Qiu Yuancheng asked and answered on the stage, saying: "Following the discussions of past dynasties, we learned that the 'Cai' in Su Huangmi and Cai refers to Cai Jing, a traitor of the Northern Song Dynasty. Cai Jing is also a famous scholar. His calligraphy posture is vigorous and refreshing. He is said to be "the best in the past and the past, and there are few people in the world". It can be said that Cai Jing was kicked out of the four great masters mainly because his character and morality are contrary to the values ​​of the world. From this, it can be seen that an official, even if he is as talented as the sea, has extraordinary achievements in a certain aspect, once he commits a crime and harms the country, he will be despised by the world."

A student in the audience raised his hand high, Qiu Yuancheng smiled and pointed his name: "Ai Langzhou, what are your questions?"

The boy had a medium figure, a clear contour, and a pretty appearance. Song Baojun thought the name was very familiar, and suddenly remembered that it was not Xie Qilu's "male god"! The first head-on conflict between the two was because Xie Qilu was resentful Ai Langzhou took the initiative to talk to Ye Jingchun and deliberately looked for trouble in the canteen washroom, which inspired Song Baojun to resist for the first time.

"Don't this guy want to make an idea?" Song Baojun stared at Ai Langzhou's back from the back row, his eyes flashing: "Will he be worthy of prying my wall?"

Ye Jingchun blushed and said, "Ai Langzhou has just talked to me a few times, but there is no other meaning. Xie Qilu likes him, how dare I deal with it? By the way, who is your wall?"

He Jianmin glared at him again, and the two had to stop talking.

Ai Langzhou stood up and said, "Master Qiu, "Use Xiang to replace Beijing" originated from Wang Fu in the early Ming Dynasty. Wang Zhi of the early Yuan Dynasty clearly stated that Cai Xiang was listed as the four schools of the Song Dynasty by a hundred years ago. Secondly, famous artists of all dynasties have highly praised Cai Xiang. A large number of famous artists in the Song Dynasty, the fourth dynasty of the Song Dynasty, Yuan Dynasty, Ming and Qing Dynasty believe that Cai Xiang's calligraphy is the highest among the Song Dynasty. I think Teacher Qiu's saying "Use Xiang to replace Beijing" is not appropriate."

Many students in the audience nodded and said yes.

After Ai Langzhou finished speaking, he looked back and looked at Ye Jingchun. It seemed that it was a glorious good thing to be able to show off his knowledge in front of Gao Mei.

Ye Jingchun felt the other party's gaze and quickly lowered his head.

Qiu Yuancheng didn't expect that in the first paragraph of the opening, a student jumped out to refute, and even offered evidence to slap in the face on the spot. It was not easy to be slutty at the moment, so he wanted to say a few words casually.

Song Baojun suddenly stood up and said, "The dispute between the four great masters of Cai Jing and Cai Xiang is actually a headless case, but Cai Jing's calligraphy art achievements are higher than Cai Xiang, and it is clearly recorded in many historical materials."

When Qiu Yuancheng saw that this troubled student again, he couldn't help but feel a headache, so he had to signal him to continue talking.

The handsome guy Ai Langzhou also looked over and found that he and Ye Jingchun were sitting close together, with a bit of complexity in his eyes.

Song Baojun said: "For example, many of the paintings of Emperor Huizong of Song actually included poems written by Cai Jing, and they were above the signs of Emperor Huizong of Song. With the appreciation ability of Emperor Huizong of Song, there should be sufficient reasons to prove the artistic level of Cai Jing's calligraphy. Furthermore, the arrogant and upright Mi Fu once said that since Liu Gongquan of the Tang Dynasty, Cai Jing's calligraphy should be the best. When people talk about Cai Jing's calligraphy, the words they use are often "the best" and "no one is right". If Cai Jing is not as good as Cai Xiang, it is obviously a joke. What people hate is that Cai Jing is not as good as Cai Xiang."

"my country's mainstream culture and morality are the first priority. Many people believe that putting the works of calligraphers with low character is equivalent to collecting evil spirits, which not only defiles family traditions, but also damages their own character. Therefore, although Cai Jing is a master of calligraphy, his calligraphy works are rarely passed down, and the so-called abortion of characters because of people. Moreover, Cai Jing is no longer just a low character, but a traitor who has left his reputation for being a terrified person. His calligraphy can no longer be in the forefront of the four masters. Kicking Cai Jing out of the four masters and replacing Cai Xiang is the embodiment of people's correct values."

He casually spoke a long and well-founded argument, with clear and clear structure and sufficient reason. Ai Langzhou could not refute it, so he had to make an uh sound from his throat.

Mao Zhufeng nodded slightly, and his impression of Song Baojun deepened.

Many students also looked at Song Baojun in surprise. They had seen with their own eyes that Song Baojun wrote a bad word in the calligraphy class last week, and made a big ugly. I think he must be an ignorant. Why did he suddenly become so knowledgeable? He even stuffed Ailangzhou without saying anything.

What is Ailangzhou's role? A senior in the fourth grade of the Chinese Department of Ancient Chinese, known for his research on ancient cultural celebrities. He once wrote "Recording the Cultural Scenes of Two Hundred Years of the Ming Dynasty" and published in domestic cultural journals. He won a grand prize and was popular among readers. He became a sensational figure in the school and had countless fans.

Song Baojun was shocked by the fact that he could refute his question.

Qiu Yuancheng said: "Okay, let's go back to the main topic now. Our calligraphy art is inherited and has its own origins. Although the Song Dynasty's "respecting meaning" negated the Tang Dynasty's "respecting method", the times always continue. The most influential to the four Song schools was the Tang Dynasty's calligraphers Chu Suiliang and Yan Zhenqing. The Song Dynasty's four Song schools were very praised for both. The common word "meaning" in the Song Dynasty's calligraphy review emphasizes that "meaning" is against "meaning", but it is not superficial, but "meaning cannot be "formal."

The four Song dynasties had a great topic. Starting from the origins of the Tang Dynasty, talking about the inheritance of various schools, the various layouts of running script and cursive script, and the evaluations of the four Song dynasties in other dynasties and the self-evaluation of the four Song dynasties.

Qiu Yuancheng wanted to show off in front of Zhu Lao again and said that he was working very hard.

"How does the style of writing in the Four Song Dynasties reflect the style of calligraphy? There are several main aspects. First, focus on character learning and avoid customs and rhymes. Su Shi said, "Remove the writing like a mountain without being treasured, and read thousands of books to understand the spirit." Huang Tingjian said, "The meaning of the poem is high and the knowledge must be based on knowledge." Huang Tingjian talked about calligraphy, and the most important word for rhyme is, and the vulgarity has not been removed, so don't say that there is rhyme. The second aspect is that the intention creates the Wei and Jin Dynasties, which is inconsistent with the Tang Dynasty. The Four Song Dynasties advocate the separation of form and spirit, and advocate the creation of the law. It is not the real way to remove the law, but to both complete the law and wander in the law, and to be in the law and beyond the law. It is like an antelope hanging on its horns and there is no trace to find it. This is considered brilliant."

Qiu Yuancheng picked up his pen and wrote a big word "Fa" on the rice paper hanging on the blackboard. The ink was full and the font was elegant and elegant, which was quite true to Su Dongpo.

Old Zhu also listened with relish, nodding while stroking his beard under his chin.

The words used in these contents are quite difficult, and they involve important concepts of the doctrine of the mean in Chinese culture. Several foreign students could not quite understand it and asked many questions in inadequate Chinese. Qiu Yuancheng answered them one by one, and seemed to be free and easy, as if he was a master's style.

After more than 30 minutes of explanation, seeing that the atmosphere was almost done, Qiu Yuancheng changed the subject and said, "As usual, I will invite a few students to show off the calligraphy. Please give me some of the advantages and disadvantages. Anyone who wants to come up, please raise your hand."

This is the most popular part of calligraphy class. More than a dozen students raised their hands high at the moment, all of whom are well-educated people who are confident in their calligraphy. They want to show their faces in front of Zhu Lao.

Just imagine who Zhu Lao? If he could be seen by him at first sight and commented on a word or two, it would be quite amazing. It would definitely be beneficial to his future campus career. There are also smart students who think more deeply: "Zi said that there must be my teacher when three people walk. As long as Zhu Lao is commented on, it means that Zhu Lao is my teacher. If you promote it in the future, who dares to deny it?"

Ke Yuwei also raised his hand. Ai Langzhou raised his hand to the highest point, and he did not forget to turn around and throw a provocative look at Song Baojun and give Ye Jingchun a lovely Qiubo.

"Teacher, choose me, choose me!"

"Let me go, I have achieved success in my studies, and I should let you see my true strength."

"Teacher Qiu, I suddenly learned from your class, and I just wrote a few words for you to give me some advice."

Qiu Yuancheng looked down at the stage and pointed out the names of three people, Ke Yuwei and Ai Langzhou. There was also a fair-skinned girl with round face, named Yang Hailan, who often served teachers in class. She was very well-behaved and clever, so Qiu Yuancheng should have praised her.

Ai Langzhou was together, and several illegitimate girls shouted, "Zhouzhou, I love you, you are the best at Chazhou University!" Among them, Xie Qilu, who shouted while glaring at Song Baojun and Ye Jingchun fiercely. Song Baojun was just inexplicable, why did everyone seem to have a grudge against me? Besides, Ai Langzhou is not considered handsome? He can't compare with the handsome man Qu Jingsen!

Also, Xi Caiwei and Qiu Jiali saw that their elder sister was screaming happily, so they had to shout with each other. The screams were very reluctant, and they were obviously not interested in Xie Qilu's male god.

Ailangzhou was extremely proud, nodded to everyone, and walked up to the podium with his chest and a bulge.

The wide podium is spread out with a three-foot-wide and four-foot-long special-grade jade leather antique and mature Xuanxuan, and the Huangxiang Pavilion Xuanshuang glue ink is also polished in the precious neon hairpin Duan inkstone.

Ai Langzhou stood in the middle with the attention of everyone, and chose a suitable wolf hair, and the screams in the classroom gradually became quiet.

The reporter from the TV station carried the camera and prepared to start shooting.

Ai Langzhou said: "Teacher Qiu, I dare to say that if my calligraphy is lucky enough to be recognized by Mr. Zhu, please Mr. Zhu stamp me with a seal."

Qiu Yuancheng frowned and thought to himself, "Who are you old? Please ask Mr. Zhu to stamp your work? Don't be too big!"

The seals of Chinese calligraphy and painting works are very particular and have become an art that complements calligraphy and painting. Combining calligraphy and seals to complement each other will not only enhance the color of calligraphy and painting works, liven up the atmosphere, and add icing on the cake, but also adjust the center of gravity and balance the works. Stamping the work can prevent counterfeiting, and it can also express the ambitions and emotions of the calligrapher, organically combine the calligraphy and printing, and produce a more beautiful and stronger artistic appeal.
Chapter completed!