>Back to the rehearsal room, Lu Jian informed Xia Ge about the good news of his speech

"It's yellow."

"Hu." Xia Ge actually looked relieved, "It's relaxed. It always makes me feel weird when advertising Japanese products."

"I'm relieved when you react." Lu Jian smiled, "Make music steadily, and bigger endorsements will come to you."

"Received." Xia Ge made an "ok" gesture.

After leaving the rehearsal room, Lu Jian's expression was not "ok".

It doesn't matter if he was robbed of the endorsement, because he never fought for it at all. The biggest loss was just a waste of hours, plus a small expectation for a small fortune.

What really made him pay attention to was not this, but the group behind him.

Benefits help interests, friends help friends, classmates help classmates, fellow villagers help fellow villagers, and compatriots help compatriots.

All circles and all industries are composed of people. As long as people come to make their ideas, resources cannot be allocated optimally, and fairness cannot exist. Since most things in the entertainment industry seem to be "anyone can do it", the situation is undoubtedly the most serious.

If Lu Jian was worried about the entertainment industry, he would have been happy for a long time. What he was worried about now was an extreme situation, the most sensitive "grouping" and regional grouping.

This common grouping is not terrible, but if key resources are concentrated in the hands of people in the same region, the effect caused by grouping will be very serious.

This extreme situation has not happened in this world, but it has actually happened in the previous life. However, most people only see a prosperous entertainment industry and do not know what kind of struggles and games have occurred in the middle.

Lu Jian himself only caught up with one tail, and most of his journeys originated from the inheritance of his predecessors.

From the 1990s to the reform and opening up, Hong Kong and Taiwan occupied the vast majority of the entertainment market in the mainland. The era when the "Four Heavenly Kings" were active at the same time was praised by many people as the golden age.

From the perspective of ordinary listeners and audiences, this is indeed the case, but for mainland practitioners at that time, this was also an era of "exploitation". Due to backward technology and insufficient experience, the money they paid to "Hong Kong and Taiwan masters" was no less than that they paid to "young and fresh meat" later. At the same time, because of such "backwardness and dependence", they had to obey. This also led to the power of any producer, recording engineer, and even photography in Hong Kong and Taiwan at that time was no less than that of Lu Kun now. Lu Kun knew the right way along. Any martial artist in Xianggang came to the mainland and was regarded as a god. This lethality was much more terrifying than Lu Kun.

Such a superior group is almost impossible to distinguish by region. Hong Kong people and Wan Chai naturally hold the resources in their hands and support their own people. Their impression of mainlanders is both "rustic" and "hostile", which is nothing to ironic, just like the "Asan" in the eyes of modern mainlanders.

At that time, in addition to the folk songs and rock paintings developed from various universities, the popularity of the mainland almost collapsed. It is worth mentioning that the three popular queens from the mainland, Wang Tianhou debuted in Xianggang, and that day he switched to Wan Chai. Tian Tianhou didn't touch anything, and later he was no longer a queen.

Talents and resources are unprecedentedly concentrated in those two places. Faced with the huge mainland market, I wish I could make a name for myself and make a name for myself. There are so many "opportunities" that are terrifying. This matter has expanded so quickly that it is even a social group outside the law that is "outside the law" to take charge of the overall situation.

With the nourishment of the entire mainland market, it has become a dream place for entertainment practitioners. The mainland market of more than one billion people feeds these two small cities. This may be the true face of the Golden Age.

The price of nurturing is that people who have ambition and talent left sadly outside the land of dreams, dozens or hundreds of times more talented in the land.

There is no doubt that this is the super era of Hunan Port, the "Hong Kong Film Era". For the mainland, this is almost a drifting era, with limited masterpieces having little profit. On the other hand, the group is as solid as a rock, and it is difficult for outsiders to get opportunities under their hands.

Until, the policy fell from heaven.

For a long time, in order to support local cultural development, "domestic films" and "non-domestic films" have always had policy deviations. "domestic films" and "co-production films" will be given considerable preferential treatment. At the national level, foreign teams and capital are highly encouraged to come in and develop, cultivate local talents, and create local stars.

Hong Kong and Taiwan are an inseparable part and should be used as domestic. However, due to institutional reasons, the review rights of cultural products are not within unified management, so they are temporarily included in "non-domestic films" and mostly enter the mainland market as "co-production films".

"Xianggang" movies have also used this policy for a long time to enjoy the treatment of "domestic films". In fact, from actors to cameras, they still use the entire Hong Kong team. Policies such as "co-production films" have limited support for the "domestic cultural undertakings" and not many talents have been seen. "Hong Kong and Taiwan superstars" have appeared in groups.

The ideological strategy is correct, but the effect is not good, so it must be a technical problem.

Therefore, this kind policy had to become strict, and strict regulations were made on the number of mainland filmmakers, actors in the film, the proportion of mainland capital, and other details, and strictly reviewed.

This policy directly caused Hong Kong people to complain, believing that mainland actors and teams would lower their level. At the same time, a considerable number of viewers were also dissatisfied with this, believing that politics interfered with the bloodline of the film, and that the purity and classics of Hong Kong films would be tarnished.

The result was that "Shaolin Temple" was born, and the mainland had its own superstar and action king.

Qiong Yao drama is no longer exclusive to the actors of Moss Bay. "My Fair Princess" adopts a large number of mainland actors. Several starring actors have lived up to expectations and have developed into superstars, super king Ama, super investor and super emoticons. The nostril man replaced the roaring man.

From this moment on, no new superstar was born in Xianggang, and classics will always become classics, and the four kings gradually grow old.

Instead, there are four young actresses and four big and small students in the mainland. Mainland filmmakers have also grown up, breaking away from their dependence on Hong Kong and Taiwan, and technical barriers and resource barriers no longer exist. Then the regional grouping seems meaningless, but it is understandable, and it still exists.

To this day, a considerable number of Hunan Port practitioners criticized the policy, believing that this directly led to the discontinuation of Xiang Port's entertainment industry. It was those people ten years ago and ten years later, but the popular young actresses in the mainland have changed several batches. A considerable number of viewers also believe that this is the culprit of killing the classics and remembering the golden age of the stars.

There is no right or wrong, only the result.
Chapter completed!