During the meal the next morning, Liu Jinpeng smiled a little embarrassedly. When she taught Lin Lin a lesson yesterday, she said with confidence: "This is for the sake of preparing for the future. Besides, didn't you ask me to study the proposition of touching well?" This was really a turnaround, but Liu Jinpeng was blocked and had nothing to say. However, after returning, he was pulled by Zhang Yu, who was so embarrassed that he was irritated for dozens of times, and the evening entertainment activities were naturally ruined.

Zhang Yu was still angry. Of course, she was mainly shy and angry. The main reason was that others saw shame. Fortunately, if the matter had not been done, it would be even more embarrassing. Liu Jinpeng didn't dare to mess with her. He tried to talk as little as possible in the morning. Meiling and Meihua were young and had not noticed the problem, and still pestered Liu Jinpeng to talk. Lin Lin took care of herself as if nothing had happened. She didn't eat much now, saying that she thought eating was too wasteful.

We have to start working today, but Tian Wen also arrived in Boli this morning, so Zhang Yu was in charge of inspecting the company, while Liu Jinpeng took the little girl to receive director Tian Wen. Although Zhang Yu was still having a quarrel, he still asked Meiling and Meihua to give advice and teach them a lesson to be polite in front of outsiders and not to make unreasonable demands to his brother.

Tian Wen's flight arrived at Boli International Airport at about 8:00 in the morning. This should be a night flight. There were a large group of at least a dozen people with him, including his royal photographer Zhao Fei and screenwriter Geng Ke. After everyone met, they chatted for a few words. Liu Jinpeng asked Tian Wen where he planned to stay, but he had not booked a hotel yet.

Fortunately, it is the off-season recently, and all hotels have free rooms, and the family hotels in the Japanese-American area are also very empty. Tian Wen really wants to stay in a family hotel. He also persuaded Liu Jinpeng to stay here as well because each family has a bath. Tian Wen likes to stay in the pool and think about scripts and composition storyboards, so he always looks for a hotel that can take a bath every time he goes out.

Liu Jinpeng has no intention of changing a hotel for the time being, and Tian Wen did not force it, but took the initiative to ask for advice after getting settled down. Liu Jinpeng actually couldn't tell any theory about the use of the camera, so he could only talk about some of his own ideas in a systematic way: "Film movies are actually a continuous stage play. Since the perspective of the movie is closer than that of the TV series, it has higher requirements for the actors, which puts forward higher requirements for the director's ability to control the scenes and the photographer's ability to build the picture."

"The breakthrough of holographic films lies in the panoramic picture, which requires the director to have stronger three-dimensional control. The photographer must have spatial imagination. For example, in "Star Wars", most of the shots are inside the ship, and the scenes restrict the characters, so it reduces the difficulty of shooting in disguise. This is a trick. I don't know how to do it in film movies. But holographic films need to do this. You can use the virtual and real method."

"This virtual and real intercourse is actually the kind planned by Director Xu Zheng. Add virtual scenes to real scenes. For example, when the sunlight pierces the clouds on cloudy days, you can use the virtual scene method and appropriate backlighting to create a dreamy feeling." Liu Jinpeng felt a little off topic, "I seem to be showing off my skills."

Tian Wen was still taking notes. He wrote while saying without raising his head: "You continue to say that I think what you said makes sense and is worth my careful consideration."

"In terms of techniques, many techniques in the film era are not easy to use, such as push shots, empty shots, down shots, etc. I have not studied much in this regard, but one advantage of holographic cameras is that they are very small, much smaller than film cameras, which is probably the biggest advantage."

After saying that, Liu Jinpeng felt that he still didn't have to show off in front of the big director, so he talked about the tips: "If there is an actor in the panoramic view that he didn't perform well, everyone will have to reshoot it when he stops, right? My tip is to finish shooting this one, and then reshoot the one on which side is not good, and finally cover it in the post-production. This will prevent everyone from filming this scene repeatedly because of the poor performance of some people."

Tian Wen nodded and said, "Well, this technique is very useful, is there any?"

Liu Jinpeng smiled and said, "After all, I'm not a professional, so I can't tell so many reasons. Let's try the specifics in practice. Have you brought the panoramic camera?"

Of course, Tian Wen brought it. This thing is not a big area and it is not a problem to ship it. He now takes it everywhere, trying to find the shooting techniques and feelings as soon as possible. At that moment, a group of people went out to find the scenery. On the streets of the Japanese-American District, Liu Jinpeng explained the precautions during shooting, and asked Lin Lin, who had more precise and skillful control, to demonstrate it to them.

Lin Lin's demonstration was very elegant, and his hand speed was fast on the console. The holographic camera made a complex double S-shaped twist like a flowing cloud. The images played were like dizzy, or bumping quickly, or it seemed like a complex roller coaster. The benefits of the holographic camera were reflected, and it could be played out at that time to see the effect, which was much more convenient than film.

Liu Jinpeng said to Tian Wen: "Actually, I have another suggestion. If you can't shoot a panoramic view well, you can consider taking a 180-degree or 90-degree view first, which doesn't change much from the film mode and can save the venue. Without changing the theater structure, such holographic videos should be played without affecting the stage or the curtain. In addition, I have provided someone with a set of micro-film equipment, and these pictures may give you some inspiration."

After saying that, he signaled Lin Lin to play what he said just now. Lin Lin first played a 120-degree picture. All the virtual characters and scenes were expressed in the fan range, and there was nothing outside the fan range. This section is very similar to ordinary films. Basically, all the techniques can be used. In the future, gradually expanding the scope can indeed make directors and photographers gradually get used to holographic cameras.

The second paragraph is a micro-film similar to an art film. First, there is a virtual character standing there talking to himself on the front, and then there are several interactive characters with a slightly smaller body size next to him. The first virtual character begins to speak like a story. After this paragraph disappears, another interactive scene appears on the left, and then after all disappears, a narrator making gestures appears on the right.

There is no sound in this micro-film, but Tian Wen has seen that this is a complete story, at least the plot can be very literary. With various dubbing, many changes can occur. Holographic micro-film is also a relatively novel experience. It does not use the entire 360-degree panorama as the object of expression, but only intercepts a few people or a background, just like a comic, with strong and rapid conflicts, which quickly attracts the audience's attention.

Liu Jinpeng suggested: "I used a long-lens mobile shooting in Star Wars. If it was a film camera, it would be a very oppressive scene. But holographic movies can easily attract the audience's attention because of other elements, so in order to make the audience focus, I background the images except the focus in order to make the audience focus." There are two solutions to the so-called backgroundization, one is to replace it with background images, and the other is to blur it.

For example, a knight is running wildly in a long grass that is knee-deep. In such a moving shot, the other directions of holographic photography are all grass, and there is no edge at all. This is the method of substitution of background images. If the direction or direction of running wildly is added, it is a very artistic lens. As for whether it is sunset or sunrise, it is necessary to look at the plot.

Tian Wen studied here for a whole day without distraction, thinking about the artistic conception during lunch. He had already figured out the trick. With his rich experience before, he would probably be able to start his first holographic movie soon. When he was having tea in a Japanese teahouse at around 4 o'clock in the afternoon, Tian Wen had already figured out how to express his thoughts.

"My film is called the first person's perspective, and it is definitely necessary to continuously express repetitive life. But I think there should be some flashbacks and flashbacks, otherwise the audience will doze off quickly." Tian Wen sipped tea and said to Zhao Fei and Geng Ke next to him.

Zhao Fei was a little worried: "Like "Two Big Smoke Bowls? There has been "Crazy Stone" in China. Will anyone say we are plagiarizing?"

Geng Ke was quite confident: "As long as the script is well written and not many interludes is enough, it's enough, not as crazy as Director Ning."

Liu Jinpeng did not participate in their discussions, and was devoted to drinking tea and chatting with Lin Lin. By the way, he called Zhang Yu and asked Director Tian Wen to invite Director Tian Wen to a beautiful hotel for dinner in the evening. As the hostess, she must be with her. Tian Wenben couldn't stay there, but Liu Jinpeng joked: "Director Tian, ​​you want to leave me after you finish learning. You have to give me some face if I treat you."

As soon as Tian Wen had to go, he smiled and said, "No one can give you any face, but Mr. Liu must give you the face. But you can't argue with me today. I have to treat this guest, otherwise that guy Lao Hu would definitely say I'm stingy."

After a long fight, Liu Jinpeng still admitted defeat. He only opened his mouth, but there were seven or eight opposite him. Since Tian Wen wanted to treat him, he naturally went there early. They also wanted to make fun of him when they saw the name of the beautiful hotel. Although the hotel name is not very good, the restaurant chef is indeed good. Liu Jinpeng reminded: "The chef of this restaurant is from Greece, don't expect the Chinese food he made to be delicious."

There are naturally Chinese chefs in the restaurants of the beautiful hotel, but they are at street restaurants. Some people don’t believe it and ordered a braised lion head. As a result, they barely ate two and stopped eating them. They also said: “This is almost the same as Spam’s lunch meat, with the pork sign hanging to sell starch.”

With the guys who were eating crabs, everyone honestly ordered Greek food. The Japanese food was pretty good, but it was obviously not as good as the ones eaten in the Japanese-American area at noon. During the meal, Zhang Yu showed a very noble style and was very good at dancing. He secretly blocked the guys who wanted to take advantage of the words. Tian Wen even secretly apologized to Liu Jinpeng and scolded these guys for being unceremonious.

Liu Jinpeng didn't mind this kind of verbal advantage, but he would definitely not invite these people in large quantities in the future. At most, he would just invite Tian Wen alone. (To be continued, please search Piao Tianwen, the novel is better and faster!
Chapter completed!