In fact, it is not just the old K family who has similar ideas.

This is true for both horizontal and vertical texts, and the same is true for Dianniang literature.

Although before, the operation of copyright has always been a hidden rule for major websites, most of the time, both the author and the website regard the film and television copyright of online literature as a channel to increase revenue, but never thought that one day the works adapted from online literature could really be on the TV screen.

"The Legend of Concubine Zhen" obviously proves this, and it also makes major online literature websites pay attention to the copyright of the film and television works at hand for the first time.

In fact, not only online literature websites, but also many film and television production companies have also set their sights on this part.

Compared with traditional screenwriters' works, although film and television dramas adapted from online literature are slightly more expensive in terms of copyright, they have many incomparable advantages in screenwriters' own scripts.

First of all, most of the online articles that are qualified to adapt into TV series works have a very good influence on the Internet and have many readers. These people are obviously some potential audiences of adapted works. Their previous popularity also makes TV series feel that they can achieve twice the result with half the effort when promoting them, and they can successfully hype the topic.

Secondly, many scripts written by screenwriters now have the memes, which can be said to be very routine, making people feel visually tired. You can often guess what the development and ending will be after looking at the beginning, but online articles are different. The rhythm of online articles can be said to be very compact, and often one climax after another, which makes it easier to mobilize the audience's emotions.

Not to mention anything else, wasn’t “The Legend of Concubine Zhen” a great success by using the skills of online literature to shoot?

Because of this, film and television production companies have also begun to connect with online literature websites and select works from them to acquire copyrights for later adaptations.

At the beginning, the film and television companies were still harder, but as the online literature adaptation market became more and more popular, more and more capital poured into this market, and some people keenly noticed the business opportunities inside.

There has never been a shortage of all kinds of smart people in China.

They suddenly discovered that the copyright of film and television adaptations of these novels suddenly became so popular. Although most of the works are not suitable for adaptation because of the serious similarity, and some types of them have decided that they cannot log in to the screen for the time being, it is difficult to guarantee that there will be no chance in the future.

Therefore, the forces that hoard IPs began to emerge. They first packaged the film and television adaptation copyrights of online literature with varying quantities from online literature websites. Because many of the works are temporarily or do not have the value of adaptation, they are usually relatively cheap. After purchasing these copyrights, these forces either store them in their hands and wait for future appreciation before selling them, or they start to carry out large-scale packaging and promotion, and sell the film and television adaptation copyrights purchased at low prices in their hands and then sell them at high prices.

On the one hand, the production efficiency of online novels is relatively high, and basically different works are created every day. On the other hand, the market demand is also very strong. Therefore, in the entire online literature market, the sale of film and television adaptation copyrights suddenly became extremely popular.

IP and copyright have become the most popular words at present. Almost all major websites and media are using these words to talk about things, as if they don’t know these words, they are out of date.

It’s okay to say that some ordinary works are basically stocked up at low prices like cabbage. The author can only get a relatively small return from them, but even so, they are already extremely satisfied. After all, if they didn’t sell them before, they wouldn’t get a penny. Now, because of this, they have unexpected income, even if it’s a little less, it’s a surprise for them.

The copyright of works that have been well-known since the development of online literature has been popular and robbed. Almost all major film and television companies want to take these popular works into their pockets. In their opinion, these works have a wider range and greater impact. If adapted, they will attract more attention and have more readers to explore as a potential market.

Because there are many companies joining, the competition for online copyright has evolved into a complete game of money. Whoever pays the higher price and has stronger backstage and strength will have more copyrights.

Leku Film and Television has also joined it. Although Lo International has already had Lexin Literature, it can bring some material library to Leku Film and Television. After a series of virtuous development cycles, the level of authors in Lexin Literature is also constantly improving. It cannot be denied that Lexin Literature has been established for a short time and has a poor foundation. The works in the library are far from meeting the needs of Leku Film and Television.

So Leku Film and Television took this opportunity to look at the other three online literature websites that were about to go crazy.

Of course, when Leku Film and Television contacted them here, it was not using their true identity, but using the name of its own subsidiary. Otherwise, it would be treated as a sucker and killed.

Here, Leku Film and Television is more about Dianniang Literature. No matter what, Dianniang Literature is the best in this industry and has extraordinary background. Their library also has many works that make Bai Ningyuan and others covet. Taking advantage of this opportunity, after a desperate battle, he successfully took down the copyrights of several popular works.

Correspondingly, when film and television companies acquired many film and television adaptations, various film and television projects adapted from online literature were launched one after another. In just one week, seventeen or eighteen film and television companies announced the news.

Such news made many viewers and readers feel dumbfounded. Even online articles adapted into TV series have begun to appear in groups, which is simply dazzling.

The chaos in the online adaptation circle is just a microcosm of this society. Its blind follow-up is highlighted by many people in China's impetuous mentality of quick success and instant benefits. They can't wait to copy other people's success. As for whether it will ruin this industry, sorry, besides making money, this is not the issue they are considering.

But in fact, can online article adaptation be successful just so easily?

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