Without too much publicity, the shooting quietly kicked off at Warner Studios. Duke first filmed the scenes of the Black Widow Natasha Normanov and Captain America Steve Rogers.

In "Captain America", it was just explained that Steve Rogers was rescued from the ice by Natasha Normanov and Agent Colson to modern society. Captain America was determined to maintain justice, but he was not a fool. Even with Natasha Normanov, his former comrade, it was not so easy to make him serve an organization that suddenly jumped out.

In addition to Natasha Normanov, SHIELD must win the trust of Captain America.

The first shot of the camera was Duke shooting related scenes.

The studio was arranged in the shape of a ward. Scarlett Johnson and Chris Evans walked to the door of the ward, and the camera controlled by John Schwartzman followed quietly from the slide rail.

"I was a Soviet man last time I met, but now I have become an American agent..."

In Duke's director monitor, Scarlett knocked on the door lightly, unscrewed the door handle and said to Chris Evans, "Steve, you don't say it, but I know you have doubts about me. I'll take you to meet someone, one of the founders of SHIELD, our old friend."

After saying that, she opened the door and walked in, and Chris Evans, with a puzzled look on her face, followed her in.

"cut! This one has passed."

Having tried to shoot twice before, the first shot passed smoothly, Duke shouted at the shooting site, "Reset the scene and start shooting in fifteen minutes."

The ward is a scene that has been arranged long ago. After adjusting the camera and lighting, another actor, Hayley Atwell, also joined the filming, but unlike the stunning look in "Captain America", she obviously put on old makeup.

If you want Steve Rogers to believe in S.H.I.E.L.D., the best candidate is Peggy Carter.

Moreover, Captain America has always owed Page Carter a dance, allowing the two to reunite in seventy years. It will also add some highlights.

It took Duke two days to complete the reunion of Steve Rogers and Page Carter, and then the crew changed to the Hughes Aircraft Factory, where the filming began.

The huge studio was arranged into a messy workshop. Several cameras were cleverly distributed in the venue, busy recording every picture in front of them without interruption. The photographer driving the Stenikon equipment hid on the other side and captured some close-up shots at any time.

The shooting is not coherent. The longest shot is only about ten seconds. Scarlett Johnson, who is dressed in sexy style, and her two stunt stand-in will be rotated from time to time.

Scarlett is only responsible for showing off his face and sexy figure in front of the camera, and almost all other difficult fighting scenes are completed by the stand-in.

After later montage processing, there will be no problems with these shots.

Of course, it is not difficult to distinguish. Those black widows are not facing the camera or the scenes of their faces covered by hair, and are basically completed by stunt actors.

To be precise, there are not many shots that require Scarlett to take action on their own.

"Many CG images have been made in prototype form."

After the filming was stopped, Kevin Feige found Duke and introduced him to the special effects progress of the film. "The outdoor crew led by Anna Prinz also set off. In addition, the California state government is very happy that the crew can stay in Los Angeles to shoot, and gave us a 9% tax refund discount."

Just like many states in the United States, in order to reverse the continuous outflow of Hollywood crews, California has also begun to adjust its policies in the film industry. Not only can there be relevant subsidies to apply for, but large-scale investment films can also receive a certain amount of tax refund preferential policies.

After saying a few simple words to Kevin Feige, Duke asked him to find Charles Rowan. They handled enough some chores, so he still focused more on shooting.

Today, the main filming of the drama of the Black Widow Natasha Normanov. After the complex fighting scenes were filmed, Scarlett had a relatively relaxed literary drama.

She was wearing black stockings and a tight short skirt of the same color. She carried high heels in one hand and cell phone provided by her sponsor in the other hand, and walked towards the "outside". The large microphone for recording the live landed from the air near her head.

"Yes, Steve Rogers doesn't trust you! Because you have launched several wars that shouldn't have happened one after another, which is inconsistent with the idea he insists on."

Her words were obviously related to the avengers. "Phil, you and Nick Fury should be clear that Captain America is loyal to this country, not a certain government or organization, even if the founder of this organization is Page Carter!"

"That billionaire doesn't trust me." She continued to walk far away, "Phil, big guy and big guy, you go deal with it, Steve gives it to me, and I will take him to see Peggy Carter."

“cut!”

Dukeden, who was sitting behind the director's camera, shouted a stop and notified, "Transfer to Studio 3 and inform Chris to prepare."

This is the site that took more than ten days to build a movie. It took less than a day to announce that it would return to its original state. The shooting process was completely a process of burning money.

In the dressing trailer, in addition to the routine makeup, so that his look is more in line with the role of Steve Rogers, there is a dedicated person in the action guidance team, and a thick bandage was wrapped around Chris Evans's hands.

He got out of the makeup trailer and turned into a studio that was a few smaller than the next one. It had been arranged into an old-fashioned training ground. It was the venue where Steve Rogers woke up from the frozen state and trained every day.

Because he fully understood what happened after World War II, what the US government did not conform to his philosophy, and even became the person he once vowed to destroy in some ways. Even if he saved his S.H.I.E.D., Steve Rogers did not have much trust. Relatively speaking, Natasha Normanov, who had fought side by side and experienced the test of life and death, was one of the few people he could partially believe in.

The scenes here are not too difficult for Chris Evans today. After hearing the director Duke briefly talk about the movement and a few small issues to pay attention to, he stood in front of the sandbag.

"Scene 12, Act 1, start now!"

After the sound of the recording on the spot sounded, Chris Evans slammed the sandbag in front of him like a professional boxer. This was not a false blow, but a real blow. Even if it was wrapped in a bandage, he felt the pain vaguely.

After filming several scenes of sandbag hitting, the crew replaced another hollow sandbag. After Chris Evans hit the counterfeit product a few punches, he punched the sandbag hard. The ejection device on the other side was activated at the same time. The sandbag was knocked away by him like fallen leaves blown by the wind.

"Ok!"

The shots taken look ordinary and must be processed after post-processing to become excellent movie scenes.

Duke's voice sounded again in the loudspeaker, "Where is Scarlett Johnson?"

Next, it's the turn of Black Widow to play against Captain America.

"Why do I always think of Marvel's screenwriter..."

Walking to the director's chair and seeing the staff busy sorting out the light props, Scarlett said to Duke softly, "Want to make Black Widow and Captain America a pair?"

"Because the audience likes to watch the interaction between superheroes." Duke said without raising his head, "especially two elderly superheroes in a man and a woman."

"But don't you think it's strange to have two ninety-year-olds in love?" Scarlett was obviously using chat to relax.

Duke directly used the line from Black Widow, "So love is a trick for children. Steve Rogers and Natasha Normanov are more of a complex relationship that is mixed with comrades, colleagues and friends of life and death."

He looked at the crew's work progress and said, "You should go and prepare."

Scarlett nodded and walked towards the camera.

After Duke made the field record call to start, Chris Evans dragged a sandbag from the ground and hung it in mid-air, pounding it again, and suddenly a crisp woman's voice came from the other side.

"Steve, have you lost insomnia again?"

Chris Evans stopped and looked at the door, where Scarlett Johnson was standing.

"Long time no see, little Na." Chris Evans hit the sandbag again, "I've been sleeping for seventy years, and I've already had enough."

"Then it's time to go out and see this colorful world." Scarlett walked over slowly, "If you go find a girl, you might feel much better."

Turning to Scarlett, Chris Evans stopped, unbuttoned the bandage on his hand, and walked to the other side, "When I fell into the water, the world was still fighting, but we were fighting for justice. I woke up, and people told me that we won, but what I saw was that we lost more."

"This country has made a lot of mistakes over the years." Scarlett walked directly opposite him, "I have made some things recently."

"Need me?" Chris Evans asked.

"You need to save the world." Scarlett handed over a document he was holding, "a very serious incident."

"This is Hydra's secret weapon." Chris Evans said, "It's still there?"

"Remember Howard Stark?"

After Chris Evans nodded, Scarlett continued, "This is what Howard came from the sea when he was looking for you, and it has been stolen now..."

“It shouldn’t be fished up!”

Carrying his bag, Chris Evans walked out the door, and Scarlett followed behind, "Steve, I'll take you to meet someone tomorrow."

Chris Evans stopped, thought for a while, and said, "Come here to pick me up tomorrow morning, don't be too late."

"Ok!"

When Chris Evans walked out of the iron door of the gym, Duke's voice sounded from the megaphone, "This one is over!" (To be continued.)
Chapter completed!