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This guy has a hobby in his spare time painting, which is to show people's appearances. To put it bluntly, he is a European master, so many of his paintings are full of religious themes that are nagging.

And the era he lived in was just the stage when Europe was ignorant and headed towards enlightenment, so his paintings on religious subjects could still bring him some income.

So although he was a professional dance master, at least those divine prints of religious themes could still bring him some income, so when he was alive, he would live a little more comfortable life than Van Gogh.

But his ability to see photos also brought him another benefit, that is, he had a very unique experience when observing a person's facial expressions, which was the main reason why his portrait paintings became famous later.

This guy's life in his later years was quite unfortunate. Because of his investment failure, he finally went bankrupt and his property was auctioned.

After he died, he became famous because of the hundreds of his own works he had hidden, especially portraits and historical paintings.

Judging from Jin Muchen's understanding, this guy is a vivid ancient, Arthur Pinaya!

Looking at the portrait of this vulgar old man with a black hat, curly hair, slightly bald head, garlic nose, small eyes, and half eyebrows, Jin Muchen couldn't figure it out that the value of such a painting was even higher than the "Concert" by Furmeer, which was originally priced at $2500 million.

The aesthetic taste and integrity of Western white-skinned ghosts, we ordinary people can only retreat and avoid it!

According to the magazine, the old man has painted dozens of portraits in his life, but he doesn’t have many self-portraits. It seems that there are only two in the world, but there are just one in the Boston Art Gallery.

Another reason is that when this painting created this self-portrait, the master used a strong contrast of light and dark painting method to shape the body with light. The rich layers of the picture are the strong dramatic tasks in the painting.

Such artistic painting skills can definitely be called the master representative of European portrait painting, and it is not an exaggeration to call it the pioneering work of modern and modern European portrait paintings.

But Jin Muchen didn't see the same thing as those mentioned in the magazines. He was very familiar with the strong drama of the characters in the end.

The old man in this picture is really too vulgar, especially his strange expression, which can reflect his dramatic heart...

Forget it, although I can't understand the beauty of this painting, Jin Muchen will not compete with hundreds of millions of dollars in money and cannot appreciate it, but there are always some people who understand it that can appreciate it.

Or those rich guys who like to show off their B-like characters can appreciate them. Forget it.

After coming forward to take the painting into his pocket, Jin Muchen felt that it was almost the same. In the Boston Museum, famous paintings with a unit price of over 100 million have basically been cleared by himself, except for those locked in the Monet Pavilion.

With these paintings as the foundation, Jin Muchen doesn't like those oil paintings with unit prices of tens of millions of dollars at all...

In this bag, these paintings are probably worth more than one billion US dollars, and the others tens of millions are a small amount of money. The space in this bag is limited and I really can't hold it. You "low-end goods".

In fact, it was mainly because he was afraid of arousing Jesse's suspicion. If it weren't for Jesse, he wanted to sweep all the oil paintings that cost tens of millions of dollars into his purple jade space.

However, it was because I was afraid that after the incident, when the museum announced the losses, the gap between me and what I planned to tell Jesse about was too big, and I was afraid that the US government would treat aliens and chase them crazy.

So he could only suppress the thoughts in his heart and resisted his eyes from all the oil paintings.

He didn't understand those oil paintings, nor did he want to understand what the paintings were, what their special meanings, or artistic value.

Anyway, in his eyes, those paintings seemed to be green banknotes with huge denominations printed on them.

This thing has so tempting power to him.

After forcing her to leave the oil painting area, Jin Muchen looked at her watch and entered the museum. It had been almost two hours.

This surprised him. He had been immersed in the joy of a bumper harvest before, but he really didn't pay attention to time. This was the pleasure of thousands or hundreds of millions of babies. To him, it was like a shot of stimulant, which made him completely ignore the existence of time.

I quickly cleaned up briefly, then went to the surveillance room behind to take a look. The security guards were sitting honestly in the middle of the security room, wrapped in tape, just like when they left.

Depending on the situation, they cooperated very well. No one tried to struggle, no one wanted to be a hero, and there was even a big heart in the middle. Sitting there, he snored.

It seems that they really have no sense of honor for their jobs.

Think about it, I face antiques and artworks all day long, hundreds of millions or even hundreds of millions of dollars, but when I look at myself, I only earn 14 and a half yuan an hour, even if I don’t eat or drink for the rest of my life, I can’t make any money for an antique. How can you make these security guards feel honor?

Forget what they thought, Jin Muchen couldn't care, nor did he want to care. As long as they stayed obediently and cooperated to wait until they and Jesse completed the robbery, that would be true.

After carefully checking the bondage of these security guards, and after saying a few words of comfort, Jin Muchen left the security room and headed straight to the second floor of the east building to find Jesse.

Jesse told herself before that what she wants is here.

Although they didn't say clearly what those things were, Jin Muchen also knew that those things must have very important significance to her.

After going upstairs, Jin Muchen went straight in. The thing Jesse was interested in was some ancient Egyptian cultural relics on the facade of the exhibition hall on the innermost part of the second floor.

These treasures are actually some ancient Egyptian jewelry. When Jin Muchen and Jesse came to check in a few days ago, Jesse walked around here countless times and explained it to him.

Speaking of antique jewelry, in this regard, our Chinese antique jewelry is really incomparable to those of Europe.

According to the current perspective, European antique jewelry mainly originated in the Renaissance. Before that, their antique jewelry had never developed their own style and had always been influenced by the ancient Egyptian and Roman styles. This influence, especially the influence of ancient Egyptian jewelry, has been one that has been passed down to this day.

The antique jewelry from ancient Egypt is definitely one of the few antique treasures that can be taken out in ancient Egypt.

The jewelry making technology in ancient Egypt had reached a considerable level at that time. The ancient Egyptians had mastered the techniques of modern gold such as casting, pounding, carving, coloring, inlaying, and forging gold foil, and the cutting, polishing, etc. of gemstones are not inferior to that now.

Such characteristics are reflected in many ancient Egyptian cultural relics unearthed now. The ancient Egyptians usually use finely carved gold and silver, paired with gems and semi-precious stones to create a colorful and changeable shape. Commonly used gems include chlorophyspar, turquoise, malachite, garnet, chalcedony, lapis lazuli, etc.

The ancient Egyptian jewelry collected here is often colorful and exquisitely made, which not only shows the outstanding and amazing jewelry processing level at that time, but also reflects the extraordinary creativity and profound artistic attainments of mankind at that time.

Most of these ancient Egyptian jewelry are rich and fierce in color, reflecting the vigorous vitality of people in that era and their love for nature.

From the perspective of modeling, the design of these jewelry is not aimless, but incorporates people's understanding of the universe, destiny, and royal power. Therefore, most works have strong symbolic colors, exaggerated shapes, weird and mysterious shapes.

Of course, these are all mentioned in the introduction of the Egyptian antique jewelry they collected in the art museum. Jin Muchen, a rough man, could only appreciate the beauty of antique jewelry. As for the vigorous vitality, the love for nature, the experience of the universe, the royal power, and the fate, he could not see it.

When Jin Muchen arrived at the exhibition hall where Jesse was, Jesse had just opened the security door of the exhibition hall.

Unlike those oil paintings and the oriental parts where Chinese antiques are stored, this place is not open. Because it displays antique jewelry, there is also an anti-theft door outside the exhibition hall, but this anti-theft door is not as thick as the anti-theft door in the Mone Painting Hall downstairs.

The reason why the art museum does this is not because the antique jewelry displayed here is higher than the oil paintings downstairs or the Chinese antiques in the East.

It’s just that the antiques and jewelry displayed here are all real gold and silver, and gems. For many simple-minded thieves, such treasures are much more valuable than oil paintings and Chinese antiques that they cannot understand.

After all, this thing is real money, unlike those messy oil paintings and Chinese paintings that you can’t understand at all. This thing is real and can be monetized by taking it out.

Therefore, many stupid thieves with low IQ like this kind of thing. They have encountered direct theft of antique jewelry several times, so the protective measures here are much more severe than the oil paintings below.

After all, these antique jewelry are small in size and are very easy to hide, and can be taken out of the museum easily. From the beginning of the building to the present, dozens of precious ancient Egyptian antique jewelry have been lost here one after another, so they cannot ignore the security measures here. (To be continued.)

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