Zhang Guoyi and Aunt Chen stared at each other with big eyes, especially Aunt Chen. As his wife, she didn't say a word. The old song in front of her was getting close to her relatives, and it seemed quite close.

It turned out that Old Liu was the first apprentice that Ma Zhenren accepted forty years ago. He always felt good about himself and was used to the young master's life. He really couldn't stand the simple food in the Taoist temple. In less than ten years, he told the master that he wanted to become a master, and Ma Zhenren didn't stop him. But to be honest, this unsatisfied apprentice was about to leave after learning half a bottle of jealousy, which made the master very unhappy. Although Old Liu always came back to get close to Ma Zhenren, Ma Zhenren never looked at him with a look. Over time, Old Liu simply stopped coming, and Ma Zhenren just pretended to have confiscated this apprentice. Although the two of them had not broken up, they had no contact.

At this moment, Old Liu's future can be said to be bleak, and he was sentenced to 20 years in prison. This is too exaggerated for Old Liu, who is already 60 years old. Could it be that he will die in prison? At this time, Zhang Guozhong, the junior brother who suddenly emerged, also brought Zhang Guoyi, the leader of the Red Guard, who called the wind and rain. It was obviously a life-saving straw for Old Liu. Isn't it just a broken knife? It's better than giving out his own foundation...

According to Lao Liu's instructions, Zhang Guozhong and Zhang Guoyi came to a deserted tomb in the eastern suburbs overnight and dug a large coffin. After lifting the lid of the coffin, the antique treasures filled with the coffin were shocked by Zhang Guozhong. He really didn't expect that his beggar master would have accepted such a wealthy apprentice. If the antique calligraphy and painting of this coffin was taken overseas, it would be no big problem to change to a European manor, but a painting by Tang Yin's "The Picture of the Evil to Evil" was a priceless treasure. According to ancient records, in the Ming and Qing dynasties, officials below the fourth rank were not qualified to hang this painting. In addition, there were some blue and white porcelain vases from the Song Dynasty and a jade seat statue, which looked like they were from the Tang Dynasty.

With the moonlight, Zhang Guozhong quickly found a dagger about 7 inches long. According to Lao Liutou, Zhang Guozhong was called "Dragon Scale". This dagger was bought from a tomb robber when he was young when he was running the canal transportation. At that time, he saw that the dagger was suitable and sharp, so he was brought on his body to protect himself. Later, he went to Beijing and went to Rongbaozhai to frame paintings to send gifts to Mr. Beile. Mr. Wang, who was framed, looked at the dagger and praised it, saying it was a first-class good product. Liu Ziwei then treasured the dagger. Later, the dagger was passed to Lao Liutou, and asked experts from the Cultural Relics Bureau to identify and finally concluded that this dagger was the legendary ancient Chinese blade "Dragon Scale".

According to the "Diced Lun", this "dragon scale" was cast by Pi, the prince of Wei. I don't know which hero had been stabbed to death. According to Lao Liu's observation, the resentment wrapped around this dagger was much greater than that of the pig-killing knife that slaughtered Qiansheng in the meat joint factory (animals also have resentment, but they are far smaller than people). It was inserted into the ground and even ants were beaten three feet away. If Old Man Liu hadn't learned Maoshan art himself, it would be strange if others dared to collect it when they heard this description.

After Lao Liu's half-blow and half-real description, he seemed to be the only guy in Tianjin who could defeat the tomb. If this dagger doesn't work, he would probably have to find the tiger-headed guillotine used by Bao Gong back then.

After filling in the coffin and setting up the grave, Zhang Guoyi was so scared that his calves were twitching. The first time he came to a place like a grave in the middle of the night, even if he was a gangster leader who was usually dissatisfied with orgasm, he was inevitably afraid.

After urged his brother to take care of Lao Liu, Zhang Guozhong ran back to the village overnight.

When Ma Zhenren looked at the dagger, he couldn't let go. This Ma Zhenren is a martial artist, so he naturally cherishes the famous treasure blade as if he were alive. "Where did you get it?"

"Master, I met my senior brother. This was given to him..."

"Oh? Where is that unpromising person now?"

"Senior brother... he is in prison..." Zhang Guozhong said about asking his younger brother for help and how he met Old Liu and got the dagger.

When he heard his apprentice slept in prison, Ma Zhenren seemed quite uncomfortable and taught his apprentice who was slept in prison. The master's face was naturally dull. In fact, if he had not asked Captain Li to come over from the Playground River Brigade, it would be similar to slept in prison...

"What sin? You won't be shot, right?"

"It seems to be quite heavy to resell cultural relics, but it won't be shot. I have asked my brother to help you walk around..."

"Resell cultural relics..." Ma Zhenren smiled bitterly. In this messy year, even if there are cultural relics on hand, where can I pour it...

With a good guy, Ma Zhenren is confident enough. At best, Liu Chongde of the Ming Dynasty was the last successor of the surrender technique. Daoxing was not as good as any surrender in the Yuan Dynasty. From the situation of the Heiyun Bureau and the Qingshui Bureau, it can be seen that Liu Chongde did not have the ability to fix the Three Evil Bureaus at all, but had to rely on the original ancient tomb to transform. In the past two days after Zhang Guozhong left, Ma Zhenren even turned around Zhao Le's tomb. Ma Zhenren felt that if Liu Chongde did not have the ability to fix the Three Evil Bureaus himself, then the tomb is likely to be just a single game. If it was a single game, it would have "pulse eyes" after all.

The "single bureau" of the tombs is similar to the tombs of Maoshan Sect, and they all have to pay attention to "pied eyes". The pulse eyes here are not the same as the pulse eyes in the seven gates. In the technique of descending, if it is a multi-evil bureau, the resentment of many ancient tombs is used to protect each ancient tomb, which means that one side has difficulties in supporting each of them. In other words, what Ma Zhenren broke in the Qingshui Bureau is the full power of the evil descending. This Zhao Le's tomb not only has a layer of multi-evil descending, but also a single descending, which is a submission on this tomb alone. If it is a submission on a single tomb, the power must come from around the tomb rather than the tomb itself.

Most of the single game in the tomb descends requires the power of animals, and the power of these animals lies in the eyes of the veins around the tomb.

The so-called power of animals is nothing more than yellow fairies, fox fairies, hedgehogs, and snakes. Some of them also use rabbits and tortoises. This depends on the environment around the tomb. Generally speaking, most of the turtles use snakes, especially snakes. Snakes have dormant properties. Generally speaking, if the technique is performed properly, the snakes guarding the tomb can live for nearly a thousand years.

Cultivating this kind of tomb requires the combination of Maoshan Technique and the two methods of descending techniques. First, the caster of Maoshan Technique is required to capture some animals that are slightly cultivating immortals, that is, animals that are capable of making trouble in the village. Then the descending master will perform the techniques to confine these animals in a special area, which is around the veins around the tomb. These animals with cultivating immortals have a very long lifespan. Take snakes as an example. Any snake that has the ability to borrow a human body has lived at least eighty.

Above the year, according to the Maoshan Technique, the record of the longest lifespan of animals treated by the Maoshan dynasties is 1,600 years. The resentment cannot be overcome by yang. It is scientifically unreasonable for animals to achieve this lifespan, but according to the Maoshan Technique, it really exists. If this tomb really has the support of the emperor and is looking for powerful immortal cultivation animals across the country, then the power of this single tomb's subsidence may be comparable to the previous Three Evils.

If he is a half immortal with two swords, he may try every means to fight this descending technique head-on in the tomb, but after all, Ma Zhenren is Ma Zhenren. It is much safer to find the descending pulse eyes of the tomb tomb to break them one by one than to directly dig the tomb. The animal's acupoint is on the vein eye. Every time one is cleaned up, the power of the tomb tomb will be weaker until it disappears. At this time, the only power that the caster has to deal with is the animal itself, and it will not be affected by the descending technique.

A group of villagers followed Ma Zhenren and Zhang Guozhong in hand, and rushed straight to a mess of grassland east of the cemetery. Ma Zhenren also set up a formation to test the abilities of these animals. The yellow flag pole shook twice and could basically deal with it. It seemed that time was really a terrible thing. Even though these animals might have been powerful characters from all over the country in the Ming Dynasty, after hundreds of years of long suffering of being imprisoned by the surrender technique, the aura of resentment was obviously much weaker than when Zhao Le was buried.

In a low-lying area in the grassland, the villagers dug through a carpet style. In less than a stick of incense, they found a large iron cabinet two feet square. When Ma Zhenren waved his hand, the villagers retreated. Ma Zhenren came up with the "Dragon Scale" dagger. Zhang Guozhong went up and smashed the chain that had been seriously corroded. He lifted the cabinet. Ma Zhenren laughed and saw a snake bone in the cabinet, and the box was smelly. It turned out that the snake had died in the long years.

On the top of the box, Ma Zhenren also saw the "Miscity Condensation Talisman (the application of Talisman is also emphasized in the art of descending the talisman, but its function is completely different from the Maoshan art. This magic Condensation Talisman is a talisman that specifically condenses the aura of resentment. It is this talisman that transforms the aura of resentment of the snake into the power of the tomb. In other words, if this talisman is destroyed, even if the vein eye is broken, the power of the tomb will be weakened by a layer. Even if the snake is still alive, it has nothing to do with this tomb). Perhaps for the sake of corrosion, this talisman was painted on cooked cowhide and sealed with wax.

Six pulse eyes were opened one after another. Except for a dying snake that was almost half dead, Ma Zhenren cut off his head with a dagger, he basically did not encounter any obstacles. In this way, even Ma Zhenren himself was weak. How could Li Erdan dig two shovels to make such a fragile defense? Seeing the seventh large iron box dug out, it was strange that when the seventh iron box was dug out, all the villagers, including Ma Zhenren, seemed to buzz in their ears, which was a bit similar to tinnitus. The sound seemed not from the outside world, but from their own ears.
Chapter completed!