Yuntong Bank's operation is very clever. The Metropolitan Museum directly contacted the Gusu Museum and wanted to exchange exhibits for exhibitions. One is a world-class museum, one of the four major museums, and the other is a domestic municipal museum. Does such cooperation still need to be discussed?

Absolutely? A fool refuses! For some reason, the Metropolitan Museum actually took out the oil painting "Washington Crossing the Delaware River" which is the museum's treasure, plus a number of paintings by famous modern and modern Western masters and dozens of Chinese antiques exchange exhibitions. If even such a big gift package fell from the sky was rejected, the Gusu Museum would probably be scolded to death by its domestic colleagues!

However, the Metropolitan Museum also proposed to exchange exhibitions for some treasures from the Gusu Museum. In order to show sincerity, they are willing to send exhibits to display first. The Gusu Museum can slowly arrange for their own exchange exhibition exhibits.

If you have enough sincerity, will the Gusu Museum not want it? I immediately reported to the city and the province, and completed the procedures in ten days as soon as I notified the other party that the procedures were resolved, and then I simply packed the exhibits for shipping. The speed and efficiency were so fast that it was jaw-dropping.

The customs efficiency in China is also a bit too high. It was allowed to leave the country in just two days, and then it was here in China. Because the procedures had been completed, the normal process might take seven days in advance. This time, the special matter was handled in just three days, and the things were transported to the Gusu Museum. At this time, the exhibition hall of the Gusu Museum had just begun to be arranged.

In this situation, it was simply natural that Guo Tailai could have a smooth close contact with this oil painting. The US representative met a friend here and invited him to visit the exhibition that had not started in advance. Is there any problem?

Of course there is a problem! Such expensive exchange of cultural relics and such precious treasures, the insurance cost of the entire process alone reaches 10 million US dollars, and all the treasures are guarded by American security companies for 24 hours on-site, and the periphery is a team of armed police from China to help defend. If you are an individual, you can go in and see it?

After checking in the country, Guo Tailai, a large investor who is about to invest 1 billion US dollars in construction in Gusu, has endorsed by senior officials from Shuimu University and Beijing. There is absolutely no problem with his identity security, so it is okay to go in.

Tailai did not enter alone, but brought a metal plate of equal proportion to the painting and several carving tools.

Inexplicably, people asked the Metropolitan Museum of America to bring the treasures of the museum to China. Is it reasonable to just take a look? So Guo Tailai must do something that can make logical sense that meets this strange requirement.

Several American security guards inside were very alert at first glance and had rich experience. When they saw Guo Tailai coming in with these things, two people's hands had already touched the stun gun on their belts.

Fortunately, Guo Tailai did not make misunderstood actions. He supported the metal plate like a picture frame, stood five meters away, carefully looked at the oil painting for a while, then returned to the metal plate frame and started to do it.

Just in front of a senior management of a US museum, a service staff from Yuntong Bank and security personnel from both China and the United States, Guo Tailai showed them what master-level processing ability is. Well, it should be said that it is the creative ability of an artist.

With only a few extremely fine shovels, Guo Tailai quickly copied the oil painting in perfect proportion on the metal plate. Of course, it was not a paintbrush, but a metal shovel to shovel a metal relief that only has the true color of metal but also has an oil painting effect.

The ups and downs of the surface and the extension of the lines are exactly the same as the painting itself, but the scale is reduced in proportion, but every detail is reflected in this metal relief.

When Tailai was working, he was so focused. He stood five meters away and had only two movements. He stood up and observed carefully, and then went to the frame to make it. In less than half an hour, he drew a quarter of it. The speed was so amazing that the person who was watching was so powerful.

A few alert security guards are no longer so sensitive now. A few even stared at Guo Tailai's movements with interest. Seeing the iron filings flying on the picture frame, the picture appears little by little, and a pleasing feeling is even seen.

During this period, Guo Tailai also asked the US security guards to help him measure the length of a bow from the edge of the frame and several detailed dimensions. He did not rely on his way to do it himself, and there was no need to be prepared for it at all. He said he was just looking, but he didn't even touch his hands.

Of course, the five-meter distance is enough for Guo Tailai to do anything he wants to do. Guo Tailai achieved his goal within the first three minutes of entering. The 10,000 nanorobots easily entered Guo Tailai's body. The Americans were really honest and said that the genuine ones sent were genuine ones. Of course, it was probably related to Guo Tailai's giving enough money.

Guo Tailai was really able to pretend, and he carefully copied the original painting in full proportion. It took him three hours. It can be said that he watched it carefully for three hours just a distance of five meters.

When the metal relief was finished, everyone in the room who watched Guo Tailai do all this from beginning to end had a feeling of witnessing the birth of a exquisite and exquisite masterpiece in front of them.

There is no such thing as a legendary work, but it is really exquisite. Everyone quietly looked at the finished metal relief, and no one spoke, but their hearts were filled with mixed feelings.

It was just a metal relief of metal of the original color, carved in proportion to the brush strokes of the oil painting. But when everyone looked at it, it seemed that they could see the color, the characters, and the light from above, which was simply amazing.

Without Guo Tailai explaining anything, the only two people who know what happened to this trip, one is an employee of Yuntong Bank and the other is the deputy director of the Metropolitan Museum of China. They all understand why Guo Tailai had to watch the masterpieces of the masters so close.

"Mr. g, are you very interested in these famous works?" When the employee of Yuntong Bank accompanied Guo Tailai to leave, he asked Guo Tailai curiously: "Have you tried going to the Louvre?"

"I've been there!" Guo Tailai replied with a smile: "I specially asked me to go to the Louvre vault through a friend in France to see the authentic "Mona Lisa's Smile". But it's a pity, you know, in the Louvre vault, no one would allow me to bring these things in and copy them for such a long time."
Chapter completed!