The scenes about the originally shabby coffee shop have finally been completed, and only the last scenes of the coffee shop decoration are left. After spending a full day of shooting, all the scenes of An Zaiying, Yoon Eun Hye, Lee Yan, Kim Dong-wook and Kim Chang-wan in the old coffee shop have ended.

The next scene is the first encounter between the male and female protagonists Gao Eun-chan and Choi Hanjie in the play, a funny nude scene.

In order to match the identity of Cui Hanjie, the crew searched all over Seoul and finally found his home on the top floor of a building. This is the top floor of a towering building with elegant layout. When you open the door, you will see a huge balcony. The wood-colored floor is paved into a small platform with a row of neat little pine trees planted on it. Flowers and plants are planted around the platform. There is a long backrest chair next to the pine trees for the owner to sit leisurely. What's more special is that a wooden swing chair is placed on the left at the door of the main house, and a pastoral and comfortable feeling arises naturally.

Push open the door of the balcony and walk into a simple, elegant Italian style. The folding bed cabinet hidden in the walls, the black marble floor and the random and unique plant decorations, the decoration toys everywhere, and the black elegant sofa, all of which reflect Cui Hanjie's fashionable taste.

At this moment, An Jae-sing was filming a separate scene before playing against Yoon Eun Hye, a scene where she called her mother while taking a shower. She was wearing a pair of simple black boxers, An Jae-sing was lying in a bathtub filled with foam. There were several magazines and a cup of drinks with straws on the bathtub, showing Cui Hanjie's leisure.

Originally, as the actor of An Jae-sing's mother in the TV series, Senior Kim Yuko was unable to come over because he had something to do, so the original phone call turned into an A Jae-sing's one-man show. He had to pretend to be calling his mother while coming out of the bathtub and rub his body, then walked to the sofa in the living room and sat down and hung up the phone before he would talk to Yoon Eun-hye, who was delivering food. Afterwards, the crew would cut the two's conversations together through editing.

Because this was originally a telephone scene, it became particularly important to grasp the time of the line. If it was too fast or too slow, it would become like talking to yourself. Moreover, this shot would be a long and uninterrupted shot, which would go from walking out of the bathtub and rubbing the body to sitting on the sofa. Only when there was any mistake, it would have to be done all over again, so it would be a big test for the actor's acting skills and ability to memorize lines.

"Okay, the lighting and audio actors are here to go, prepare and start shooting!" Seeing that An Jae-sing had already sat in the bathtub and said he could, director Lee Yun-jeong ordered the crew to take their seats to start the first filming of the room.

"Yeah, it's me." After hearing the director's order, An Jae-sing immediately entered the state while taking a bath, and began to speak lines.

"It's not long after I arrived, at home... at home... I'm sorry!" The originally smooth line stopped abruptly, and An Jae-sing immediately showed an awkward expression, while Yoon Eun-hye, who was outside the camera, immediately started to make a mocking hilarious chuckle. She looked at An Jae-sing who was staying in the bathtub with a gloating expression. She always remembered the resentment of the fried noodles.

It turned out that she should have shook the bath towel next to her, but somehow the scarf was different from the original rehearsal. As a result, she reached out and directly sprinkled the drink next to her on the scarf. Looking at the conspicuous yellow orange juice on the white scarf, it was obvious that the shot of this shot was failed.

"It's okay, don't care..." Looking at An Jae-sing, who apologized to the crew members with an apology, director Lee Yun-jeong began to comfort her. It was normal for TV series to shoot NG, so neither she nor the staff were chasing An Jae-sing. Instead, when he saw his sincere apology, they all said that it was okay.

Put the drinks and scarf back again, this time I answered that there was no mistake in the bathtub. I successfully came out of the bathtub and wrapped the scarf, revealing the strong back and perfect abdominal muscles on the upper body. You should know that the Azay has already appeared in the movie "The Despicable Street" famous abdominal muscles that made the audience scream, so of course, this time the crew did not miss it and gave him a short shot close-up.

"...But I'm too dirty now, so I can't see you at all." I picked up my hair as a mirror, An Zaiying said her lines in a frivolous tone, and walked to the sofa in the living room and sat down with a towel and wiped her hair.

"The food is delivered, mom, let's do it." He looked impatient and heard the knock on the door and An Zaijie reached out and hung up the phone on the table in front of the sofa.

Once again, Ahn Jae-sing said more seriously and all the lines were successfully completed. Not only that, she also added her improvisation to the lines just now, which perfectly reflected Cui Hanjie's spoiled and impatient attitude towards talking to her mother, and ended the shooting of this shot very smoothly.

After the shooting of An Jae-sing's "out-of-bath" shot, the next step is the rivalry between An Jae-sing and Yoon Eun-hye.

The scene filmed is a funny scene in the TV series. Gao Encan came to Cui Hanjie's house with takeout. He happened to see Cui Hanjie wearing a scarf and wiping her legs with a towel on the table. Because she supported one leg, the private parts that were originally surrounded by the scarf became faintly visible. This made Gao Encan, who was standing at the door, stunned, but was frightened to escape. However, Cui Hanjie treated him as a man and thought the other party was frightened by his strong capital, and was very proud.

Regarding the scenes of wiping legs on the table and being close-up on the lower body by the camera, An Zai-sing had already tried more obscene actions in "The Despicable Street". What's more, those who often get revenge and play with members in the infinite challenge have long put An Zai-singing's skin in the camera in the camera thicker than the city wall, so it is completely stress-free for shooting this scene.

He said the lines calmly, and wiped his legs as if he was at home and said, "Put the fast food on the dining table at the door. Don't take off your shoes, come in directly."
Chapter completed!