.<
Cheng Qianfan took out the white gloves from his briefcase and put them carefully.
He came to the wall opposite the double sofa.
The curtain of the wall has been pulled up, covering up the map behind the curtain.
To be precise, it is not completely covered up, and there are short gaps at the junction of the curtain.
Cheng Qianfan did not start the curtain directly, and he measured it with a slap, about half a foot.
I glanced at it again and used the middle line as the benchmark, slightly closer to the curtain on the left.
After remembering these situations silently in his heart, Cheng Qianfan then kicked off.
There are two maps on the wall.
One side of the map is the Europa map, which is the map he just pointed at with a map stick to Hitotaro Imamura.
Another map is the "China Geometric Map".
In fact, there are also two maps on the wall behind Cheng Qianfan, one is the "Great Japanese Empire Map" and the other is the Shanghai City Map.
...
Previously, Cheng Qianfan opened the curtain, his eyes swept across the two maps, and had a natural stop on the map of China, and then he focused all his attention on the Europa map.
It was at that glance that Cheng Qianfan keenly captured the "new changes" on this map.
On the map, several place names were circled with red pencils, and seemed to have written characters.
If the handwriting was painted on this map and the handwriting was normal ink, even if Cheng Qianfan was interested in the newly added content on this map, he would not arbitrarily choose to take the risk of coming back and take a sneak shot.
Because Cheng Qianfan was familiar with Hitotaro Imamura, and there were no red pencils on Hitotaro Imamura's desk.
Unless Imamura Hitaro uses red handwriting where he must sign with a red pen, he will not use red pen in other cases.
reason?
There should be no reason because of a personal habit, perhaps it is related to personal superstition, customs, etc. This is the judgment Cheng Qianfan has made silently observing over the past few years.
In this way, it is not Hitotaro Imamura himself who paints the map with red pencils.
Who is this person?
Cheng Qianfan knows Hitotaro Imamura very well. Imamura seems to treat his subordinates, has a gentle and close learning attitude, but in fact he is a person who pays great attention to the strict class etiquette in Japan at his core.
Take today as an example. As Hitotaro Imamura's favorite student, Kentaro Miyazaki was answering Hitotaro Imamura's classroom research. Imamura only handed him the map stick and would not allow Kentaro Miyazaki to write and mark it directly with a pencil on the map.
Therefore, based on his understanding of Imamura Hitotaro's living and working habits and temperament, Cheng Qianfan judged that the person who wrote and marked on this map of China should have an extraordinary status.
At least, this person should have the same status as Imamura Hitaro, the counselor of the Japanese Consulate General in Shanghai.
A senior Japanese diplomat in Shanghai, another senior Japanese official with the status of Imamura Hitaro met in the study, and also added a new mark on a military map very formally.
Cheng Qianfan naturally would not think that these two people were just casual chatting.
...
Cheng Qianfan quickly found the newly added mark on the map he had seen before.
To be precise, three places were circled with red pencils.
Nanchang.
Sui County.
Changsha.
Next to the three place names, some detailed markings were added.
Cheng Qianfan didn't have time to think about the meaning of these three place names, nor did he have time to carefully look at the Japanese written in red pencils on the map.
He picked up the camera and prepared to take a picture at the map, but found that the light was insufficient.
Cheng Qianfan's eyes swept to the desk lamp on the desk. He silently remembered the position of the desk lamp on the desk, then picked up the desk lamp horizontally with one hand, and controlled the miniature camera in his hand with the other, and pressed the shutter with a snap.
...
“So beautiful.”
“The most beautiful.”
Kogoro Imamura stroked the Ni Zhu Jin in his hand, and was amazed and his eyes were filled with joy.
The Monroe period was the heyday of the Tokugawa Shogunate, and the economy was extremely prosperous. Giant cities such as Edo, Osaka, and Kyoto and a series of small industrial and commercial cities all developed, and the rise of the town class. This era has special significance in the hearts of many Japanese people.
The Yuanlu period is considered to be the Renaissance in Japan.
For example, the emphasis on classical culture.
It advocates directly studying Confucius and Mencius classics, tracing the Confucianism of the pre-Qin period, and restoring the ancient spirit that was distorted by the followers.
Advocate the humanistic spirit, and common people's culture has emerged in large numbers, such as "human-shaped pure glass" (puppet rap opera), "kabuki" (dance drama), arts and crafts (Ukiyo-e, woodblock prints), etc.
Even civilian novels such as "The Good Se A Generation of Men", "The Good Se Five Women", "The Eternal Canon of Japan", and "The World's Boss" have appeared in large numbers.
In addition, natural sciences have also developed, such as the development of paleo medicine, mathematics, and the prosperity of Western science introduced from the Netherlands.
Natural philosophy and atheism have also been promoted and developed to a certain extent.
This social atmosphere is very similar to that of the Western Renaissance.
Although these Renaissances are not as vibrant as Europe, they are just in a "breeding" state.
However, this is progressive in itself.
In today's Japan, although Japan during the Yuanlu period was not as magnificent as the European bourgeois revolution, it was a great improvement compared to the lifelessness of the Qing Dynasty in China.
During the Yuanlu period, many Japanese studies, such as literature, history, philosophy, etc., reached or were close to the level of breaking through the feudal era.
This social background eventually gave birth to the Meiji Restoration.
Therefore, many Japanese believe that the cultural prosperity of the Yuanlu period is a profound national memory of the Japanese nation.
In Kogoro Imamura's eyes, these two red golds from the Yuanlu period have entrusted their beautiful imagination and worship of this era.
"Kentaro is really good." Kogoro Imamura said intently. He remembered that three years ago, he was still very cautious about Kentaro Miyazaki at the beginning.
I still remember the time Sakamoto Ryono arranged for Kentaro Miyazaki to take a nap in the room upstairs, but he hurriedly went up to check...
...
Um?
Kogoro Imamura frowned.
Kentaro Miyazaki went up to get his briefcase, why didn't he come down yet?
wrong.
When the counselor left, the door of the study room would definitely be closed.
The door was closed, and Kentaro Miyazaki naturally couldn't get in. So what did he do when he went up? Even if he found that the door was closed after going up, he should call him to open the door!
Kogoro Imamura's expression was gloomy and serious.
He had no intention of doubting Kentaro Miyazaki.
However, no matter what the reason is, Kentaro Miyazaki has not come down for a long time and has not called him to open the door. This is all wrong!
Putting down the Yuanlu Shijijiji in his hand, Kogoro Imamura hurriedly left the door and walked two steps. He returned to his room, opened the drawer, took a very small "Palm Thunder" pistol, hid it in his palm, and walked quickly towards the stairs.
...
Cheng Qianfan first gently put the desk lamp back to the desk.
He walked towards the bamboo basket in the corner.
This is used to store garbage such as paper confetti, fruit peels, etc.
Cheng Qianfan squatted down and searched in the bamboo basket.
He saw the crumpled paper.
Cheng Qianfan carefully spread the paper.
This is a simple map drawn by hand.
Or I can only vaguely see the map drawn because the paper was wet with tea.
There was also some Japanese written on the paper.
Cheng Qianfan rubbed the paper with his hands, but it was still wet. However, somewhere on the paper had become dry and refreshing to the touch. This was because it was splashed by tea and it was slowly drying.
Cheng Qianfan secretly speculated that this piece of paper should have been thrown in the bamboo basket for two to three hours.
He moved his heart and picked up the wettest part of the paper and put it on the tip of his nose to smell it.
Cheng Qianfan's expression changed slightly and he nodded.
He placed the paper on the desk, spread it flat under the desk lamp, picked up the micro camera, adjusted the focal length, and fine-tuned the standing position, and pressed the shutter three times in a row.
After doing all this, Cheng Qianfan kneaded the paper into a ball and carefully put it back into the bamboo basket:
When he picked up the paper, he noticed that the paper was under an apple core, and he kneaded the paper into a ball and pressed it under the apple core.
Cheng Qianfan looked at the desk.
Under the reflection of the desk lamp light, there was a faint reflection at the location where the paper was just placed.
This is the moisture reflecting light.
Cheng Qianfan immediately wiped it gently with gloves.
Can't use force.
Exerting force will leave hand marks, palm marks, etc.
His eyes remained on the desk lamp.
Cheng Qianfan noticed that the position of the desk lamp was different from the position before he took the desk lamp to fill the light. He gestured with his palm on the desk, raised a finger to mark the distance, and then moved the desk lamp about one centimeter toward the desk near the document.
He took a look and nodded with satisfaction.
At this moment, an accident happened.
The desk lamp wire rubbed the documents on the desk, and several documents fell to the ground.
Cheng Qianfan was shocked, and he immediately realized where the problem was.
Just now, he picked up the desk lamp for photos and fills up light. The lamp wire of the desk lamp was originally curved, but he pulled it away. Now he put the desk lamp back, and the lamp wire is still straighter than before and has become longer.
The longer light wire just scratched the paper on the desk.
Cheng Qianfan first glanced at the desk lamp, then looked at the lamp line. He held the lamp line in his left hand and gently stroked it up and down, then confirmed the "length" of the lamp line itself. Then Cheng Qianfan quickly wrapped the lamp line in different positions and bent it between his right fingers.
I looked at it again and judged in my heart that unless Imamura Hitotaro also marked the light line, there should be no flaws.
...
Then.
Looking at the documents scattered on the ground, Cheng Qianfan's expression became extremely serious.
He picked up the paper and glanced at it a few times.
His heart sank.
These pages of paper do not come from the same document, so he cannot determine the order in which these pages of paper are placed on the desk.
This is extremely troublesome.
Cheng Qianfan thought quickly in his mind as if he was playing a movie. The scene two minutes ago, and even the scene when he was talking to Imamura Hitotaro in his study, quickly passed through his mind.
He sighed in his heart, silent, staring at the pages of paper.
He was unable to recall the order in which these pages of paper were placed.
At this moment, there seemed to be footsteps coming from the other side of the stairs.
Cheng Qianfan had a sensitive hearing. He judged that the distance was a bit far and he should be still going up the stairs.
Imura Kogoro is coming?
Is it that I have finished appreciating the second Zhu Jin?
Or do you notice something is wrong and check it out?
However, this is no longer important.
Cheng Qianfan was extremely anxious. He had experimented before:
From the entrance of the stairs to the study room near the inside, it takes about thirty-nine seconds to get a normal pace.
Every time he came to the study, he would memorize it in his mind. After many experiments, he took an average value, and the final conclusion was seventeen seconds.
However, Kogoro Imamura is shorter than him and his pace is smaller. Taking this factor into consideration, Cheng Qianfan judged that Kogoro Imamura should take nineteen seconds.
In nineteen seconds, he had no time to deal with the situation.
...
It was at this time.
"The housekeeper of the village, the housekeeper of the village!"
"The housekeeper of the village, the housekeeper of the village!"
"The housekeeper of the village, the housekeeper of the village!"
Downstairs, a cry suddenly came.
Cheng Qianfan heard it was Li Hao's shout.
Then he heard the footsteps that were originally approaching away.
This is Kogoro Imamura walking back down the stairs.
...
Cheng Qianfan ignored these pages for the time being.
He held the mini camera in his hand and pressed the yellow card. The card opened. He took out the small film and the card slot, put the film into the card slot, and covered it.
Then put the camera directly into the briefcase.
Then he put the film into a silk cloth bag in the briefcase, which contained five or six small yellow croakers and a stack of banknotes. He spread the banknotes and covered the film.
After doing all this, Cheng Qianfan put his briefcase back on the seat, and was "forgotten" here before.
Then, Cheng Qianfan picked up the red wine gift box on the ground and walked towards the door.
Suddenly stopped.
He came to the desk and placed the pages of paper in the corner of the table.
After doing all this, he walked back.
He walked upside down and walked gently.
...
downstairs.
Time goes back ten seconds.
Kogoro Imamura stood at the entrance under the stairs and asked, "What's the matter?"
"Officiale Imamura, please call Brother Fan, it's too late." Li Hao said.
"When is it too late?" Kogoro Imamura asked with a frown.
"Brother Fan promised his sister-in-law to tell the bedtime story to the young master before going out today." Li Hao said, "It's too late, the young master..."
"I understand." Kogoro Imamura shook his head. He had heard that Kentaro loved his son very much, perhaps because he loved Kazuo and was also very fond of his Chinese wife.
Kogoro Imamura went up the stairs again, turned right, and walked straight towards the study room on the inside of the corridor.
...
"Uncle Kogoro." Cheng Qianfan stood at the entrance of the study, looking bored. He saw Kogoro Imamura coming from afar and shouted happily, "You are here, the study is locked."
"Why didn't Kentaro call me?" Kogoro Imamura glanced at Kentaro Miyazaki deeply, put the thunder in his palm in his left hand, and took out the key with his right hand to open the door.
"It's not easy to disturb Uncle Kogoro's research on the ancient culture of the empire." Cheng Qianfan said with a smile, "Just wait for a while."
The door lock was opened, but something seemed to be stuck in the door.
Cheng Qianfan took the initiative to push forward and helped push it. The first time he didn't open it. Then, with a big force, the door was knocked open, causing a gust of wind, and only a few pages of paper fell from the desk.
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Chapter completed!