There was a layer of dim and faint green fluorescence inside the black wooden coffin. I hurriedly shone the light beam of the diving flashlight, and saw that there was a bronze man full of green erosion wrapped in the rotten wood. The shape of the bronze man seemed to be a common corpse figure in ancient times, that is, the tomb owner did not have any corpse bones for some reason, and often used gold and jade or bronze to form human figures, and wore the tomb owner's crown and clothes during his lifetime, and placed it in the coffin as a corpse figure in place instead of the deceased.

I calmed down and removed the rotten wood from the bronze man's face, completely disassembled the ancient wooden board, and looked closely, and felt even more confused. It seemed that this bronze man was not a clothing figurine, because the clothing figurine could not be regarded as a burial artifact. Its status was equivalent to the tomb owner. It had always been very noble. It had to be made with dignified eyes, extraordinary shape and rare. There was almost nothing that could be seen now.

But on the other hand, the bronze man in the black wood Baoxiang had no appearance at all, but was just a big copper lump that looked like a human-shaped body. The bronze tempered with yin fire could be coppery for thousands of years under the water, and its green color reflected into the muscles and bones. The countless bronze slaves we saw under the divine tree under the sea were all cast in a realistic shape, but the bronze man was extremely simple and even the texture outline was not very clear. But the most strange thing is that the bronze man was covered with honeycomb holes, and there was black sea sand containing copper. I really couldn't imagine what the hell it was.

Gu Cai stretched out his hand to lift the bronze human figure up, and saw that the bronze statue had four arms, holding a jade plate at an incredible angle. There were several jade pillars under the plate, and there were rotating grooves inside the column body. The jade column of the jade plate looked extremely exquisite, and it was engraved with ancient seal scripts of insects and tortoises, all of which were the numbers of Yi Gua, which seemed to be infinitely mysterious. However, in surprise, I couldn't see any of the names in it for a while. It seemed to be an ancient secret tool for asking for divination and divination.

Looking at the wooden coffin again, there was nothing, but under the fossil of the coral iron tree, there was a raised copper pile hidden, which seemed to fix the bronze man on it. Fatty man and Guchai and I poked the bronze man on it under the water. We saw that the bronze man was holding a jade plate full of hexagrams in the dim water waves. The shape was indescribable and bizarre. No one could tell what it was doing. He said he was asking for divination, but it didn't look like it.

I thought I had been going deep into ancient tombs in the past and saw many strange things, but now the old revolutionary has encountered new problems. There are too many secrets under the coral tree. Staying here is not a solution. I can only go back and let Shirley Yang help me think about it. She has always had a clear idea and may be able to unravel the secrets.

But I guess I could not accurately describe the complex divination plate to Shirley Yang, so I had to take it up and then dismantle it to see what happened. So I made a gesture and floated out with Fatty Man and Guchai. Shirley Yang, Uncle Ming, Duoling and others were very anxious to wait on the coral reef above. Seeing that we dragged a strange-shaped copper man out of the water, they all came over to help.

Everyone dragged the bronze statue and the divination plate to the ashore, gasped for a while, and talked about what they saw and encountered under the water. When it came to the critical point, they heard that Uncle Ming and others had changed their color. Why were there so many marmosets under the water? Fortunately, the ancestor blessed him. If he didn't bring those stillbirths into the water, he would probably have been different at this moment.

Finally, I talked about the fossil of coral iron tree at the bottom of the water, which is not much smaller than the largest one in the coral spiral. It poked in a huge rock that looked like an ancient tripod, surrounded by several copper tripods, and deeper there are caves that absorb water. The water spirals are strangely scattered, and only fish and dragons can enter. People are not fish, so there is no way to check what is inside.

Uncle Ming heard that we had not found a way out at the bottom of the water, and couldn't help but feel disappointed. He sighed that it seemed that it was destined to eat as much as we wore in this life. It was really impossible for people not to believe in life. He had to risk his life to pick eggs from the sea eye, but it turned out that there was no return. Although he had obtained so many green heads, in the end, it was just a dream in the water moon and the mirror. It would be better to go back to Hong Kong if he had known this. Although he had gone bankrupt and had no money, he could at least have a safe meal on the street.

The fat man suddenly found that the gold watch that was taken out of the Mary Fairy Slave Crew was missing. The fat man valued real gold and silver the most and kept wearing it on his wrist. I wonder if it had just fallen into the Shenmu Tunnel in the dark. When he saw that he lost the gold watch, he couldn't help but feel very bad. After hearing Uncle Ming's frustration, he became even more angry and immediately cursed: "Don't let your mother's stinky fart. After we go back, you don't have any blue head. Anyway, Uncle Ming, you can also see it. In the future, you can sell your wonton noodles..."

I advised them, "Forget it, it's not too late to regret it now and sigh that fate is so good. What we do is not just making a living by craftsmanship, but it's nonsense. I think it's just a life-threatening thing. We'll know how much risk it is before we come. Since we dare to come, we'll have to make aware of the head off the belt, but we must not sacrifice lightly before we get to the point."

At this time, Shirley Yang carefully looked around the bronze man divination plate and asked, "Old Hu, do you know what this is for?"

I shook my head and said, "It's hard to say that it's like a secret tool for divination and deducing hexagrams. However, when I see the situation underwater, it's a bit like an ancient mechanism. If the records on the Nine-Level Cauldron are correct, the ancients would have regarded the matter behind me as the most important way and devoted their efforts to arrange the secret path to rush to the moon to seek immortality after death. But for a long time, we have been eroded in the water, and we can't find some important clues. Besides, I can't imagine what the hexagram plate plays. There are no marks of the Zhen hexagram on it. They are all empty hexagram eyes, densely packed with hundreds, and there is no most important hexagram at all..."

When Shirley Yang heard this, he suddenly looked up at me and said, "What did you just say?" I was stunned and replied, "There is no most important hexagram on the hexagram plate...why?"

Shirley Yang turned the axis under the jade plate, and the symbol representing the number of hexagrams on the plate changed: "You mentioned the key point, there is no hexagram, but I found that this hexagram is like a password lock. You need to adjust the password accurately so that the hexagram will be displayed. Perhaps only by fully presenting the hexagram, the bronze man can start the hidden mechanism at the bottom of the water."

I slapped my head and was becoming more and more confused. Why didn't I think of something obvious? But I turned the divination plate in my hand a few times, but it was difficult. If it were a password lock, what would the password be? Although I could see that the column axis that could be rotated at the bottom of the divination plate were all codes marked according to the "three styles", these "three styles" are the general terms of "Taiyi", "Qimen", and "Liu Ren", which is the highest-level predictor number in the "Book of Changes"

, The composition principle is taken from the heavenly stems, earthly branches, river maps, Luoshu, Bagua, and symbol numbers, all of which come from Yi. This set of machine numbers was called "Yin Fu" in the Zhou and Qin dynasties, and was called "Liujia" during the Han and Wei dynasties. There were endless changes. If Zhang Yingchuan was here, maybe he could solve the mystery, but I couldn't figure it out at all. Shirley Yang didn't know how difficult these machine numbers were, and he thought I could unlock this so-called "password lock".

Shirley Yang saw that I was staring at me and couldn't help, so he advised: "Don't worry, think about it carefully. There are many signs of Zhen hexagram in the burial vessel of Hentian. The underwater cauldron also corresponds to the Zhen hexagram. Perhaps the hexagram of this jade plate needs to be related to this phenomenon, so you first think about how to make the hexagram of Zhen hexagram appear in the hexagram."

I was originally in a mess, but after a few words of calmness, I became much more awake. Shirley Yang inherited the blood of the prophets and saints in her family and had some indescribable intuition about what she was facing. Although she could not say that she could predict like a prophet, she could often find the key points in the messy clues.

When I heard her say this, I seemed to think of something. I quickly told everyone not to speak out. I silently recited the general formula in "The Secret Technique of the Sixteen-character Yin and Yang Feng Shui": "The number of machines is divided into Jiazi, and the gods and ghosts are hidden..." I lowered my head to fiddle with the ancient jade hexagram. The dense symbols on the axis were interlaced, and the holographic symbols deduced by various symbolic things in time and space are the so-called machine numbers.

Various symbols representing the disorder of time and space, through organic arrangement and composition, can be deduced and synthesized into different time and space, that is, the hexagrams produced by machine numbers. A established hexagram must at least include "heaven, earth, man, ghost, god...", among which the most elusive is the "god" in machine numbers, which represents a mysterious force that can control success or failure. Most of these hexagrams have been lost now. The sixteen characters in the "Sixteen-character Yin and Yang Feng Shui Secret Technique" left to me by my grandfather is the symbols of each machine number in the innate sixteen hexagrams. The Yi Dao, which is now passed down to the world, is not as detailed and exquisite as the ancient methods. From this point of view, this jade plate full of hexagrams is a priceless treasure.

An unpredictable expert in Yixue like Zhang Yingchuan, who is also inconceivable and mentally limited, has always been exhausted. However, holding the jade plate in my hand, I found that the number of vitality in this plate seemed to be endless. The hexagrams deduced by King Wen of Zhou shine on candles and turtles, can be reproduced in all things in the world, and even modern electronic computers may not be able to calculate.

Fortunately, I already know that the hexagrams are "shaking up and down", so I just need to find a way to deduce them in reverse. Otherwise, in the "three formulas" as complex as "Tai Chi Biochemical Universe Algebra", even if we think about it, we cannot deduce any hexagrams.

Uncle Ming was so arrogant that he didn't dare to show up, but after a long time, he saw that I still had no results, so he couldn't help asking: "I said Hu Zai, it would be fine if you can't fiddle with it, but don't use it too hard to destroy the jade plate. I think if this thing was auctioned in Hong Kong, it might be so expensive that hundreds of millions of dollars..."

I had a little clue, but I was interrupted by Uncle Ming. Wuming couldn't help but get angry, and asked the fat man to press Uncle Ming's mouth up. At the critical moment, his mother made trouble with me. I scratched my head and cheeks, and I couldn't remember what I thought just now, so I had to discuss with Shirley Yang a few more words. If the words containing numbers in Yi did not come out of thin air, they were biochemical from the machine number. The "shaking up and down, shocking a hundred miles" shows that the "Zhen Gua" implies "hundred" numbers, but how can this be pushed

Born from the evolution? If we can really deduce the number of machine from the word "hundred", it will be a perfect match for us. Otherwise, if we have a hexagram word like "profits from the rivers" or "public people in the wild", although we know that all these are derived from the deduction of machine numbers, we don't know where machine numbers are there. Moreover, each hexagram, like a different time and space, is a relatively closed and independent system. We only know how to deduce one hexagram, but we cannot learn from one example and deduce another hexagram.

I told Shirley Yang that this idea is indeed feasible, such as "three heavens and two earths and rely on numbers", three means three, the heavens are five, and the earth is five, and three and two are just combined into five, and those who rely on the number will get the number of heaven and earth. Moreover, three is odd, representing yang, and two is even, representing yin, the number "three" is one and two, and there is even in odd, and the number two is one and one, and there is odd in even, which corresponds to the principle of yin and yang relying on the heaven, so it is similar to the saying "three heavens and two earths and relying on numbers". The meaning is too deep. Almost every word contains mystery, and it may be all deduced from the turtle and divination.

Shirley Yang Xi said: "Didn't you say this very well? Since you understand this principle, you shouldn't deduce the hexagram in the jade plate. We can only come up with a solution after reading it." I said helplessly: "The idea is probably right, but it is still difficult to reach the sky. I just happened to hear Zhang Yingchuan say that letting me deduce the Zhen hexagram myself is simply my life. You must know that these numbers that have been repeated over and over again, if you don't get the true guidance of the master, you have been in the "Book of Changes" for decades.
Chapter completed!