After a rush to attack for a while, Hideki Ono, who had the upper hand, suddenly gave up on her pursuit, held the downward posture, retreated directly, and distanced herself from Hirata.

Hirata was able to breathe for a moment, and he stared at the other party with a shocked and suspicious look, not knowing why the other party suddenly gave up the attack.

"It's really a man with a swordsman's heart."

Ono, who was wearing a no-face, stood in the center of the vermilion bridge, stood in the colorful cherry blossoms and exclaimed: "My master, the Son of God, Izumo, once said that Tadao Akira's first sword flow is characterized by 'power', 'moving' and 'writing'."

"I have realized the power and movement, but I have never been able to understand the 'writing'. The explanation of 'writing' is like reflecting the moon in the water, breaking away from life and death, and reflecting the enemy's state of mind. Although it is simple to say, I cannot do it."

He pointed "Monkami Masashima" at Hirata, "But I feel that your state of mind is the state of "writing". You are not afraid or afraid, and your mood is clear. If I cannot win, the enemy will not be defeated. If the enemy is weak, I will not be defeated."

"What a natural swordsman! In time, I will definitely reach the top of the kendo in Japan!"

Although Hirata, who was standing on the other side of the bridge, still had a cold face, after hearing what Hideki Ono said, a "black question mark face" appeared in her heart.

Is that great as you said?

I just understood the superficiality of the "Sword of No Thought", kept my heart calm and empty my head, and realized the state of "writing" of "Zhongming Yishao"?

Then is it too easy to write?

Here he was complaining wildly inside. In the darker sky, Hideki Ono held a sword and posed for the next step.

"Maybe you are my destiny, so in the next duel, I will use the mystery of "Zhongming Yishu" - "Yueyin"!"

"This is the secret of the sword technique of selecting moon and yin from the sun, moon and yin. The moon is shaped and illuminates dark nights; the yin is invisible, representing darkness. It is precisely because of the moonlight that you can see yin..."

The voice he could explain to Hirata the strongest mystery he was about to issue.

Hirata was a little confused. Are you a Saint Seiya? Before fighting, you have to reveal the name and origin of your moves?

I still want to save my sister, can you hurry up?

Of course this is his inner complaint.

If you say it, it will probably immediately destroy the aloof swordsman duel atmosphere created by Hideki Ono.

Maybe the other party, who was so angry, would slash directly at him.

So he looked cold and pretended to listen carefully.

After listening for a while, I understood.

The so-called "moonlight" is nothing more than a skill used in fighting in the dark night.

In the dark environment, you cannot see the figure of the enemy or your own shadow, so you cannot use the reference object as an object.

Both sides of the enemy and us swept the ground like they were exploring objects in the dark.

"Yueyin" is the lower posture with the tip of the sword facing down. The user can see the enemy's calves and draw the sword. Combined with the light of the sword body, he can use a quick sword that reflects the enemy's sword light one after another.

In Hirata's understanding, this should be a kind of "mystery" used in dark nights or dim environments.

but......

He took a long breath.

Not only do I have no night blindness, my eyesight is top-notch, but my mere dark night environment will not have much impact on me!

Hirata held the sword in both hands and looked at Hideki Ono who was gradually swallowed by the night.

"Thank you for your explanation, I already understand your mystery, so come on!"

"... Very good, then be enlightened!"

The other party stood in a lower position and quickly approached from the center of the arch bridge.

Hirata put his left hand on his back and held the long sword.

Another "Sakura Killing" wooden sword was taken out of the sword bag by him and held it in his right hand.

Although you have "moon yin", I also have "second sword flow"!

Hirata stared at the other party's footsteps, holding two swords, and posing.

In neon history, there are many swordsmen who are good at making the "two swords flow".

The most famous one is Miyamoto Musashi, but his "two-day first-class" trick is to use two Taidao, one big and one small (i.e., one big and one small, one big and one small), and one long and one short is basically one attack and one defense.

Few people have used double-held long swords like Hirata.

Because double long swords usually attack alternately, have weak defenses and are difficult to master. They often fall into a disadvantage when facing longer and heavier weapons, and are even more helpless when dealing with armored enemies.

Therefore, the "two-sword flow" of the double-long sword rarely appears.

More of Miyamoto Musashi's "one big and one small, two swords", or "scoundrel two swords" such as both offensive and defense, or even "adults eating feces" such as "Ashina Sword Saint" with one sword and one pistol.

Although Hirata has never used the "Two Swords", the sword techniques in the world have the same destination, and the purpose is to hit the opponent.

If it really doesn't work, use your "thinkless sword" and follow your body's feelings to take action.

Isn’t Miyamoto Musashi’s “Second Slip” the most famous move is also “Wu Nian Want to Slash”?

(Wu Nian Xiang: Slashed down without thinking)

Hirata held the "Chrysanthemum" in his left hand, which was a little heavy.

He held the "Sword Knife" in his right hand. The weight of the wooden knife was slightly light and thin. Although he was injured in his right shoulder, it did not have much impact on the sword swing.

He even had a feeling that the "Sword Killing Gui" held in his right hand must be swung faster than the "Juyi Wen Zezong" in his left hand.

There is no way, the system wooden knife has its own "speedy" attribute, which is not as lethal as the real knife, and is far ahead in speed.

As soon as Hirata pulled out the "Sakura Killing" wooden knife, Hideki Ono rushed up.

The blade aimed at Hirata's calves and drew a white light.

Hirata immediately stepped back slightly.

The "Juyiwen Zezong" in his left hand blocked the other party's demonic sword that stabbed his calves.

The blade immediately wrapped around!

Seeing the blade wrapped around, Hideki Ono immediately drew his sword backwards, preparing to transform "Yueyin" into "Shanyin", and attacked his wrist along the white light reflected from Hirata's blade.

At this time, he had not realized the seriousness of the matter.

He threw the wooden knife that Hirata was slightly hidden behind him.

Punched Hinaki Ono's chest in a straight prick.

"What?"

Hideki Ono, who spoke his moves openly and wanted to use the glory of a swordsman to determine life and death, could not have imagined that Hirata still had such a trick.

A wooden knife suddenly appeared on his right hand, who was originally thought to be injured.

And the wooden knife directly stabbed his chest with a speed of lightning.

Bang!

In the dark night, this blow stabbed him hard.

"Um!"

Ono Hideki, who had a severe pain in her chest, let out a scream and retreated repeatedly.

Click!

He waited until he inserted "Yan Dao Village" into the wooden board of the arch bridge before he stopped and retreated.

He rubbed his chest and half-kneeled, but he had not reacted yet.

The "shameless" Hirata rushed up and used the "slashing and slashing the two swords"!
Chapter completed!