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The morning sun passed through the bright windows and landed on the raised curtains, reflecting a golden color. Murphy came out of the bathroom, biting a toothbrush in his mouth, standing in front of the dressing mirror, and looking carefully. Except for the infrared eyes, the drunkenness of yesterday did not leave much traces.

Shaking his head in front of the mirror, Murphy found that the headache suddenly recovered. He went back to the bathroom to spit out the foam in his mouth and stood there for a while. Perhaps yesterday's crazy play really made him relax.

After having experienced shooting fruit hard candies, he gradually discovered some headaches. When he was under too much work pressure and his nerves were tight, the possibility of it was often the greatest. He completely relaxed, and the indescribable pain would disappear.

If I have been living in a relaxed state, Murphy believes that the sequelae of this strange experience will be cured without any medicine.

But this is obviously impossible. In a highly competitive society, unless he has no desires and no desires and does not care about his future life.

But how many people can do this are in this world

After washing up, I called to order a takeaway. Murphy went downstairs to the living room. Because the crew was on vacation today, so I could get enough energy to prepare for filming. The studio was quiet and there was no one.

Take out the plan from the folder of a desk, Murphy finds a chair to sit down, and looks through it again.

The shooting is about to begin, and he must take every job carefully and find any omissions in the plan as much as possible.

For a whole day, Murphy hid at home and did not go out, keeping his hearing, visually and mentally in a relatively quiet state.

The next morning, he drove to the small town of Venice, entered the office at the door of the warehouse, and first told Paul Wilson who had been waiting here that the project was officially renamed from the previous code name to Chainsaw.

"Saw"

The news soon reached the set. James Franco, who was wearing makeup, asked Seth Rogan next to him, "Why did he give such a name?"

Seth Rogan reminded him, "Isn't the guy in the script nickname Jigsaw?"

With Murphy's arrival, the set began to be busy. Helena Espora did the final inspection to check the setting of the set; on the reserved camera position, Filey Laschel was debugging the camera, and his assistant was holding a hand camera in his hand to test the shooting; David Robbie used a pick-up rod to lift the main background light and exchanged opinions with Murphy to determine the position of the main background light.

In the scene, Baker Clebert squatted on the ground, checking the props and shackles, his big hands constantly brushing over the metallic rubber props, making sure they are smooth and smooth enough to not hurt the actor's ankles.

Murphy coordinated all his work, and news from each department was passed to him.

There were also many people on the set. Although they only filmed the scenes between James Franco and Seth Rogan today, most of the main actors rushed over.

Bill Rossis is also here, Murphy is listed as a super potential client by him. Of course, the new work will not be absent. In addition, he will also accompany two other potential clients under his name.

Carey Mulligan was wearing a simple T-shirt and jeans, staring at Murphy with his hands on his chest.

Next to her, the shorter Lily blinked her curious eyes and was also watching the set.

"David, move the main background light three feet to the left and try it at the forty-five degrees of the bathtub," Murphy's shout kept ringing on the other side of the set, "Don't light all the fluorescent lights, I want to turn on the light and flash the flashing effect."

"Felli, the first lens uses a portable camera, pay attention to the shaking."

"Have the glass on the Helen set been experimented with, can it be broken ok?"

"How long does it take for Jack Jack actor to put on makeup after he has finished it?"

Seeing Murphy directing the entire crew in an orderly manner, Bill Roses nodded slightly. Compared to the rookie in the last filming, he matured very quickly and looked confident, and looked like a successful director.

He also participated in a lot of preliminary preparations for the crew. One of the biggest feelings Murphy gave him was that he made too fast.

Bill Roses has signed more than one director, but the previous ones have basically disappeared after filming one film and never had a second chance.

This guy won the North American box office with a first film of nearly five times the cost. Miramax's distribution ability is the key, but the commercial elements he successfully integrates into the film cannot be ignored.

As an agent and working in Caa, Bill Roses knows enough about the Hollywood circle and knows how a new director can attract attention, realize his own value, and drive the status of an agent.

First, he won a heavyweight award. Looking at Murphy's age and thinking about the resources in his agent's hands, Bill Roses knows that these are very distant things in the future.

The other is commercial achievements, to put it simply, box office.

In Bill Rossis's opinion, there is nothing more practical than the box office of the movie. Film art is metaphysical after all, and no one will invest in pure art films. Even if there is, these art films are not related to business. Films are the product of money and power.

In today's era, if there is no appreciation of big names, it will gradually develop from small-cost movies to becoming mainstream directors. This is the only way for many young filmmakers. If a director's small-cost movie can achieve a high box office, it will inevitably accelerate his film development path.

Bill Rossis has also read the script. Although the script in Hollywood is far from representing the final film, it can also explain some problems. Chainsaw is far superior to Fruit Hard Candy in both the plot and the selling point. He saw Murphy's progress and believed that he should be better than Fruit Hard Candy.

"Did you see it? You're a little bit?" Carey Mulligan pointed to Murphy and said to Lily next to him, "Murphy must be the best director."

Lily is only twelve years old and has a lot of experience. She shook her head in disagreement, "I live in Beverly Hills. I have never heard of him as a young director who can only shoot B-level films."

"What do you know, you little brat?" Carey Mulligan turned around and stared at Lily fiercely. Unfortunately, her baby face was not scary at all. She raised a finger and said hard, "When you look in another ten years, Murphy will definitely be the top director in Hollywood."

"Cut" Lily looked disdainful.

On the set, James Franco and Seth Rogan have already reached their respective positions, and the shooting is about to begin. Carey Mulligan quickly closed his mouth and even breathed lightly, as if he was afraid of disturbing Murphy's shooting.
Chapter completed!