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Jin Muchen packed up these diamond jewelry, and at the same time, he took out almost all the treasures collected in the purple jade space when he had time. Novel Chinese.

Recently, there are so many treasures he has handled, and he can't even remember them clearly. He must read them carefully.

Some of these treasures were collected by him before, while others were obtained from the museum these two robberies. These things must be clearly distinguished.

Then put away what you plan to keep, sort out what you plan to take action, and then wait until the things are roughly figured out before you can figure out how to take action.

The first thing he took out was of course what he had collected through various means before, such as those he had collected from his own bargain, or those he had won with others. These things were all traceable and could be made openly or collected.

For example, the set of snuff bottles he collected in the Qing Dynasty palace that he first collected in Washington, which was his earliest set of treasures.

And because almost every one of these snuff bottles is very special, Jin Muchen plans to collect this snuff bottle himself and does not plan to take action.

As for the other snuff bottle that I won from Zangbaozhai, although the quality is pretty good, Jin Muchen did not intend to keep it. After all, this snuff bottle is a bit pale compared to the fine products he collected.

There are two Qianlong clocks, one of which is the bronze gilt eight-treasure pattern carp jumping dragon gate clock that he won from Zangbaozhai, and the other is the Lideheng Da Clock he picked up in Qingniao Market. The two clocks are of great value, and any one is worth at least about RMB 100 million.

However, because they are all very exquisite in workmanship and intact in appearance, Jin Muchen also plans to keep these two clocks by himself.

There is also a green jade pen holder from Qianlong collected from San Francisco, which was given to him by Qianlong's son-in-law. This pen holder is optional in Jin Muchen's opinion. If someone is willing to offer a suitable price, he is willing to take action.

Speaking of the pen holder, he also has a bamboo-carved pen holder from Gu Yu that he had collected from Pan Jiayuan. This pen holder turned out to be dilapidated. However, after the purple jade space was repaired, it was intact. Jin Muchen did not intend to keep this pen holder, just waiting for someone with the fate to bid.

What remains are the foreign treasures he collected, such as the pair of celestial globes and globes from the Swedish royal family. The workmanship is beautiful and good ornaments. Of course, if someone bids well, he is willing to sell them.

If you can't sell it, it's good to keep it yourself.

There are also the three copper gilt easter eggs produced by the French Severle Porcelain Factory. Jin Muchen plans to keep these three easter eggs. After all, these three easter eggs are too important for artistic ceramics in France and even Europe.

So he didn't plan to take action. Although you French guys were doing all the bad things in our China back then, you also snatched a lot of treasures from us back then, right?

So today I am collecting a few of your treasures, which is natural.

There are also those three sets of tableware from Ferritt, which is a kpm set. The tableware in the European porcelain industry is probably not as good as holding three French copper gilt eggs in your hand, but they are also good things. If anyone is willing to bid, you can consider it yourself. Sell two sets and keep one for collection.

As for the set of Taizu porcelain from Liling in my hand, it was something I planned to collect. After all, it was a peerless product of the red official kiln. This is not to be missed.

There are also the four pairs of Arthur Pinaj's oil paintings bought from Puhai. Jin Muchen did not intend to sell them. They were placed in his own store to enhance the B-frame and could not be moved.

There is also the Napoleon's copper cup collected at the Brimfield Antiques Exhibition. The market price of this thing is only a few million US dollars, which doesn't seem to be expensive, but this thing is less circulating on the market after all, and because it involves historical celebrities, it has great appreciation potential. Jin Muchen plans to keep this cup by himself.

There is also the 3-dollar gold coin, which is an isolated product. Although the price on the market has reached 4 million US dollars, considering the future appreciation space, Jin Muchen also plans to keep it the most cost-effective.

There is also the Japanese national treasure, the word "Ji" Zezong sword, which is the most important national treasure of the Japanese. Considering that the Japanese devils burned, killed, robbed so many treasures in our country, Jin Muchen did not intend to take action on this knife.

Don’t you regard our national treasure as your own spoils? Now I also regard your national treasure as my spoils.

As for the other Qianlong sword, Jin Muchen did not intend to keep it. If someone with the right destiny was willing to take action, he would sell it himself.

There is also the famous British silversmith from the old Hei Evan who brought it to his door, and the wine pot made by Paul Ramire, who was created by Paul. Jin Muchen plans to keep it in his hand to see it. After all, such silverware has a high appreciation potential.

As for the two phonographs he bought from, let's leave them for those who are destined to be. As for the gold medal of Jesse Owens found from the Olympic commemorative version of the phonograph, Jin Muchen planned to keep them himself. After all, such things involving historical celebrities will have a very high appreciation potential in the future.

Then there is the treasure I got from the ghost market, Qianlong’s Supreme Emperor’s Era. This is absolutely impossible to take action. The appreciation potential of this thing is very high, so you have to keep it yourself.

As for the porcelain paintings of Bayou Zhushan, it depends on whether anyone is willing to take action.

Finally, he almost obtained the "Tang Empress's Travels" by Zhang Xuan of the Tang Dynasty, which he bought at a price of rags. This painting is a peerless national treasure, and Jin Muchen did not intend to take action anyway.

As for the trophys you get in the Boston Art Museum, except for the priceless "Pictures of Emperors of All Dynasties" by Yan Liben of the Tang Dynasty, the "Pictures of the Emperors of All Dynasties" by Zhang Xuan, a famous painter of the Tang Dynasty, and the "Pictures of the Five-Colored Parrots" signed by Emperor Huizong of Song, all other paintings can be taken.

There are also the Five Buddhist treasures, and Jin Muchen is not planning to keep any of these Buddhist carvings. This thing is big, heavy, and takes up too much space, so this thing must be taken.

As for the Western oil paintings I got in the art gallery, this thing has a good value preservation effect and a lot of room for appreciation. I have to keep a few pictures.

For example, works by Van Gogh, Cézanne, Furmet and Rembrandt are left behind by themselves, and other oil paintings can be sold.

The "Five Hundred Arhats" knocked from Shingo Yamamoto's hand, "The Picture of the Emperor's View of Horses", and the "The Picture of the Wild Fox Fishing" painted by a Japanese national treasure painter, these three paintings must be left behind.

As for other paintings, let’s leave them for those who are destined to be. As for those bronzes, they must be dealt with.

The antique I got from Agent F-Fight Bryan, although it is not of high value, it is not a good time to take action, so I have to keep it first.

There is also the Xuande Furnace that was brought from Benjamin's house, which is a peerless treasure and must be kept.

The next thing is the trophy that was brought from the British Museum.

I like all those porcelains very much, so I definitely won’t buy any of them.

There is no need to say much about the five famous kilns in the Song Dynasty. The representatives of blue and white porcelain in the Yuan Dynasty must be left behind. Even the porcelains imitated by Ru kilns in the Qing Dynasty, I like them very much, and these must be left behind.

There are also blue and white porcelain with red underglaze, enamel porcelain, various pastels, Doucai porcelain, and yellow-bottomed blue and white plates that must be left behind.

The silk paintings copied by Gu Kaizhi of the Eastern Jin Dynasty in the Tang Dynasty, which he had to keep, but as for other Dunhuang silk paintings, they could be dealt with.

As for other Western antiques, we should also treat them differently.

The Sahuteng ship hid the counters containing jewelry, the king's gold belt, and the crowns of various gems, all of which were destroyed. Then the jewelry, the king's gold belt, the crown, swords, armor and so on, had to be kept.

After all, this is a souvenir of the British ancestors and also a spoil of Jin Muchen.

Don’t you British like to dig other people’s ancestral graves all over the world? Of course, I can also collect some treasures in your ancestral graves.

Although these things are not necessarily of high value, they have particularly important commemorative significance for Jin Muchen.

There is also the set of chess made from walrus tusks and whale teeth, which he intends to keep.

However, those Greek stone sculptures and bronze statues of Benin gave him a headache.

To be honest, these things are quite popular in the auction market, but Jin Muchen feels that if he sells this thing, it will be no different from a real thief.

The main reason why he ransacked the Boston Gallery and the British Museum was that these two museums provoked him.

The stole their treasures from the museum because on the one hand, these treasures belong to their own country, and on the other hand, they were mostly successful through some improper means when they got these treasures.

But now he also has national treasures from other countries. If he takes out these things and sells them, it will be no different from those museums.

So he was a little hesitant about what to do with these things.

These stone sculptures and bronze statues are both national treasures of Greece and Nigeria respectively. They are not small in size and are not light in weight. It is not a matter of keeping them in the purple jade space and must be dealt with.

But what should I do? This is the problem!

Jin Muchen touched his chin and began to ponder.

After sorting it out, I found that there were quite a lot of good things in my hands, and most of them were priceless treasures.
Chapter completed!