1880 [Absentee Awards]
Modify at around seven o'clock.
Writing books is not easy, and the income is meager.
It is a must to bring you reading troubles. I hope all book friends will understand the difficulty of the author. Thank you!
...
Xia Tian didn't care much about the many awards that his company was shortlisted for the Academy Awards.
The fame and fortune brought by winning the Academy Awards is no longer important to him.
Recognition of winning the Academy Awards can indeed increase the popularity of filmmakers and help increase their pay. As Ye Tong once said, after winning the Academy Awards, the pay was immediately doubled.
But there were also people who had no film contracts after winning the award, such as Huang Qiusheng. Because his male lead in the role of the titanium transformed into a titanium transformed into a very outstanding actor, he also won the authoritative certification of the Academy Awards, so his image was fixed. In the following years, he was invited to play such titanium transformed into a role. If he didn't want to act, he would not have any other films, so he said that "the award was defeated for three years."
For summer, his popularity is already high enough. Not to mention the traditional Hong Kong film markets such as Hong Kong, Taiwan, South China, Japan and South Korea, they are quite popular even in European and American countries.
As for the pay, it's even more joke. The film company that can afford to be found in the whole world has not yet been released. Therefore, the fame and fortune that the Academy Awards can bring to him is really limited, so it is naturally difficult to attract his attention. To be honest, only the three major international film festivals and the Academy Awards in the United States will raise his interest now.
Second, the Academy Awards attached too much importance to art films and ignored commercial films, which also made him very dissatisfied.
For example, the box office and reputation launched by Tianxia Entertainment last year, although the box office and reputation are good, no awards were shortlisted. On the contrary, this art film wished it was shortlisted for all awards.
Xia Tian didn’t want to award all awards to commercial films, nor did he want to erase the existence of Hong Kong art films. He just hoped that the Academy Awards could be treated equally, taking into account both literature and business, and not being so down-to-earth.
You should know that although art films are the soul of a regional film, they represent the humanistic depth of the films in this region. However, commercial films are the flesh of a regional film and represent the commercial strength of the films in this region.
Without flesh and soul, the film industry in this area is just surviving and waning, just like the film industry in Taiwan today.
Art films need support, but commercial films also need rewards. Commercial film directors such as Wang Jing, Liu Zhenwei, and Yuan Kui are diligent in filming and entertainment. Their efforts are obvious to all. Why can't they be recognized by the award?
Xia Tian didn't care much about the many awards that his company was shortlisted for the Academy Awards.
The fame and fortune brought by winning the Academy Awards is no longer important to him.
Recognition of winning the Academy Awards can indeed increase the popularity of filmmakers and help increase their pay. As Ye Tong once said, after winning the Academy Awards, the pay was immediately doubled.
But there were also people who had no film contracts after winning the award, such as Huang Qiusheng. Because his male lead in the role of the titanium transformed into a titanium transformed into a very outstanding actor, he also won the authoritative certification of the Academy Awards, so his image was fixed. In the following years, he was invited to play such titanium transformed into a role. If he didn't want to act, he would not have any other films, so he said that "the award was defeated for three years."
For summer, his popularity is already high enough. Not to mention the traditional Hong Kong film markets such as Hong Kong, Taiwan, South China, Japan and South Korea, they are quite popular even in European and American countries.
As for the pay, it's even more joke. The film company that can afford to be found in the whole world has not yet been released. Therefore, the fame and fortune that the Academy Awards can bring to him is really limited, so it is naturally difficult to attract his attention. To be honest, only the three major international film festivals and the Academy Awards in the United States will raise his interest now.
Second, the Academy Awards attached too much importance to art films and ignored commercial films, which also made him very dissatisfied.
For example, the box office and reputation launched by Tianxia Entertainment last year, although the box office and reputation are good, no awards were shortlisted. On the contrary, this art film wished it was shortlisted for all awards.
Xia Tian didn’t want to award all awards to commercial films, nor did he want to erase the existence of Hong Kong art films. He just hoped that the Academy Awards could be treated equally, taking into account both literature and business, and not being so down-to-earth.
You should know that although art films are the soul of a regional film, they represent the humanistic depth of the films in this region. However, commercial films are the flesh of a regional film and represent the commercial strength of the films in this region.
Without flesh and soul, the film industry in this area is just surviving and waning, just like the film industry in Taiwan today.
Art films need support, but commercial films also need rewards. Commercial film directors such as Wang Jing, Liu Zhenwei, and Yuan Kui are diligent in filming and entertainment. Their efforts are obvious to all. Why can't they be recognized by the award?
Xia Tian didn't care much about the many awards that his company was shortlisted for the Academy Awards.
The fame and fortune brought by winning the Academy Awards is no longer important to him.
Recognition of winning the Academy Awards can indeed increase the popularity of filmmakers and help increase their pay. As Ye Tong once said, after winning the Academy Awards, the pay was immediately doubled.
But there were also people who had no film contracts after winning the award, such as Huang Qiusheng. Because his male lead in the role of the titanium transformed into a titanium transformed into a very outstanding actor, he also won the authoritative certification of the Academy Awards, so his image was fixed. In the following years, he was invited to play such titanium transformed into a role. If he didn't want to act, he would not have any other films, so he said that "the award was defeated for three years."
For summer, his popularity is already high enough. Not to mention the traditional Hong Kong film markets such as Hong Kong, Taiwan, South China, Japan and South Korea, they are quite popular even in European and American countries.
As for the pay, it's even more joke. The film company that can afford to be found in the whole world has not yet been released. Therefore, the fame and fortune that the Academy Awards can bring to him is really limited, so it is naturally difficult to attract his attention. To be honest, only the three major international film festivals and the Academy Awards in the United States will raise his interest now.
Second, the Academy Awards attached too much importance to art films and ignored commercial films, which also made him very dissatisfied.
For example, the box office and reputation launched by Tianxia Entertainment last year, although the box office and reputation are good, no awards were shortlisted. On the contrary, this art film wished it was shortlisted for all awards.
Xia Tian didn’t want to award all awards to commercial films, nor did he want to erase the existence of Hong Kong art films. He just hoped that the Academy Awards could be treated equally, taking into account both literature and business, and not being so down-to-earth.
You should know that although art films are the soul of a regional film, they represent the humanistic depth of the films in this region. However, commercial films are the flesh of a regional film and represent the commercial strength of the films in this region.
Chapter completed!