"We are doing antique appraisal, and I want to see a calligraphy and painting author who should still make his artistic achievements."

Hao Huai's words are not without reason. I think it is the winner who is the king and the loser. Since he is a master of calligraphy and painting who has been famous for his eternal period, he should judge his success and failure in art.

"Xiao Hao is right. The most important thing in judging a historical figure is to look at his contribution, and the best way to judge an artist is to judge his artistic achievements."

After Li Wenruo finished speaking, he couldn't help but feel the nature, shaking his head and telling Shi Tao's achievements in painting.

Judging from the works heirlooms, Shi Tao can not only be regarded as an innovative painter in the history of painting, but also a prolific author with a wide range of creative subjects.

Shi Tao's expression techniques are very varied, and can be unique and harmoniously unified into his own style characteristics. His changes in his painting style are closely related to his life experience.

Shi Tao traveled throughout his life to Guangxi, Jiangxi, Hubei, Anhui, Zhejiang, Jiangsu and Beijing. The real mountains and waters of nature gave him profound painting literacy and foundation. He integrated the strengths of his predecessors' techniques in the real feelings and exploration of nature.

Therefore, Shi Tao emphasized "learning from nature" in painting creation to form painting creation and aesthetic system as "using brush and ink to write the world and cultivate me."

Shi Tao is a monk. He moved from Zen to painting, so his painting style seems to have an extraordinary artistic conception. Whether it is landscapes, characters, flowers, or animals, they have high artistic achievements. Of course, "searching all the strange peaks to make drafts" is the most important key to Shi Tao's success in painting art.

Looking at Shi Tao's paintings throughout his life, whether it is a masterpiece or a sketch of the page, they all have a very distinct personality and atmosphere of the times, which is unforgettable.

Some people say that Shi Tao is one of the few great figures in the history of Chinese painting, and he is indeed well deserved from his painting skills and theory. His artistic propositions and painting practice have had an important influence on later generations and have also made important contributions to the development of Chinese painting towards the nearer and modern times.

Shi Tao is skilled and innovative in all mountains, rivers, flowers, birds, figures, and animals.

Shi Tao is not only a famous landscape painter but also a famous painting theorist. His painting theory "Quotes of Painting" discusses the unity of art and reality, the unity of internal and external, the unity of mind and matter, the same consciousness and perception, and the theory that cannot be used to open up the present, the theory that is not similar, the theory that is far away from the world, etc. Today, the painting world is still regarded as a criterion.

It seems that the saying that the first person in the three hundred years since the Qing Dynasty is not an exaggeration.

When it comes to Shi Tao, there is also a master of painting. He is Dong Qichang.

In the early Qing Dynasty, painting was influenced by the theory of "North and South" advocated by Dong Qichang and others, and the trend of imitating ancient times became increasingly fierce. At this time, the talented Shi Tao emerged and ignored this trend. He emphasized "I use my own methods" and clearly pointed out: "I am for me. I am here."

"The ancients cannot rest on my face. The ancients' lungs and hearts cannot rest on my stomach and intestines." "I don't hate the ministers without the law of the two kings, and I hate the two kings without the law of the ministers."

Shi Tao even said this boldly: "Even if the pen is not brushed, ink is not ink, and painting is not painted, I am here." On the surface, he wanted to change the face of the ancients and innovate his own methods and set new standards. This call is a challenge to traditional concepts.

In fact, from the perspective of landscape painting, after thousands of years of the Tang, Song, Yuan and Ming dynasties, a huge traditional burden had been formed by the early morning.

Since the Ming Dynasty, many painters have tried to step out of the scope of traditional habits and innovate the painting world. For example, the freehand paintings created by Chen Chun, Xu Wei and others are enough to prove their courage to change.

In the late Ming Dynasty, Dong Qichang used the "sudden enlightenment" of Buddhist Zen Buddhism to guide painting, and he rose to the south and north. He used the "Southern School" to emphasize the beauty of lines and forms to find the ideal shore of life and art. He used the "Southern School" to create the concise and bright style of "Northern School" and the implicit brush and ink to create the concise and bright style of "Northern School", which has actually opened the forefront of modern painting.

Shi Tao looked down on the ancient ways, and did not stick to the ancient ways. He was unrestrained and free, and he could do whatever he wanted, and further advanced to modern painting. The times they were in were not far apart, but their artistic propositions were not completely consistent. Despite this, they had the same end. Their roles in history were very similar, and they both prepared for the development of Chinese painting to modern painting.

Shi Tao's propositions and practices made the painter re-oriented towards life and learn from nature, laying the foundation for the creation of a new history.

The emergence of various brushstroke techniques in the Five Dynasties and Song dynasties was a creative product of the people who looked at life and learned from nature. They realized the sublimation of brush and ink, and also formed a traditional load, so the Ming Dynasty still followed the tradition.

In order to achieve something in the Qing Dynasty, landscape paintings must carry out new reforms while inheriting traditions. Therefore, the creation of new laws is inevitable for the development of landscape painting to this point.

In the history of Chinese painting, there are many famous painters, but not many people like Shi Tao have outstanding artistic talents and are highly praised by people today. The main reason why Shi Tao received this honor three hundred years later is that he advocates the transformation and innovation of painting techniques.

Shi Tao absorbed the essence of traditional culture, but was not bound by the traditional spirit, opposed sticking to the rules and daring to break the Chen style. Therefore, his painting skills are not only higher than many painters of the same era, but also outstanding in the history of Chinese painting and a handful of them.

What is even more commendable is that Shi Tao not only has excellent painting skills, but also has profound art theories. A "Painting Quotations" profoundly summarizes the painting art concept and aesthetic thoughts of this genius in the painting world, which has had a great influence on later generations.

"Beautiful." Hao Huai applauded: "I have to learn from Mr. Li when I have time."

It is always a pleasant thing to be praised, and Li Wenruo couldn't help but smile and said, "This is not my opinion, but everyone's consensus."

The three people talked about it and actually forgot the big trouble they were facing, but Hao Huai quickly remembered something, and then looked at Shi Tao's "Spring Water Picture" again.

Sure enough, Hao Huai quickly discovered a very obvious repair trace, and the brush and ink were obviously different from most paintings.

Hao Huai discovered for the first time that he could find the difference in things through careful savor without using a ring, which made him very happy. Then he pointed at the problem and said, "This place has obviously been repaired, and the technique is very rough. It is estimated that the little chicken will do it a hundred times better than him."

After hearing Hao Huai's words, Li Wenruo couldn't help but shake his head and said, "What a pity, restoring cultural relics itself is a kind of protection for cultural relics, but now this painting has been repaired by some insignificant people, and it is completely impossible to achieve the effect of repair."

"This is all thanks to Chen Fangming."

After Hao Huai finished speaking, he tried to put his right hand with the ring on the ancient painting. He had long discovered that the ring had reached the point of upgrading, but he didn't know if the ring would be "interested" in this ancient painting this time.

Hope is beautiful and reality is cruel, and Hao Huai did not feel the ring movement.

Hao Huai had already been mentally prepared, so he was not disappointed when he was sick. As the saying goes, he was determined by others and accomplished by heaven. Without the help of a ring, Hao Huai would not feel desperate.

"Who was talking badly to me just now?"

When the voice came into Hao Huai's ears, Chen Fangming's people also appeared at the door of the office.

"Who am I supposed to be? It turns out that it is Mr. Chen. He came to ask for punishment?" Although Hao Huai hated Chen Fangming to the core, he did not show his true nature. He was only proud of his joy.

Li Wenruo gently pulled Hao Huai and whispered: "Xiao Hao, you have to bow your head under the roof. If you want to be in the company, it's better to be soft."

Hao Huai didn't say anything, but after hearing the general meaning, Chen Fangming couldn't help but say, "There's no need to surrender."

Chen Fangming strode into the company, came to Hao Huai, proudly raised his head, bit his back teeth and squeezed out: "Hao Huai, I won't give up if I don't play with you to death."

"I'm so good at playing with me, why do you want to rely on that ancient painting, Chen Fangming, tell you that this is the calligraphy and painting appraisal team of the appraisal department. I am the manager of the appraisal department. If you knock on me when you enter my office, you can't come in without my permission."

Hao Huai Zhang's smile became ferocious under Chen Fangming's threat, and his eyes were like a sharp knife and his eyes were approaching the other party's dripping gaze.

"Hao Huai, you'd better find out that I'm your boss and the general manager of Tianya Auction Company."

"I don't care what kind of official you are, or whether I will be the appraisal department manager in the next minute, but as long as I am still now, you must go back and knock on the door."

Chen Fangming couldn't help but retreat a little. Although he was the deputy general manager of the company, he was still quite afraid of Hao Huai's momentum. The so-called heroes do not suffer losses in front of him. He was really afraid that Hao Huai would be so anxious that he would beat him up.

"Okay, I won't care about these things with you, I'll knock on the door." Chen Fangming slowly retreated outside the door.

Wang Xing and Li Wenruo had never seen such a formation. The scene just now made them icy and breathe for a long time. It was not until Chen Fangming retreated outside the gate that Wang Xing sighed: "Old Li, I was scared to death just now. Why did it look like a war?"

"Hey, it seems that Xiao Hao doesn't plan to do it here anymore." After Li Wenruo said that, he asked Wang Xing: "Aren't you the chairman's distant cousin? You can ask Xiao Hao for pleading with him."

"I haven't seen my cousin, the chairman of the board of directors several times. It's okay to scare others, but Chen Fangming will definitely not take that trick."

"Dangdangdang..." Chen Fangming knocked on the door a few times casually, and then he was about to step in.

"You're not polite enough to knock on the door. If you dare to come in, I'll discount your dog's legs." Hao Huai sat upright on his office chair, reached out to take out the telescopic mountaineering stick. After a casual waving, the hiking poles flew out one after another, and then was poked by Hao Huai and made a crisp sound.

If Chen Fangming is not afraid of Hao Huai, it is nonsense, especially when he feels that Hao Huai is about to jump over the wall, so even if he is angry now, he can only endure it.

Chen Fangming knocked on the door a few times again, and then said politely: "Can I come in now, right?"
Chapter completed!