"Boss Hao, I didn't expect you to be so stingy."

Zhao Yajing wanted to use provocation to let Hao Huai allow him to enter, but she didn't know what kind of man he met.

"My stinginess is only aimed at hypocrites. I didn't call the police to arrest you because there is no evidence. If you think about the consequences of more than 500,000 yuan in counterfeit money, you don't have the right to say I'm stingy."

"Hao Huai, Yun Cong didn't mean it, he had no choice..."

Before Zhao Yajing could finish speaking, Hao Huai said, "I don't care whether it is intentional or not. All I see is the result, because I am a businessman, a profiteer who doesn't know how to detain it."

"Since you don't listen to my explanation, I have no choice. I just hope you can let Yun Cong out. He is a kind-hearted person and has no social experience. He can't beat you at all."

After Zhao Yajing finished speaking, she put a bank card in her hand on the ground and continued: "I have not managed well over the years. Yuncong and I only have this 200,000 yuan deposit. I will return the rest to you slowly."

"Just put down the money, you can leave."

Hao Huai would not refuse the money he received, it was won by him, but he would not let Li Yuncong go, because that was what Li Yuncong deserved, not to mention that he always believed that the best way to let a person serve him is to subdue the other party, make him respect and surrender.

Zhao Yajing left, Li Dun'er picked up the bank card at the door, and then said to Hao Huai: "Old Huai, are we a little too much? At least we should listen to Li Yuncong's difficulties."

"Fatty, if you want to be a kind philanthropist, you have to wait until we have that qualification."

Hao smiled wickedly and said to Li Dun'er: "Besides, can you guarantee that what she said is true?"

"This..." Li Dun'er touched her brain and didn't say anything.

"So, now there are grudges and revenge. Besides, Li Yuncong is Chen Fangming's man now. Even if he can't mess with his "Shufangzhai", he has to find a way to get millions to relieve his anger."

"Bad Brother is right, I fully support it." said the chicken man.

"'Shufangzhai' is doing an ancient painting business. If he can do an old calligraphy and painting, Li Yuncong will not only make Chen Fangming lose money, but also indirectly teach Li Yuncong a lesson. Isn't this the best of both worlds?"

Hao Huai looked at the chicken man with a smile, and then said, "Xiao Chick, your old skills may come in handy this time."

"Bad brother, I'm afraid this is a tough one."

It’s not that the little chicken man had thought about Hao Huai’s solution. But he knew very well that Li Yuncong’s origins were. Although he had been doing porcelain appraisals before, he definitely did not build a calligraphy and painting, otherwise he would not be able to open a shop, so he was worried that his ability to do old might not work. That would only lead to humiliation.

Hao Huai thought about the words of the little chicken man, and although his old ways are the true teachings of his ancestors, the copying and painting of calligraphy and painting must have a certain amount of writing skills, otherwise it will be difficult to achieve the momentum of everyone.

"It seems that you must ask for another clever one."

Hao Huai thought of someone, Li Wenruo, who had been using calligraphy and painting appraisals for life, and might also know how to be old.

After making up his mind, Hao Huai called Li Wenruo's cell phone. Of course, he couldn't speak up and asked the old man to make trouble, so he just said that he would invite him to dinner when he got off work.

It was six o'clock in the afternoon when Hao Huai drove to the antique city. At about 7 and a half hours, Li Wenruo walked out of the antique city after the meeting and even apologized after getting in the car.

"Old Li, don't be so polite to me."

"Xiao Hao, guess what the meeting is today?" Li Wenruo asked Hao Huai.

"Is it Chen Fangming talking about me?" Hao Huai said half-jokingly.

"That's not true. That guy has arranged a new appraisal department manager, and he particularly emphasizes that the company's employees should not follow you too far."

"Haha..." Hao Huai laughed a few times while driving, but he was too lazy to say more other words.

"By the way, is there something wrong with you in a few days?" Li Wenruo saw Hao Huai coming to find him and felt that something was wrong with him, so he asked directly.

"Old Li, aren't you afraid of having dinner with me, and Chen Fangming fired you?" Hao Huai knew that if Li Wen was not such a person, his words would be just a joke.

"I'm so old. He doesn't even make me angry. I can't live many years." Li Wenruo knew that Hao Huai was joking, so he made fun of himself.

"What you said is that when you enjoy your happiness later, even if Chen Fangming really fires your squid, I, Hao Huai, promised to invite you to be the manager of our store."

"I don't understand porcelain. I have been doing calligraphy and painting for a lifetime, but other aspects are not bad."

Hao Huai naturally introduced the topic to calligraphy and painting, and his car was parked at the door of the Blue Moon Bar given by Zhang Bai.

"Old man, we're here to drink today."

"Xiao Hao, this is a bar, I am at my age..." Li Wenruo had never been to a bar. He always thought that this kind of place was a place where young people say love, so he felt a little embarrassed.

"This is a store opened by my friend, and there is a private room inside." Hao Huai got out of the car while speaking and walked into the Blue Moon Bar with Li Wenruo.

"Brother Hao..."

As soon as Hao Huai entered the door, the waiter who was holding the wine greeted him, including Zhang Bai who was watching the venue, and they all greeted him politely.

"Brother Hao, why are you free to come to us today?" A girl in her twenties saw Hao Huai coming, and immediately walked to him with her waist flapping, reaching out to stop his arm.

The girl is a barkeeper, and of course she also knows the relationship between their boss and Hao Huai.

"I'm here to drink, why? You won't ask me for money, right?" Hao Huai joked.

"You said, I dare not borrow some courage from me." The girl said to me and said in Hao Huai's ear: "Brother Hao, do you want me to accompany you tonight?"

"Okay, if you want to accompany me, please accompany my teacher. It happens that he has no wife." Hao Huai said, and pointed at Li Wenruo.

"Brother Hao, you are deliberately playing with someone." The girl said coquettishly.

"Okay, I'll be here today to make an official arrangement. I'll arrange some wine and food and I'll be delivering it to the private room I often make."

Hao Huai took Li Wenruo to the best private room in the bar. The sound insulation in the room was very good, and the chances were that there was no noise outside.

"Xiao Hao, just say anything if you have something to do. I will definitely help you." Li Wenruo had long seen that Hao Huai had something to do. He had benefited a lot from Hao Huai's help before, so he seemed a little excited at this time.

"It's nothing, I just want to find time to learn more about calligraphy and painting appraisal knowledge from you." After Hao Huai finished speaking, several girls outside the door brought some wine and food.

Hao Huai poured a glass of wine for Li Wenruo. After the two of them touched each other, Li Wenruo wiped the wine stains on his mouth and said, "Xiao Hao, I have seen your identification ability before. It is not an exaggeration to describe it as superb. Don't let me chill my old man."

"Identification is one aspect. I would like to ask you about the issue of making calligraphy and painting aging." Hao Huai naturally introduced the topic to making calligraphy and painting aging.

"It's something that the appraiser must know about, so I'll talk about what I know."

The commonly used methods for making old new paintings are direct dyeing and incense. The so-called direct dyeing method is to place the copied painting on a glass plane and use a pen to repeatedly paint the thick tea overnight on the painting.

Let the brown color be completely hung on rice paper. On this basis, spray it with diluted edible vinegar to make the color evenly absorbed by the drawing paper. Apply this way many times, and after a week, the color of the paper turns yellow. After a period of time, the color of the paper looks a little gray. It looks like an old paper.

The method of infection means that after the things are made, the counterfeiter will hang calligraphy and paintings in a relatively closed room, and smoke it with igniting coconut shells or incense and smoke it.

After many days of smoke and roasting, the paper will appear a light brown color, which is very similar to the old paper.

After Li Wenruo finished speaking, he took out a sample from the briefcase behind him and handed it to Hao Huai's hand.

Hao Huai glanced at it and said, "After this dye, the paper has indeed changed. It really looks quaint and looks very old."

"There are many ways to make fakes at present. One is to weather the painted paintings by ultraviolet rays. In fact, silk is also the same phenomenon.

Another type is to dye the back of the painting, and dye it into an old color by using gammond and ochre. After tea, we applied the tea we spent the night on the paper to make it become an 'old painting'."

After Hao Huai asked Li Wenruo's words, he felt that this old man must know how to be old, but he was not in a hurry to ask directly.

"It seems that there are quite a lot of old ideas." Hao Huai said, picked up the wine and took another sip with Li Wenruo.

"In fact, after an ancient painting is preserved for a long time, it will leave many traces of time on it."

"Does the counterfeiters also start from this aspect and make some small moves?"

"Some are because of some old paintings, because they have been put in their homes for a long time and are prone to insect pests. It is precisely because of this mentality that the old-fashioned techniques outside the paintings emerge.

For example, it is believed that an ancient painting that has been bitten by an insect must be an ancient painting, but it is not actually the case that counterfeiters often put the finished paintings in rice jars or noodles bags with insects, deliberately allowing the insects to leave traces of biting on them, increasing credibility."

"In addition to this, it is actually important to see the authenticity of a painting. Is the signature and seal correct?"

After drinking a few sips of wine, Li Wenruo also opened up the conversation: "First look at the signature and seal when looking at the painting, first look at whether the seal is the ink of that period, and then determine whether it is true or false. Nowadays, people who are making fakes have high or low wrists, and some are quite good.
Chapter completed!