I just received a notification from the editor today. I am going to cry. What should I do if I don’t save the manuscript! I have to work hard these days. Please give me some recommendation votes and encourage me.

After another three days, Murphy adjusted the script again, and then began to draw storyboards and storyboard artworks. This would not be the final version of the script, just like "Hard Fruit Candy", he would also modify it according to the situation during the filming. The film was independently invested by Stanton Studio, and he, as the director and producer, has the greatest power.

At the same time, the actor audition work is also underway.

Like last time, Murphy posted a job advertisement in a local newspaper in Los Angeles, and Bill Rossis also recommended several contracted actors under his name.

Although this is a low-cost plasma horror film, it is rare for new actors to star in a formal feature film.

Especially when the director's previous movie was screened in theaters, if this movie could also be entered into the theater, the new actors in it would have a proven experience.

The actors Murphy identified first are undoubtedly the two male protagonists in the secret room, and James Franco and Seth Logan have signed official actor contracts with the crew.

Another important female character was handed over to Carrey Mulligan, but Murphy was a little surprised that this British girl has been staying at school safely for a while recently, unlike her style.

"The school is very focused..."

Sitting on a large chair in the studio's living room, Carrie Mulligan shook his feet, put down the script, and said to Murphy, who had just hung up the phone, "The school will allow me to take leave only if I get good enough results in the test."

Putting down his phone, Murphy sat back behind the drawing board and continued to draw the storyboard, "Is the test completed?"

"Not yet..." Carrie Mulligan shook his head, "The next week will go."

She stood up, walked behind Murphy, put her hands on her chest, looked at the drawing board with interest, and said, "I will be completely free if I have to hold on for less than two months."

Murphy turned around and looked at her in confusion. Carey Mulligan pouted and reminded him dissatisfiedly, "Did you forget? I told you that hey, I will drop out of school when I turn sixteen."

"Aren't you an exchange student?" Murphy didn't understand these things in America. "Can you drop out of school at will?"

"Of course not." Carrey Mulligan was confident, "but I've figured out a solution."

After hearing what she said, Murphy knew it was not a joke, put down the carbon pencil in his hand and frowned, "You must be cautious about this matter, it's best to discuss it with your parents."

"No!" Carrie Mulligan turned around and walked back, "They will never agree, I won't discuss it with them!"

Then, he said dissatisfiedly, "Murphy, when did you become so long-winded."

Murphy simply shut up and continued her work, not paying attention to the problem girl.

After two storyboard artworks were finished, there was a knock on the door outside. Seth Logan, who assisted Baker Clebert in the small yard in front of the house, walked in with the two people.

These are two women, one big and one small. The older one looks in their thirties and the younger one is about ten years old. They should be a mother and daughter.

"Murphy..." Seth Logan brought the two to Murphy's side. "These two are actors who came to audition, and they made an appointment with Bill to meet here."

Murphy stood up, and Carey Mulligan, behind him, immediately ran over to deliver a towel. He took it and wiped his hands, returned the towel back, and introduced himself, "Hello, I am Murphy Stanton, the boss of this company and the director of the crew you are going to interview."

While speaking, he looked at the two people without a trace, and he could see that the older woman was also examining him.

The woman was wearing exquisite makeup and looked quite tasteful in dress. She was carrying Chanel's bag, obviously not a person who was lying in the lower class of Hollywood.

"Hello, Director Stanton." The woman nodded to him and introduced herself, "I am Jill Colon, this is my daughter Lily."

"Hi, Lily." Murphy waved to the girl.

The little girl seemed very well-educated and said politely, "Hello, Director Stanton."

At this moment, footsteps came from the door. Bill Roses turned out from the entrance and saw Murphy and others, and hurried over.

"Sorry, Jill." He smiled apologetically to the middle-aged woman, "The traffic jam on the road is too late."

The woman nodded at him, "It's okay."

She turned to Murphy, "When can we start auditioning?"

"Please wait a moment." Murphy told Seth Logan, "Take two guests to the lounge first and wait for my notification."

Seth Logan took two women, one big and one small, toward the other side of the lounge, and someone came in at the door. James Franco and Paul Wilson were walking and chatting. When they turned into the living room, their eyes turned to Seth Logan for some reason.

A bright and white-toothed face, a sweet look, a bit retro temperament...

Her feet were still walking towards Murphy, but James Franco couldn't turn his head, feeling that the soul fire that had been severed by Carrey Mulligan was ignited again.

Fortunately, he knew where this was. He tried his best to force his head back, followed Paul Wilson and came to Murphy's side.

"This is a client I signed a few days ago..." Bill Rosess was talking to Murphy about the origins of the two. "I finally convinced them to sign the contract. Jill Colon is the chairman of a women's club in Beverly Hills. He has a considerable influence in the circle. She wants to pave the future acting path for her daughter. If it weren't for a friend's introduction, they wouldn't have chosen me at all."

Murphy nodded, "As long as her daughter can reach the level above."

The benefits of establishing a good relationship with such people are far greater than the disadvantages.

"That little girl is a second-generation star." Bill Roses continued, "her father is an old British singer who once won the Oscar."

James Franco kept standing beside Murphy, pretending to be indifferent. Diagonally opposite him, Carrey Mulligan, who had put the towel, looked at him with his hands in his chest, his big, lively eyes blinking.

The little client was obviously valued by Bill Roses. He explained to Murphy a few words, turned around and left, and walked towards the lounge where they were.

When Bill Rossis walked away, James Franco asked in a low voice, "Murphy, were both of them going to audition just now?"

"No," Murphy shook his head, "that little girl is."

"Oh?" James Franco's eyes lit up. "It's not my daughter, right?"
Chapter completed!