The story of the third act ends when the protagonist and others have gone through hard battles, conquered the arsenal, unlocked it, acquired heavy weapons, and returned to help in time.

With heavy weapons, they smashed the defense line of the pirates wearing American armor "Warrior Light" and entered the main control room.

Then, on the one hand, they guarded the main control room and the arsenal, and on the other hand, they also discovered the location of the technical troops captured by the pirates.

The pirates took hostages and made many unrealistic threats.

The captain responded, while the protagonist and others quietly lie in ambush on the other side.

Then, they blasted the two walls and ceiling of the hall, and the magic weapon fell from the sky!

The gunfire was fired, and the pirate leader was beaten into a sieve, and the pirates present were basically killed and destroyed.

At this point, the preview venue has come to an end soon.

The main content behind is roughly the content of a space funeral for the teammates who died in this battle, and clicked the question at the end.

We oppose war and violence, but we are never afraid.

...

After watching the movie, Zhang Cheng and his classmates walked out of the cinema.

The afternoon sunset made the boy who had just walked out of the Hunan environment of the cinema feel a little dazzling.

Maybe it's not the sun shining, but the movie is reminiscing about it.

His Chinese grades are not very good. If he wants to think about it, besides "Damn it! It's so good-looking", he really couldn't think of any other adjectives.

But he really felt it was great to watch.

In the middle, the protagonist and others were hit by a relatively large trough and were threatened with life. At the same time, the starship was hijacked by interstellar pirates, which made Zhang Cheng feel a little aggrieved. But in the end, the marines where the protagonist was located were not afraid of life and death and were in danger, which still made him feel relieved.

Especially in the final climax, the scene of armored warriors fighting against the enemy in the environment of outer space outside the starship and outer space is full of imagination, which is tantamount to him as an enlightenment to space and outside.

This is not popular science, but interest.

Through this passionate content, it is an honor for young people to achieve this by enlightening their ideals for space, the future, and defending their country.

Then, entering the starship, the armored soldiers took big steps to charge, destroying the enemy one by one, and launching a desperate charge; outside the arsenal, the protagonist Lei Bin finally showed the spirit of a Chinese soldier, took on a arduous task, and finally successfully opened the breakthrough; when finally saving the hostages, the surprise soldiers from the sky were blown up by the directional energy bomb...

These pictures were all imprinted in his mind.

...

The box office results of "The Fearless Assault" are quite good. Relying on the popularity brought by all parties, the box office of the movie reached 360 million on the day it was released. Then, the sales volume in two days also reached 320 million and 260 million respectively.

The results of the entire first weekend of release reached 940 million, which was a little regretful, but did not exceed one billion.

Under this box office result, it has been rumored by the outside world, and Weidu Entertainment has created another excellent film.

However, in the next week, on weekdays, the box office of the movie had a relatively large dive. It only scored about 170 million, but despite this, the total box office exceeded 1.1 billion.

Then, by the weekend of the second week, there was a relatively large recovery.

The most important factor is of course due to the impact of the rest day. The box office in the two days of the second week and weekend combined to more than 400 million, and at the same time, the total box office data was pushed to a scale of 1.5 billion.

Further, various groups of ticket purchases from schools, institutions, etc. also contributed a considerable part of the box office.

This part of the income was just the beginning of the second week, and it was getting more and more afterwards.

It is also true that the subsequent box office of "Fearless Assault" has achieved a certain degree of stability.

At the end of the third week, the total box office of the movie reached 1.9 billion. Compared with the results in the second week, it was quite surprising that there was not much decline.

Although it has not exceeded the 2 billion mark, the screening time of this movie will be at least twelve weeks. After winning nearly 2 billion box offices in the first three weeks, the next nine weeks, that is, in about two months, it seems that it is not something that cannot be considered.

At present, the basic achievement line set by various domestic analytical media for the movie "Fearless Assault" is 3 billion box office.

Most people think that this movie ultimately breaks through this line, and there is no big problem.

Media from all sides also became excited again.

The head of Weidu Entertainment is called "Three Billion Manufacturing Machine". The nickname means that Weidu Entertainment can always easily create a work with a domestic box office of more than 3 billion yuan. It seems that for them, the threshold line of 3 billion yuan is the same as non-existence.

They have greatly improved the benchmark for commercial blockbusters made in China.

Now, the four words "Chinese blockbusters" are no longer like they did in the past. They are just a supplement to Hollywood works in people's viewing experience, but have become a major choice for people to watch movies in daily movies. Local manufacturing can already make direct and head-on confrontation with Hollywood works.

This is not just dimension entertainment.

They are pioneers, there is indeed no company in China that can achieve a similar level as them, which is also true. But for the entire film industry, this is not just as simple as producing a powerful film company.

In the past, in the Chinese film industry, it was a blockbuster produced by Hollywood industrialization, which was a huge hit.

Such a huge Chinese film market has already become a box office size, equivalent to North America and even a larger ticketing position than North America.

But the most profitable thing in this ticket store is still Hollywood movies.

Their works have achieved a position that other producers cannot reach in terms of visual effects through large industrial investments. Except for Hollywood, no filmmaker in any country or region dares to invest nearly 100 million US dollars in cost to create a movie.

It’s not just China, but European films that were once glorious in the past can only survive by relying on some art films, experimental films, and pioneer films; the Hong Kong film market has not yet become a niche, and it only lives in the feelings of some people. If you can occasionally cheat a zombie, you can sell a wave of tickets by your feelings; Korean films that are hyped up to the sky are only good results in some realistic themes and small investment film themes...

When it comes to Chinese movies, like comedy themes that are close to people's lives, this is the only theme type that domestic market produces for a long time, and can make money. Previously, almost most of the film superstars produced in mainland China were from comedy.

Xu Zheng, Huang Bo, Wang Baoqiang, Deng Chao, Chen Teng...

Of course, some other types of movies can be produced occasionally, but no matter any other type, it is difficult to compare with this local comedy theme in terms of money-making and investment income ratio.

China is developing better and better now. If you really want to secretly film some high-investment and large-scale film works, someone will definitely be able to afford it. But capitalists are not philanthropists. If they do such a large-scale investment, they have to see the profits and only if they can make money will they invest.

I can easily make a small-cost comedy film, use some dialects, some jokes about shit and peeing, and make a great investment. If I hire a few comedy stars, I can steadily get a lot of money from the market. Then why do I have to spend hundreds of millions of dollars and invest in domestic commercial blockbusters?

For viewers, in the long run, a basic concept has been formed for domestic films. When they hear about domestic films, their first reaction is to low-quality movies that rely on traffic stars to form; or funny local comedy movies. No one really has too much hope for domestic blockbusters. Moreover, there are so many mature Hollywood movies to choose from on the market, why should we watch domestic?

But later, the market situation suddenly changed, and Wu Jing emerged, and everything became different.

The film "Wolf Warrior 2" kicked off the heavy industry military action movie, and collected more than 5 billion yuan, which also caused a lot of black materials to be slapped on Wu Jing's head.

For many commercial film investors, Wu Jing is very bad.

We can make money by feeding the audience shit. What does it mean to cook a table of dishes?

Then, the other person invested again and created a movie called "The Wandering Earth", which made the faces of people who were holding the idea that "China has no soil for shooting science fiction movies now."

Good guy, after this wave, it’s hard to even get rid of black materials. The power of the people is the greatest. Maybe the first one cannot explain too many problems, but two consecutive movies are enough to awaken the audience and understand who is really making movies with his heart and who is feeding shit.

Later, Weidu Entertainment even came out.

After trying the "Hell Apartment" series, they began to produce large-scale investment commercial films.

First, they created their own series IPs of "Master of Martial Arts" and made the movie "War", which won a box office of more than 3 billion yuan; the second film "Demacia: Glory" not only achieved box office results in China that were comparable to "Wolf Warrior 2", but also achieved a total box office status of the top five films and television in the global market; "Taiwu Painting Scroll" and "Dark Night Hunter", the two movies also had domestic box office results of more than 3 billion yuan, and took out some of the overseas box office results as a plus.

Now, I understand that it turns out that making big investment commercial films with real production standards in China can also make money and make a lot of money.

Capital is shameless.

Capital will not remember what they have said, they will only remember what is profitable and what is easy to make money.

It turns out that if Chinese films make a big investment, do them seriously and show good quality, they can make money, and the yield ratio is not low.

With such an beginning, there will naturally be someone who is willing to really invest in it.

In such an environment, in the past two years, I have heard that many film investors have really invested in big capital or jointly invested, and in short, they have also created several large-scale commercial films.

They dare not try the production cost of movies like Weidu Entertainment, which is close to the level of hundreds of millions of dollars, but they dare to try it if they invest 200 million or 300 million yuan.

Don’t underestimate this little money. If you exchange it for US dollars, an investment of 40 to 50 million US dollars is also a medium-sized production level.

Of course, there are still losers who make similar investments.

Movie investment has a high-risk side. Even if it is mature like Hollywood, many high-investment blockbusters will end up failing.

But there are also successful people.

For example, the modern action movie "The Fire of Heaven" that fought in the Spring Festival at the beginning of the year with "Taiwu Painting Scroll" had a good performance. It finally won more than 2 billion yuan in the box office, and compared with the investment of 300 million yuan, it must have made a lot of money.

In addition, there are several other similar situations.

Investment in commercial blockbusters has its own risks, but it also has its high threshold.

The requirements for high production levels and larger investment scales have formed relatively high competitive barriers with others. Small players cannot get in, only big players can play. In the case of a small number of films, the audience's choice is not as big as they imagined. In the case of good aggregation effect, the film was actually a little bit worse and failed to make money. In the end, it was possible to recoup some of the costs by relying on box office and then through other copyright operation methods.

And as long as you make money, you will make a lot of money.

Since this, capitalists who have tasted the sweetness have gradually become more courageous, dare to shoot more such films and make greater investments.

I believe that in the future, China's film industry will flourish even more.

Of course, Weidu Entertainment has launched more and better commercial blockbusters, but at the same time, other players in the industry can also greatly prosper this market.

In this regard, as the boss of Weidian Group, Fan Zhe was not only not unhappy because of the addition of a large number of competitors, but was happy to see it.

He is not such a narrow-minded person. He is also very honored to be able to make contributions to the progress of the film industry in his motherland.
Chapter completed!