"Next, please invite Caidie Team Lin Zaishan to perform the second round of the competition song "Narclaw" for us!"

Xu Shaowei's narration attracted thunderous applause from the audience!

"Uncle Lin! Uncle Lin! Uncle Lin! Uncle Lin!..."

The audience neatly shouted Lin Zaishan's name.●⌒,.

Lin Zaishan appeared with 20 martial arts actors wearing black beyond cultural shirts!

They each had a pair of nunchakus, just like Shi Jing Meng Kam was about to fight!

Headed by Lin Zaishan, the group of people brought the entire stage a solemn aura as soon as they appeared!

Each of them had no smile on their faces, but had a cool expression.

If you meet such a group of people walking towards you on the street, the leader is still a white-haired cold-shou uncle, and everyone will probably turn around and bypass it.

In a trance, many people seemed to see the Lin Trash who was invincible when he was young and invincible in the world as rumored on the Internet!

However, as soon as the Min Band and pianist Zhou Yunying and others appeared, everyone's thoughts were immediately pulled back to today's singing competition.

What kind of combination is this?

How come there are rock musicians, folk musicians, and pianists to accompany them?

Is this really a collection of works?

Seeing such a pomp, Li Zongheng pushed up his elegant glasses and wanted to take a closer look at what kind of work Lin Zaishan was going to present.

After listening to this song, Ma Xiaodong and other members of the music team of the Oriental Channel have a faint sense of burning in their hearts.

As soon as the scene of Lin Zaishan rehearsing this song yesterday echoes in their minds, an incredible shock will arise in their hearts!

Especially for a senior professional musician like Ma Xiaodong, after listening to this song, his fat head was about to explode!

He had no idea how to define this song.

Is this a rap work?

It doesn't seem to be.

This is not a pure RB work either.

Even this song doesn't even have a melody!

Listening to such works, Ma Xiaodong only feels like hell!

Unprecedented!

He had never heard such a piping Chinese music!

For Ma Xiaodong, the arrangement and rhythm of this song are a tremendous and upsetting prison!

Lin Zaishan’s unique flo has made Ma Xiaodong’s ears wide open!

The so-called flo refers to the way the singer chews words when rapping, and the way or characteristics of each syllable pronunciation.

Before listening to this song "Narcuse", Ma Xiaodong had never heard of a Chinese singer rap Chinese song like Lin Zaishan.

When Lin Zaishan rehearsed this work, he dealt with the relationship between syllables and syllables with emphasis and syllables. The relationship between each syllable and accompaniment is extremely unique!

His rap is completely a dual-core driver of rhythm + melody.

At first, Ma Xiaodong couldn't find the melody line of this song. Later, he listened carefully to the live replay recording. After listening to it many times, he realized that Lin Zaishan's unique rap rhythm is the melody of this song!

The lyrics of Lin Zaishan are all connected to the beats. This design is not an exaggeration to describe it as ingenious! His rap directly assumes the core part of the melody and vocal rhythm.

The arrangement of this song combines Eastern and Western instruments, which is a mess! The part that connects the piano and Erhu almost falls to the ground when Ma Xiaodong listens it for the first time!

Especially when all the instruments stopped and the piano solo appeared, Ma Xiaodong's big fat head was about to smoke!

He couldn't imagine that someone could play music arrangements to this level! This was completely using the techniques of film expression to show the charm of music!

In Ma Xiaodong's view, such creative talent is completely an unprecedented level that can completely explode the music industry!

To be honest, such works are no longer technical. This song is purely talented!

After listening to this song "Narcuse" during the rehearsal yesterday, Ma Xiaodong's mood has not calmed down.

It was only at that moment that he finally realized how extraordinary Lin Zaishan was a god in the field of music!

It was hard to sleep all night last night, and Ma Xiaodong listened to all the works Lin Zaishan sang on the stage of "Singing and Writer", starting from "The Hill" and all the song "Narclaw".

After listening to it, Ma Xiaodong felt deeply moved. The things that Lin Zaishan left on this stage alone can almost travel to the entire Chinese music scene!

At first, he was working with Lin Zaishan with a contempt and awkward attitude. But now, even if Ma Xiaodong still hates Lin Zaishan, he has to develop a strange sense of honor.

It is really a great luck in his music career to be able to perform so many works with an extraordinary genius like Lin Zaishan!

Although I know that Tai will definitely not give Lin Zaishan the champion of "Singing and Writer", in Ma Xiaodong's heart, Lin Zaishan is already a well-deserved champion.

Not only the champion on this stage, Ma Xiaodong feels that Lin Zaishan is simply the no.1 genius in the entire Chinese music scene!

Ma Xiaodong firmly believes that after Lin Zaishan publicly sang this song "Narcuse", the entire Chinese music scene would be rekindled by him!

The lifeless situation in the Chinese music scene before is likely to be based on this song.

After that, Lin Zaishan will create a new era in the Chinese music scene!

In the center of the stage, watching the audience standing up and applauding him, Lin Zaishan burned a sense of enjoyment and was full of confidence!

The reason why he chose to sing this song "Narclaw" in the finals was indeed with the domineering spirit of creating the times!

In the world he lived in, the direction of the Chinese music scene was somewhat similar to that of this world.

In that world, in the early 1990s, the era of the Four Heavenly Kings began.

The Hong Kong Golden Melody Awards witnessed the glory of those ten years.

Andy Lau's "The Days Walking Together" was the first to win the Most Popular Male Singer Award.

Jacky Cheung won the Golden Melody Award in "Love You More Every Day".

Liming's "Sorry, I Love You" was shortlisted for the top ten golden songs.

Aaron Kwok won the Best Newcomer in "Does I Go Away Quietly".

In the following years, the four kings monopolized the Hong Kong music scene. Jacky Cheung's "Kiss Goodbye" was the first to enter the Taiwan-Wan music scene, and the four kings began to truly become popular in the entire Chinese music scene.

The advent of the era of the Four Heavenly Kings also announced the end of the era of the so-called "Emperor Superstar" of "Zhang and Tan".

The so-called superstars, including the company's monopoly on various awards, fully reflect the excessive commercial packaging at that time, which also laid a painful foreshadowing for the Hong Kong music scene 10 years later.

Since the 1990s, the most impressive thing about the mainland in another area is various folk songs, "You, the deskmate", "Brother Sleeping in the upper bunk", "Xiaofang"... and so on.

At the same time, a rock fire is also burning in the land of China.

Black Panther, Tang Dynasty, and Zero Point represent the three major band forces.

The three heroes of Demon Rock have become the idols of countless people.

Zheng Jun and Xu Wei are closer to the popularity, and songs such as "Black-Naked" and "Cinderella" have become classics.

At that time, the Taiwan-Wan music scene was Lee Zongsheng's "Song of the Mortals", Zhou Huajian's "Make Me Happy and Worry", and Luo Dayou's "Tomorrow Will Be Better".

In short, that is the last glory of another plane Chinese music scene.

Unfortunately, that is just superficial glory.

At the end of the twentieth century.

The four kings are no longer in the forefront.

Excessive commercialization, boasting, monopoly, and the failure to meet the emperor's music scene has declined.

Mainland rock has died in the system, and the Chinese music scene is dead. All kinds of desolate sounds and various rejuvenation are coming out. This superficial glory finally comes to an end, and it is time for the change.

Nicholas Tse, who started his own rebellious path at the end of the century, was the most resounding name in Hong Kong after the Four Heavenly Kings.

Nicholas Tse, who started writing songs at the age of 16, finally signed a contract with Ying-Huang and began his era.

In 1999, Nicholas Tse's Mandarin album "Thank You for Your Love 1999". It was popular on both sides of the Taiwan Strait and the three regions. The era of Nicholas Tse officially ended the era of the four kings that monopolized the Chinese music scene for more than ten years.

People are starting to pursue freshness more.

The Chinese music scene needs more technical original talents to appear, rather than being able to be the king of the sky with just a good face and a good voice.

Excessive packaging and commercialization have caused creative talents to be buried. Fortunately, Nicholas Tse's genes are not too bad. But he cannot create a new era of music.

In the West around the 1990s, there was a god-like man named Michael Jackson.

RB was already the mainstream music in the West at that time. MJ's RB style not only helped him become the king of Grammy RB male singers, but also made him the king of pop music in the world!

Taiwan has come to the forefront in this regard. Tao Zhe and Harlem have become pioneers in exploration, and the Chinese world has begun to explore RB music style.

In the 2000th year,

A singer from Taiwan has made his debut.

His first album "jay", which was popular all over Taiwan under Alpha's almost brainwashed TV and radio.

A new localized music style has begun to make more and more people unable to stop.

Almost all producers in the circle began to notice this boy who wrote the song neatly.
To be continued...