Another book is over, and it's time to make a summary again.

We follow the order of ideas, practices, problems, gains and prospects. However, the instinct of each author is the instinct of each author. He will not write a comment without making any comments. He basically writes whatever he thinks, so it is basically inevitable.

Let’s start with the idea, that is, why I want to write such a book, what I want to express, and how I plan to express it.

When the mystery was just finished, I only wrote about a wasteland theme. The others were very vague, there were no themes that had been formed, and there were no general stories. They were just some pictures and interesting ideas that made me feel very beautiful.

Those pictures are hidden underground and form a social building. This was the first science fiction novel I read when I was a child. It tells the story of humans building buildings that are thousands or tens of thousands of floors so that residents can live their lives without going out to solve the problem of population density. The final outcome is that the building is too large and the architectural mechanics does not support it, so it collapses.

Another scene is the explosion of nuclear bombs, humans gain new life, and the passing of human civilization on the ground, that is, in extremely difficult environments, children are still reading classic scenes.

Such pictures and some interesting thoughts made me sure to write about wasteland themes. In addition, when I finished the secrets, I didn’t have any clear thoughts. I just felt that the secrets were too heavy and the book was easier, but the wasteland would also be very heavy, so I used a mentally ill to calm them down to neutralize them.

Of course, at that time, I didn't dare to pat my chest to ensure that I had to add the word "smile" after that sentence.

With the initial idea, I have to start to refine it. I have also read a lot of wasteland novels. I have played Fallout 2 (I haven't played it much after the Fallout becomes a shooting game. After all, I'm dizzy 3d, the most dizzy shooting game). I always want to write something different. This is my personal paranoia and I hope it's different.

Therefore, we slowly set the subject in the post-wasteland era, and jumped over the familiar classic elements such as survival in the doomsday and garbage collection to survive, and placed them in the rebuilt, miniaturized human society, as well as the various folk customs and habits caused by the influence of civilization and high-level forces.

This actually brings up a problem, which I call "anticipation misplacement", because when many readers look at the wasteland, they will think of those classic elements in their minds, and the emotions of expectation will appear. What I want to write is completely different from what they expect, and there will be misplacement.

For an author, this is actually a question that must be taken seriously. When writing secrets, a brand new subject matter and a new worldview are not allowed to bring a corresponding instinctive impression when reading it. Even so, friends who have expectations for steampunk and fundamentalism Cthulhu mythology have also developed certain expectations and misplaced misplacements, but the proportion is not large.

In my lifetime, I actually suffered losses in this regard. Readers came in with the expectation of watching Gao Wu's fantasy. As a result, how did it become infinite? Later, after I ended the Six Path System and officially moved into the story of half-immortal and half-high martial arts, readers who came from the martial arts style in the previous world also had relatively strong expectations and misaligned misalignment.

This results in the I-life serialization period. Although the monthly ticket ranking is higher, the actual subscription is always worse than the previous arcane. Of course, the I-life channel is better and the overall income is still similar. The stamina after completing the book is also better due to the subject matter.

In the book Long Ye, I think the wasteland itself is a niche theme, and it doesn’t matter if I build it, so I didn’t specifically add the words “no doomsday” before the introduction, and there are many common wasteland elements that don’t exist before the introduction.

In fact, there is also the problem of such misalignment in the ending chapter. Just like in my mind, the penultimate chapter is the finale. After Yao and Dabai died, the story has ended, the long night ended, dawn came, and what happens to other forces and other people is another story, a brand new story.

The story of "Old Tune Group" ended, and all that is left is the afterglow.

Therefore, the last picture is the ending, so there is no need to write so much. Just bring out the feeling of passing the night, passing on the fire, and endless life. This is neither long nor procrastinating, and there is a faint aftertaste in resounding.

But I also know that most friends will look forward to feedback from all aspects after reading the penultimate chapter and making a sure-fire confirmation of the final outcome. This emotion is normal and I expected it. What I originally planned to change the penultimate chapter at 7 o'clock in the evening and the last chapter at noon the next day, so that many friends' emotions have enough time to fall back and stabilize their mood, and then they can see hope, inheritance, and the continuation of human civilization from the end.

As a result, I started several times and was really embarrassed to push the date of the book to go back one day. And the Eagle had already decided to finish the book today. If it hits, it would be embarrassing. Besides, there are manuscripts and they were not written in a hurry, so I might as well just update them in one breath. In order to calm everyone's mood, I could have updated two chapters at seven o'clock, so I had to delay until ten o'clock.

Well, some friends who read it in one breath may have similar feelings. I can't even think of a way to solve this problem, so it's very miserable, because having to write some details and explanations will destroy the feeling of the afterglow echo.

This is also my personal habit. I like to leave a lot of blank space at the end of each book. In my mind, I hope to write a real world. Even if the protagonists' stories have ended, the supporting characters' lives are still going on, and they still have their own joys and sorrows, that is another story.

I expect that there are many writing problems caused by misalignment, such as the performance of the year, which I will put in the tone of the world later.

If you set the subject matter, of course it is a setting. I won’t go into details about this. In short, I can’t write about real gods, taboos and other things that are dug out. This is too repetitive to the mysterious story core. It’s wasteland. If there is no god or demon, it is either science fiction or aliens, and aliens are often classified in science fiction.

Finally, I got inspiration from brain science, and from what I said when I was summarizing the secrets, I had both ability and weaknesses. With thirteen, no, the fourteen powerful "indifferences" setting, there were three gifts at one price. In order not to be seen through by smart readers at a glance, and to package the standard, I made a coat of "Zhen" based on the "Si Chen" of the esoteric simulator. The number of fourteen, in the name of "Zhen Sui," naturally reminds people of twelve months. After adding the concept of leap month or whole year, thirteen was arranged. The remaining "truth" can only be asked to sacrifice for the beauty of setting and mathematics.

After finishing the power system and the general background setting that came with it, I began to consider the main tone of this story.

No matter what, the main tone of the wasteland theme will inevitably have the word "heavy", and I cannot completely put it aside.

During that time, I also said that I was playing "Disco Elysia". We omit the causal connections in it. In short, there is the second word "sacrifice" with the main tone.

And according to the cost and the setting of the psychopathic protagonist, the third word with the main tone is "absurd".

This is also because the book Long Ye is a post-wasteland theme. I hope to lower the level of strength and limit the struggle to "people and powerful people, alienated people".

At the same time, I'm trying a little.

Many friends are saying that when you finished the secret, you summarized so many keywords for telling stories. Why can’t you see many of this book? It’s just like you summarized it in vain.

At the beginning, I wanted to follow the summary keywords, do every detail well, and make up for the shortcomings that are not that strong, but gradually, people are always overestimating their abilities and ambitions. I gradually wonder if I have to ask for certain keywords.

Tao gives birth to one, one gives birth to two, two gives birth to three, and three gives birth to all things. This is a very familiar sentence for everyone, and it is often said in many fairy tale novels.

So, can we all things return to three, from three to two, from two to one, and finally to Tao?

So, I was so excited that I wanted to do subtraction without overestimating myself, and I wanted to find something more essential in writing.

As a result, everyone has seen that before the other side is reached, don’t blindly reduce and seek empty space. There are really many problems in the experiment process, and I will talk about these later.

Since I want to do subtraction, I must start with the usual routine of squid. I want to counter-routine my own routine, and I want to deconstruct my own routine.

What is the most obvious routine? Except for martial arts and arcane techniques, the others are all powerful arrangements and games. This is actually the most reasonable development in the world view under a relatively high-level power system.

Therefore, combined with the main tone of "absurdity" and the struggle between humans and the existence of the cost setting, I have deteriorated, degraded, and psychopathized.

In this way, their arrangements are ridiculous. Their struggle is a struggle between powerful people and alienated people. They cannot do everything in all. They have no choice but to make up for it. If you turn a trump card, I turn a trump card, and I have countless trump cards.

In our striking sense, the prides are closer to dictators like Amin, african Amin, in a sense, and are ruthless. They rely on their own superpowers. They will make mistakes, do unreasonable things, use various down-to-earth means, and will push out all the chips at once, and fight for them.

Only in this way can human power intervene.

This also brings about misalignment of expectations. When you don’t end or take action from a distance, you can still hold your stance in the year, but the result is actually like that.

But think about the awakened person who only appears now. Which one has any style? It is either funny and absurd or various diseases. Everyone should have some guesses about the style and ability of Zheng Sui.

Of course, no matter what, the problem is that readers have misaligned expectations. There is no better preparation, no more suitable intervention methods, etc.

From absurdity and the ability of each year, there are different sects, different rituals, different customs, and different prayers. I have done this in a very detailed and successful way, and it always makes everyone feel like "bringing grass".

It's right to have this feeling, it's absurd.

With the main tone and various settings extending therefrom, the next step is to determine the means of expression.

When the mystery was over, I said I wanted to try to get back the repeated questioning outbreak and use it again, but I was sure to go against some of my own routines, which was a bit strange.

So, I was thinking about whether there was a better way to deal with it, which could not only cause repeated questioning and no need for a bunch of psychological activities every time.

In fact, I often complain when watching dramas and novels. Why do I always flash back at critical moments? There are a lot of thoughts at critical moments.

In fact, I can understand it. If I don’t do this, I can’t fully enhance the atmosphere and make the emotions sincere.

I thought about it, thought about it, and thought about it, and thought of the method of "echo".

I mentioned it in the summary of the third part, but I didn't say it too specifically, so I can talk about it in detail now.

The function of "echo" is to achieve a deep memory through the repeated appearance of the same or similar words in front of different characters in different scenes.

When the critical moment is said, the corresponding memory and emotions are not needed. I don’t need to do it again or ask the soul repeatedly, and I can be mobilized like a piercing.

The echo is not necessarily an enhancement effect, but can also contrast and form contrast, and there are many ways to express it.

Once the echo is confirmed, there will be words such as "save all mankind", "Dreams everywhere, why be serious", "There are future generations", Dabai's "The price of love", the company's news, Xiaohong's self-deprecation and being ridiculed, Xiaobai's obsession with recurring appearances, songs, and radio, in order to achieve different effects at different stages and final parts.

The same is true for the children's recitation.

With the echo, the long night seemed to have become a symphony in my mind, so I named each one after the names of different classical music, and hoped that there would be a remnant at the end.

Actually, I haven’t listened to classical music for a long time. In recent years, I have been very vulgar. I just listened to popular songs. The only one I listened to is the domestic "Yellow River Concerto". When the Oriental Red finally sounded, it felt so good.

I am actually quite satisfied with the overall effect of the echo. The more flawed part is Xiaohong.

I initially planned to let him and Xiaobai encounter the elevator closing, forcefully open the door, climb out, go up the stairs, run up to more than ten or twenty floors. During this process, they were chased by a large number of "unintentional people". Some employees gradually lost their energy and fell behind and did not hunt for the "unintentional people". Xiaohong was determined to rescue him, but because his parents and Xiaobai were present, he endured it.

Later, his parents were exhausted and they carried one of them, but as a result, their burden increased, and gradually, the "intentional" caught up.

After repeated hesitation, Xiaohong asked her parents and Xiaobai to run away first, and stayed by herself to deal with those "unintentional people". When he ran to the "unintentional people", his usual self-deprecation sounded again in the voice-over.

But in that case, Xiaobai would not escape, and his parents would not be able to climb another floor or two, but they would not be able to escape.

I was still a little soft-hearted and chose to run to the door. There were more twists and turns on the way, but this seemed too deliberate, so I felt like I was forced to use a knife and couldn't get up.

Moreover, temporary modifications cannot be effectively compensated. If I can save more manuscripts, I should have drawn the boss to the upper floors of the underground building to create "unintentional people" in advance, so that the logic will be smoother and I will feel much better.

After the echo, let’s talk about the reduction.

The first thing to reduce is the "sense of substitution", which is actually forced. With the protagonist of mental illness and without inner description, how can you create a sense of substitution?

I can only consider attracting everyone with interesting things and slowly let the members of your group read because they like it.

But I used travel notes and road-style writing to make me desperately, so that the structure was loose and the plot was not compact enough.

Of course, this is not impossible to solve. Travel notes and road films also have their own charm, but I ran out of the main line from the beginning to investigate the causes of the destruction of the old world and the source of "heartless disease".

If the main line is too clear, it will lead to people always hoping to push the main line, and they will lack some patience in other aspects, so that road films will become less attractive.

In addition, I tried to write a team for the first time, and there were too many internal conversations, which seemed quite slow, so the overall reading feeling was not very good.

Another point is that I hope to form layers of echoes at the end, and from different angles, I will be brave enough to charge for what I want to protect, die for obsession and love, and sacrifice myself to save all mankind. Due to the complex and unspeakable emotions and my own personality and experience, I chose to die calmly...

This causes the team members to be too fixed and lack "change". Moreover, as ordinary people, it is impossible to always have growth and highlights, and it is impossible to repeatedly do this plot, which is a bigger problem.

This led to the highlights becoming dull and having to appear for a long time.

It is better to write the secret way, so that the characters can have highlights and exit in an orderly manner.

In addition, the suspense setting of the long night is too clear, and I have to decrypt it again and again, and get closer step by step. As for the length of the whole book, writing only such a puzzle is actually very easy to make people tired and lack the motivation to read.

Moreover, because of the problem of the puzzle itself, as long as there is a clue, smart readers will easily guess the answer, which leads to my constant lack of progress.

Even so, there are a few who guessed it in advance. Fortunately, it is not mainstream. The chapter on brain science can still give people a trembling feeling when it comes out.

Similarly, as soon as the purpose of "Zhuangsheng" came out, many questions were just explained and explained, and explaining them in advance would make everyone guess the purpose. I had to pile up these and talk about them together at the end.

That section seemed to be slow, lacking enough turning points and surprises, and failed to form the expected emotional preparation and progression.

I have to say that fighting wits and courage with readers is a hard task, and it is very difficult.

Without a sense of substitution and so many problems, the story has been difficult to tell. In addition to the limitations of the power system, there are not enough abilities. I always emphasize first and repeat too much, which leads to a little fear of writing battles in the later stages, so I can avoid it if I can.

I won’t write more when I write this point. These are the big problems. There are only 10,000 or 20,000 words to summarize the small problems and details. I just need to think about it slowly. The main reason is that I have to summarize it to the point of exhaustion and exhaustion.

I have gained a lot from writing about so many questions in the long night. For example, better expressing characters with actions, such as echoing settings, and overall spirit display, all of which have given me more weapons.

The ending was set a long time ago, so when I wrote the first seven parts, I was reluctant to make things difficult for the "old tune group" and gave them too much suffering. Sometimes, when I wrote their group discussions and made jokes, I was very happy and reluctant to leave.

This also caused the problem that the previous one was actually too smooth. The article seems to be unfair to the mountains.

Of course, you can't always be a mountain, you will be tired.

Changye's overall performance is actually OK, and there is definitely a gap with expectations. There are almost all orders on the shelves, and now it has only been a few hundred more. But no matter what, I still feel a lot of satisfaction when I think back to Changye's content.

The story of the "Old Tutoring Group" is over, but as long as you still remember Shang Jiang Baimian Long Yue Hong Baichen and the others, then I think they will have a second life, emotional life, anyway, dreams everywhere, why bother to be serious?

The next book is Mystery 2. This is what I have promised. How to write it? I don’t have any ideas yet. You can follow the progress at any time through my official account. I will also update some long night settings, occasional brains, food sharing, etc., etc. The book is finished, and I finally have time to update the official account.

The second part of the mystery will be on March 4 next year.

Everyone should be familiar with this date. I am still a boy with a sense of ritual.
Chapter completed!