in Hong Kong, Taiwan and Taiwan are all the same. This was even the case during the period of the major state-owned enterprises in the Mainland.

Geniuses don’t always happen, but can we still copy them?

Let’s use Jiang Kun’s cross talk back then as an example: “…our brothers just finished watching the movie and named twelve male and female protagonists, six couples in love, three bookish moms, and four right-wing dads right after they left the cinema?

…”

Jiang Kun's jokes at that time were indeed very good. They were mocking the same plots in movies, and they were copied everywhere.

It can be seen from this that when there is a complete film and television system, no matter how talented you are, can you compare to a regular army?

Just like Hollywood, geniuses from all over the world will eventually come to Hollywood, otherwise they will be eliminated sooner or later! This is the confidence that Hollywood has.

In fact, the mainland also has the same confidence.

At least in the film and television industry, what does it matter if you are a returnee from overseas? Even if you graduated from the three major art schools in the United States, we just don’t recognize it! Your diploma from a prestigious school is just a piece of waste paper!

Therefore, there are many immigrants who have returned from studying abroad at Peking University and Tsinghua University, but have you ever heard of art school students? Maybe there were some in the 1980s and 1990s, but in the new century, they have become cherished and protected animals.

It can be seen that if you don’t understand this, it doesn’t matter if you write about Chinese entertainment, no matter how you brag about it. But if you really want to get involved in the Chinese entertainment industry, you must make some roundabout ways to get involved with the three major art schools!

The final decline of the Hong Kong circle is because they are too superstitious about the power of the media. They look down on the three major art schools and still have inexplicable arrogance. They think that everything will be fine by praising a few stars.

People in the Hong Kong circle have never imagined that the film and television industry is a systematic project. This does not mean that stars are not important, but the key point is all-round development.

For example, even if the new generation in Hong Kong do not seek death, what will they have left?

Let’s just say that the creative team such as directors and directors are still the directors of the older generation. Unlike the mainland, in addition to the three famous directors of the new generation, there are also many young backbones. Echelon development has already been formed.

.

To put it bluntly, even if the younger generation in Hong Kong and Taiwan want to obtain resources, they will have to flatter mainland directors in the future, right?

The other thing is the camera crew and martial arts. In this regard, the Hong Kong industry has always been very good. But they still rely on the old people from the golden age, and there is simply no successor.

As for other positions on the crew? They have already been replaced one by one by mainlanders.

In the final analysis, it is nothing more than a grass-roots team. In the past, even if it was a grass-roots team, it would not matter. Hong Kong and Taiwan were at least stronger than those overseas grass-roots teams. But once they encounter the regular mainland army, sooner or later they will be crushed by all aspects.

…

However, no one takes these truths seriously at present, not even mainland filmmakers have such confidence.

Rong Guang just said it casually, and Yuan Quan was... accustomed to that kind of "nonsense". Of course, I am the dictator of the family's financial power and children's education. As for the development of the industry? It's a national matter, let Xiao Guangzi do it blindly.

Think about it!

This was just nonsense between the two men. Neither of them took it to heart.

Unexpectedly, the paparazzi found a treasure, and the Hong Kong and Taiwan media published the latest news - "...Oscar fight between two Chinese directors..."

This is still a relatively subtle report.

And most Hong Kong and Taiwan tabloids are quite direct - "... Mainland directors are prominent in making lies, while Hong Kong directors are arrogant..."

All of a sudden, the major media outlets in Hong Kong and Taiwan became extremely explosive, and it seemed to have turned into a competition between mainland directors and directors from Hong Kong and Taiwan?

This makes the European and American media baffled. Is there any mistake? How did our European and American film awards turn into a battle of emotions among you Chinese?

Some reporters even sought out Li An and asked him for his opinion in a sarcastic manner.

Li An also looked confused, not knowing what happened.

However, Li An is still very tactful. He smiled and replied: "...Whether I win the award or Director Rong wins the award, this is the honor of our Huayi Film. As for some of the words of young people, you

Just don’t over-interpret it!…”

Li An also has a temper. As a famous director, how could he not be proud of himself? Could he helplessly watch being overshadowed by glory? Therefore, he also used his age to show his seniority and faintly fought back

.

But as a result, the media became even more crazy. They made various predictions and started various comparisons.
Chapter completed!