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In the dilapidated and old warehouse, the lights on the ceiling gradually went out, and only the shooting lights arranged by David Robbie were still flashing. Under the light was a huge iron cage. Two oblique 45-degree angles on the left side of the cage were installed, each with a 35mm camera, and Murphy and photography director Felle Raschel were each standing behind one.

Looking from the camera, the iron cage was hung with sharp barbed wire. These fake things made of Baker Clebert look real no matter how you look at it.

A fat man in shorts came out of the temporary dressing room. James Franco whistled at his fat body. The fat man turned his head and raised his middle finger, strode to the entrance of the iron cage, and looked at Murphy.

This was not a formal shooting, it was just a drill for testing props, lighting and makeup effects. Murphy didn't speak up and made an "ok" gesture to the fat man.

The fat man lowered his head and crawled into the iron cage, as if there was a woman who was even fatter than him chasing him, and he desperately rushed into the cage.

The barbed wires hung onto the body one by one, and the fat man screamed, as if he was being forced by a female wolf. The place where the wire was stabbed by the iron wire also flowed out, which looked so dazzling.

Then, the silicone that the fat man put on his body collapsed according to the plan, and the "wounds" were shocking.

"Stop!" Murphy turned off the camera, walked to the back of another camera, exchanged some opinions with Felix Raschel, and said loudly, "The iron cage and wire are OK, and the set is OK..."

The fat man had already exited the iron cage and was looking at Murphy. Murphy nodded to him, "Jona's performance is also good."

The fat man smiled without caring about the bright red liquid on his body.

Murphy has never been the kind of person who is so strict that he is perverted. He prefers to encourage actors than to get angry with actors.

After saying that he performed well, he also pointed out the shortcomings. He first said to the lighting team, "David, we are film noir. The lights you use are still a little softer. I want the lights to be harder. Also, add background light to Jonah during the official shooting, and I want him to look pale in the camera."

He turned his head and said to Jack Watson, "When Jonah's character dies, his makeup should be whiter."

The barbed wire cannot directly kill people. The fat man died just because he lost too much blood. In this case, the body would definitely be pale than other ways of death.

The others wrote down Murphy's request one by one and began to discuss with their assistant how to solve it.

"That's all today." Murphy looked at the time, "Before the official start of shooting, solve all the problems that arose this afternoon."

He returned to the back of the camera, and Filey Raschel was still playing back the shot of the fat man who had just taken. Because the barbed wire is made of rubber, when it is hung on the body, some places will inevitably appear fake.

Editor Jody Griffith also stood here. He looked at it and said, "This section can be edited by jumping. We keep a close-up of the barbed wire, and then the panoramic shot shows the actor climbing forward, ignoring the process of the wire hanging on the **, and directly switching to the terrifying wounds in the actor's body."

As long as no one touches the barbed wire, it looks like it is real, and Jack Watson's makeup effect is also guaranteed, which is undoubtedly a good solution.

Murphy nodded, "You can do this."

At the end of the day's work, Murphy packed up the film, walked out of the set, and came to the security room and crew's temporary office near the warehouse door. There were two fat and one thin and three men sitting here, laughing loudly.

"You don't know, Seth."

The fat man in the iron cage had taken off his makeup, wearing a large T-shirt and jeans, straightened his fat belly, and said with a dance, "When rehearsing the scene when his father loved his daughter, Jim, a despicable and shameless guy who multiplied by ten times, looked at that Lily with his eyes straight."

James Franco wanted to block his big mouth, "Jona, shut your stinky mouth!"

Since most of the people left, the fat man named Jonah spoke unscrupulously and spitted, "Jim, don't refuse to admit it! Do you dare say that you were not hard at that time?"

He exaggeratedly made a move to straighten his lower body, "If you don't, I dare to cut mine and throw it into Seth's mouth!"

"Hey! Hey! Jonah..." Seth Logan jumped up from the chair, "You gay! Don't pull it on me randomly."

Murphy stood at the door and knocked on the door. The three guys saw Murphy. Apart from the fat Jonah who was not very familiar, the other two were not embarrassed, and they were still smiling unscrupulously.

"Hi, Director Stanton." Jonah turned around and said hello.

"You're welcome." Murphy nodded and smiled at him, "Just call me Murphy."

James Franco was not polite to Murphy at all, and came over to catch him and said, "Okay, guys, someone will treat you tonight, think of a place."

Murphy looked at James Franko, and James Franko pulled him out, "Don't hesitate, workaholics, you must know how to relax, and relaxation will lead to higher work efficiency."

Jonah then followed, "I know there is a good place in Venice, and the show is very good."

Seth Logan walked at the end and whispered to the front, "Jona Hill, you gay, don't you want to take us to the gay bar?"

"You fat guy!" Jonah Hill turned around and said swearing, "You are the gay guy! You fat gay guy!"

Tomorrow is the crew's day off, and Murphy did not refuse.

It can be seen that the relationship between these three people is very good. Murphy drove his own car, James Franko sat in the co-pilot, and two fat men squeezed behind him and waited for him to start the car. Jonah Hill pointed at the road in a whisper, and did not forget to say a few words to Seth Logan and James Franko in the middle.

Listening to these people's unscrupulous words, Murphy suddenly felt his tense nerves relax a lot. During the past period, he had been too tense. Even when he was resting alone, his body was relaxed, but his spirit was still tense.

From the day he left the prison, he knew that time was extremely precious to him. In order to become a top director, whether he was a free reporter who ran social news or switched to the film industry, Murphy had very strict requirements and put a lot of pressure on himself. The direct result was that headaches would occur from time to time.

It is impossible for people to always be busy with work, and sometimes they need to relax.

Not long after the car drove out, Murphy could roughly see that Jonah Hill, who was less than twenty years old, was the most unspoken person.

Of course, they are not much better than this fat man.

The most serious of the four people is James Franco, but this guy has a very alternative personality under his elegant and handsome appearance. His behavior is sometimes absurd. His biggest disadvantage is that he is too timid and likes to hide behind others when he encounters an emergency.

Seth Logan looks honest and honest, but he talks endlessly. It is not an exaggeration to say that he is a slut.
Chapter completed!