Fan Keqin continued: "This may be that K Yaoqi may also live near the Sri Lankan Western Restaurant.

Since this possibility exists, we cannot wait for clues, but must take the initiative to look for them. What I want you to be responsible for is to investigate this possibility. I will say hello to Director Qian later, and then you go to the Intelligence Department to find the painter.

Take some photos, and then take your special department people, secretly, remember, secretly, without attracting attention, to investigate the situation around the Sri Lankan Western Restaurant. See if you can find it, or rule out that Yaoqi lives nearby.

possibility.”

"Understood." Hua Zhang said, "Then I'll go."

After Hua Zhang left, Fan Keqin also received a photo from the Intelligence Office twenty minutes later. The photo showed a realistic portrait sketched with a pencil on clothes at close range.

There are three pictures in total. What can be seen is that there is a person in two of them, but there is another person alone. Fan Keqin first looked at the two pictures of a person. The first thing he looked at was the front portrait of this person.

He is about the same age as Miyatake Yongho. He is in his thirties, when he is in the prime of life. He has a square face, thick eyebrows and big eyes. If he is on camera, he will definitely play a positive role.

But in reality, Fan Keqin knew that this kid was none other than Gong Wu Rongbao, a classmate who had undergone espionage training in Little Devil's hometown and was also a spy.

In addition to the impressive thick eyebrows and big eyes, the person in the portrait has a very high nose bridge and somewhat thick lips. In the frontal image, there is a certain degree of honesty. If you see this in real life,

But no one will dislike it.

The sketch in another photo is even more interesting. It is a full-body photo with a slightly distant view, which restores the person's profile and clothing. This person seems to be talking to another person, but the other person is

There are just a few lines in this painting.

K Yaoqi in this painting is wearing a suit and leather shoes. He is leaning sideways, with his left hand raised and leaning on a table, raising his head slightly, with a slight smile on his face, and opening his mouth as if to say something.

After Fan Keqin saw this painting, what immediately came to his mind was Gongwu Yongbao's confession. The confession mentioned that after K Yaoqi appeared in a Sri Lankan Western restaurant, Gongwu Yongbao looked at it twice because he looked familiar, so he discovered

It was his old classmate K Yaoqi. After entering the Sri Lankan Western Restaurant, this old classmate was at the front desk, facing the door. Then he talked to the waiter behind the front desk.

And this painting is exactly the scene of K Yaoqi talking to the waiter at the front desk after entering the Sri Lankan Western Restaurant. Fan Keqin combined it with his own on-the-spot investigation. Not to mention, this painting was restored quite well.

.In addition, I also drew K Yaoqi’s profile and side face.

Finally, Fan Keqin looked at the third photo. There was a handwritten mark next to this person: "Waiter". In fact, there was no need to mark it. He could identify Fan Keqin just from the clothes in the painting.

It was obvious. The clothes and styles of the waiters I saw in Sri Lankan western restaurants were the same.

The portrait of the waiter is also sideways, which is also consistent with the description of Gongmu Yongbo at that time. After Fan Keqin went to the Sri Lankan Western Restaurant, he found that the front desk was on the left side of the door. If you are facing the front desk, looking in from the main entrance,
Chapter completed!