The authors of neo-mythology are often both novelists and non-name mythologists. The rich knowledge reserves in mythology have made these writers more powerful in literary imagination.

If you want to write such mythological stories, you must understand them thoroughly!

There is also a non-academic tendency to play the joke in China, which is to blindly cater to the interests of the masses and pursue market sales one-sidedly, and the cultural content in the works is not high.

There is no accurate definition of what myth is. The history of myth is too long. In ancient times, human clans, tribes, and ethnic groups that were originally formed were constantly exposed to various natural phenomena and began to have their own lives.

Many unexplained phenomena and incomprehensible situations were visualized by primitive people through their own wisdom, passed on these phenomena through word of mouth, and passed on to the present generation after generation. Myth is a story where the protagonists were generally gods that began in ancient times.

But the myth has not disappeared. It appears in front of people in a new posture. What Zhang Chu wants to do is to capture this original intention that still exists in the minds of modern people, fully explore them, and transform them into something that modern people can understand and accept!

Zhang Chu neither combines medieval magic and modern technology like learning the fantasy of learning the new Western mythology, nor does he want to have the fantasy of medieval Buddhism, Taoism, religion and sword immortals like Chinese classical mythology.

He thought the word "Oriental Fantasy" was very good. Starting from the older local myth, he chose some beautiful and well-known keywords, as well as state machines and individual rangers who were active on the fantasy land.

The more national, the more worldly it is, this kind of thing will never be covered by the rest of the nations in the world.

Legends such as Chiyou and Huangdi, Shennong being chosen as the co-lord of mankind, and Zhang Chu thought of a work, which was "Su Shen Ji"!

The "Su Shen Ji" he mentioned was not the book written by Gan Bao, a historian of the Eastern Jin Dynasty, but the beginning of the trilogy of the wilderness written by the wild fox under the tree.

Gan Bao's "Su Shen Ji" records many legendary strange stories, more famous are Gan Jiang Mo Ye, Li Ji, Han Ping and his wife, the little daughter of King Wu, Dong Yong, etc.

The "Su Shen Ji" that netizens can usually come into contact with is the work of the wild fox under the tree. The last one of the wild trilogys has not been written until Zhang Chu's rebirth. I have to say that it is a lot of resentment!

This book was written in 200, which is far from the time when the online literature exploded. In addition, the propaganda and other reasons have caused subsequent readers to never hear about it or think that the book is outdated.

But these two books have their own unique features, with a very grand layout, not sticking to one school, and a magnificent worldview.

This novel is based on the classics of the Mountains and Seas. The scene description is very exciting. The readers who have read it still remember the various strange beasts in it. They are all fresh in the secret, such as Mermaids, Qiongqi, Bifang, Qingqiu Mountain, and Zixu Mountain.

Moreover, the author's Wild Fox under the Tree has a unique inner portrayal. Many of the characters in it have distinct personalities and different personalities. From Tuobaye, Qiao Chiyou, Yu Shiwei, Yan Zisu to Ji Yuanxuan, Chi Songzi are all vivid and three-dimensional!

What are the ten gods of the Great Wilderness, the emperors of the world, the five saints, and the ten witches are all dazzling. If placed in ordinary fantasy works, these titles sound extremely awkward, but they are found to be extremely appropriate in "Su Shen Ji".

It learns from all the strengths, combines myths, magic, martial arts, romance, geography, and humanities, and uses epic brushstrokes to reproduce the prehistoric era of the origin of Chinese nation's civilization, and reconstructs the magnificent and majestic martial arts myth!

Not only readers, but also those picky critics are conquered by the vast thoughts, strange behaviors, magnificent writing styles, humorous delays, and ups and downs. This is not only a pure entertainment work, but also a part of the profound Chinese culture and a piece that has to be highlighted in the history of fantasy literature!

The Book of Gods also established the supreme status of the author, one of the two great fantasy kings of the new generation of Wild Fox, and became the pioneer of the Eastern Neo-mythology fantasy!

Zhang Chu felt a little sad when he thought of this. When he was in junior high school, "Zhu Xian" and "Soushen Ji" were almost every boy circulated.

But in the year of rebirth, "Sou Shen Ji" only existed in the hearts of old bookworms, while "Zhu Xian" has been made into a film, and was scolded very much, but it still attracted new readers to join.

"Let's write "Su Shen Ji" in the new book, see how this book is like!" Zhang Chu murmured to himself. This was a little selfish intention. He wanted to see his favorite works shine again in another world.

The story of "Su Shen Ji" is actually very simple. In the legendary era of the Three Sovereigns and Five Emperors, with the death of the world-recognized leader Shennong, heroes of all ethnic groups were ready to move, and a young man inherited Shennong's mantle.

The wind and clouds were surging in the Great Wilderness. Mirage City, which was not under the jurisdiction of the Great Wilderness, was attacked by Zhulong, the largest god of the Aquarium. The young master of Mirage City, Qiao Chiyou and the protagonist Tuobaye, began to escape.

Many legendary characters appear in the novel, including passionate wars, power struggles, intrigues, and these scenes are particularly exquisite and have a very close conception!

It started from a very small thing and eventually turned into a shocking conspiracy, linked together and with few loopholes. This kind of thinking and layout ability is beyond the reach of Zhang Chu, and it is also a place where he needs to learn.

The wild fox under the tree fiction created a world that was unparalleled, but there was a conspiracy hidden on the back of any character, and had its own story, which made the readers' heartbeat not stop.

In addition to the moving plot, "Soushen Ji" is not inferior to the ancient and modern times in the description of family, friendship and love.

When Zhang Chu read this novel, he was moved by the characters in it more than once. The woman in this wilderness is outstanding and the stories inside are melodious.

Tuobaye and Qiao Chiyou have a close relationship with each other, support each other, and share weal and woe. Chiyou and Yan Zisu have no ending relationship. Yu Shixian, the leader of the top ten demons in the Great Wilderness, loves her deeply, the fairy Gushe is born with beauty and beauty, and the Qing Emperor is inspired to read too much, but with a few strokes, many readers remember this wild and unruly person.

Of course, the various gorgeous and ancient poems and discourses in the novel also make people feel endless aftertaste, and the single song "Silent Song of the Feast" makes people cry.
Chapter completed!