After filming the family scenes of Doctor Gordon played by James Franko in Stanton Studio, Murphy led the crew back to the warehouse set in Venice and continued to shoot the few remaining scenes. Although he saw that the relationship between James Franko and Lily Collins was somewhat subtle, he didn't say much. Moreover, James Franko himself was very careful and rarely showed the intimacy between the two when there were others.

As for whether there will be more intimate contact between the two, the filming has come to an end, and the scenes between Lily Collins and James Franco are all over, and Murphy no longer cares about these things.

He was too busy with his own work, so he had no time to care about James Franco's special hobbies.

Carey Mulligan also left the crew and returned to school to deal with the matter of dropping out. Jonah Hill and Seth Logan, who could detect some signs, had too little time to watch the fun, so how could he point out this delicate relationship?

On the set of the warehouse, Murphy and the crew entered the last construction scene. He stood behind the director's monitor, next to editor Jody Griffith, who were reviewing the shot that had just been shot.

This situation not only happens frequently in Murphy's crew, but also in Hollywood.

"For post-production editing, just cut off the previous section of the jigsaw..." Jody Griffith pressed the pause button, pointed to the monitor screen, and said, "Suddenly inserting the picture of him will have a terrifying effect."

Murphy put his hands on his chest, and his head was automatically played and performed according to Jody Griffith's words, and nodded slightly, "That's it."

Jody Griffith left here, Murphy looked up and saw the deputy director Paul Wilson making him a 'ok' gesture, and said loudly, "All departments should pay attention, clear the scene now, and the filming continues."

The people on the set quickly walked out, and Filey Raschel sat behind the camera set up on the slide rail, while Murphy took the portable camera sent by the photography assistant and walked to another preset camera position to prepare for a close-up shot.

The recording microphone slowly fell from the air, and an Asian, an African and a white actor were also ready.

With Murphy's order, the filming began again. The three actors confronted Rabin Bell, behind them was the prop artist Baker Clebert tied to the joint twisting props.

His limbs and head were fixed on a steel frame. Once the timing began, the machine would twist his limbs by 360 degrees, and finally break his neck, causing death.

Murphy used a portable camera to capture Rabin Bell and Filey Raschel's shots were rotating between the four people opposite.

Facing the three police officers, how could the jigsaw obey? He pressed the remote control and activated the joint torsion frame. The microphone used for recording was beneficial to land on the top of the murder mechanism, and accurately recorded the sound of the joint torsion frame turning and the terrifying sound made by Baker Clebert.

After more than three weeks of filming, Murphy's crew has developed a certain understanding.

The black man asked two officers to rescue Baker Clebert. He stared at the jigsaw himself. There was a bunch of keys behind the joint torch. The white officer picked it up and tried to unlock the lock, but the unlock was connected to the hidden shotgun. As soon as the key was inserted into the keyhole, the shotgun hidden behind Baker Clebert fired...

A gunshot, the white police officer fell to the ground, the black man and another Asian police officer were distracted, Jigsaw took the opportunity to give the black man a knife and then escape...

Murphy shouted to stop, and the crew redesigned the venue, and the actor who played the white police officer wanted to put on makeup and shoot close-ups to show his tragic death so that he could be cut with the shot just shot during the post-recording.

Baker Clebert also got off the joint torch, and commanded the assistant and two interns tied the carefully crafted dummy to it.

This murder mechanism is not just a prop, but can really be activated. It may be very laborious to break a human bone, but there is no problem with the dummy made of twisted resin.

The filming began again. The Asian police officer threw down the dummy and went to see the black police officer. The black police officer no longer cared about the victim behind him and asked him to chase the jigsaw. After the Asian police officer left, under his notes, the machine turned, and the man's hands and feet were twisted one after another. Facing the sound of bones shattering and the screams made by Baker Claibert, the black police officer covered his neck scratched by a knife with one hand, and raised his gun with the other hand...

"Stop!" Murphy put down the portable camera, "This one has passed! Go to the next scene."

The crew began to be busy making a transition, and he returned to the back of the monitor to watch the footage he had just taken.

Many of them here need to make choices during editing, especially if they can be released in cinemas, you must make careful choices, otherwise it will definitely become nc-17.

There is no doubt that the joint twisting frame comes from the designs of the following films, and is more bloody and cruel than the mechanisms between them. Murphy has not considered whether it is appropriate to do so, but the future of this film is still uncertain, so where did he think about the situation of the sequel?

Even if there will be a sequel in the future, it will be the event after the success of this film.

Only one shot remains behind. The Asian police officer pursued the jigsaw. After firing, he thought he had hit the jigsaw. When he approached, he was ambushed by the mechanism, which was miserable and killed his life.

Murphy also made changes here. He had used a hunting rifle mechanism before, and it was replaced here for giant nail sticks. Moreover, what the Asian police officer stepped on was not the thin line that might cross, but the flip board across the entire corridor.

In short, even if the police officer uses the hurdle, he cannot escape the rolling board and will be killed by a row of giant nail rods falling from the sky.

He is also a minority who died in the film, and he died while pursuing Jigsaws with due diligence.

Murphy was very careful when selecting actors. All those who died of jigsaw had the same trait, pure white, middle-class or relatively wealthy...

These judges with bright surfaces and innermost surfaces, not to mention that there is no black man, not even any minority.

Although it is not certain whether the film can enter the theater channel, Murphy is also following some common rules of theater films, which are lessons summarized by countless films with frustration, and there are always some benefits to avoid them.

He, an outsider, is not particularly clear about what is going on in North American society, but uniting minorities has always been the political correctness of Hollywood movies.
Chapter completed!