Everyone's eyes turned to Ronan instantly. Robert was a little worried that if he couldn't deal with this well, it would definitely affect the financing plan.

Fontane stared at Ronan, a young Hollywood producer who can compare with his understanding of film art?

If this person refutes it, it will only leave a bad image of being unreasonable, and what kind of refutes he uses, is that Hollywood business style? Mansour and Abu Dhabi Investment Bureau are not short of money!

In Fontane's eyes, Ronan Anderson had been squeezed into the gap in the corner that he could not escape.

Fontaine was waiting for Ronan to refute.

As if he hadn't heard what Fang Dan had just said, Ronan picked up a script in front of him and said, "Mr. Fountain, this is "Arab Life" you wrote. I spent a few days reading it carefully. Do you want to shoot this script with realistic techniques?"

This sentence hides guidance, but realistic information is transmitted between the lines of the script, and Fontaine's words just criticized "Ace Agent" also revealed a little of his own style.

Fang Dan thought so too, first answering: "Yes, an excellent movie must truly reflect social problems." Then he asked back: "How could my script be with you?"

Ronan smiled and looked at Mansour, who said, "I want Mr. Anderson to give me some advice."

"He?" Fang Dan's dissatisfaction was instantly written on his face, but when he thought of the identity of Mansour's gold medalist, he swallowed the questions back.

Then I found an explanation for myself: Mansour is not a person in the film industry, so some things may not be very particular.

Ronan asked again: "The film truly reflects what the script wrote?"

"Of course." Fang Dan said to you, you have something wrong with it. Why would I write like this if I didn't shoot like this?

Ronan said lightly: "The fifth scene, the ninth scene, the eleventh scene to the fifteenth scene, and the finale, all the plots involving the heroines as civilians and ordinary people tell the unfairness of society, the difficulties of ordinary life, and even the misfortune brought about by faith and social issues."

He asked intentionally: "Is that true, Director Fontane?"

Fontaine said with some pride: "I am shooting realistic movies, which must truly reflect current social problems."

Ronan asked again: "The heroine's life background is in Abu Dhabi, right?"

Fang Dan was a little impatient. Does this person understand the movie? He replied patiently: "It's in Abu Dhabi."

Everyone was a little confused and didn't understand what Ronan meant.

Ronan continued to ask, "You still want to take this movie to the International Film Festival?"

"The plan is for the Cannes Film Festival, and Berlin and Venice are also possible. "Fontaine was really angry this time: "I don't understand what the point of asking these questions."

Instead of answering Fontane's words, Ronan looked at Mansour and said very seriously: "Mr. Minister, this Fontane director claims to be an Arab brother. In fact, there is no difference between them in the bones and those Western film practitioners who discredit Arabs. Oh, there is a little difference, he does it more concealed."

Fang Dan stared at Ronan in disbelief: "How can you slander people?"
Chapter completed!